Gasping for Air.


Well, having seen Big Fish the other night, I can safely say it’s better than 2001’s Planet of the Apes, and I enjoyed it more than 1999’s Sleepy Hollow. Still, I expected more from this most recent outing by Tim Burton. You’d think Burton would be the perfect guy to construct a tale of fantastical, overgrown whoppers, but half the time I was wondering, “Where’s the beef?”

It’s not the cast’s fault, really. Ewan McGregor is charming as ever in the lead (even if he and Jude Law seem to be in a dead heat as to which son of the Isles can strike the goofiest Southern accent this Christmas), Albert Finney is fine, Billy Crudup does what he can in a thankless role, and most if not all of the supporting players are solid.

But the writing…I haven’t read the book, so I don’t know how close it adheres to the original stories. But I thought the film was hit-or-miss and, well, episodic. Some of the fish tales, like Ed Bloom’s mission to Korea or his tear through his small town, are pretty funny and enjoyable. Others, like his sojourn in Spectre, go on for far too long. And others, like the secret in Danny DeVito’s trailer, never really get off the ground and seem throwaway.

Of course, the larger problem here is the saccharine nature of the whole project, which is particularly surprising given Burton’s normal talent for subversiveness. He’s always been good at creating dark, edgy, temperamental worlds (Beetlejuice, Nightmare before Christmas, Batmans 1&2), but somehow this sickly-sweet, frothy, straightforward story turned Tim Burton into Chris Columbus. Sure, the denouement of the film is moving in its own way, but only because Burton hits you over the head with hospital bed tearfulness and graveside eulogizing…I’m surprised he didn’t kill a puppy while he was at it.

In sum, the movie seems to be missing that imaginative spark I once expected from Burton. What could have been an imaginative Ed Wood-like fusion of the mainstream and the perverse ended up coming across as a rather bland and staid studio project (As Buck Henry might put it, “On Golden Pond meets O Brother Where Art Thou.”) The thing about Big Fish is, I didn’t dislike it in the end. I just ended up feeling rather ambivalent about it. Hopefully, Burton will bring more of his trademark minor-key mischievousness to the table in Charlie and the Chocolate Factory.

Log Cabin to Blog Cabin.

“Perhaps that’s why former vice president Al Gore’s endorsement of Dean last week felt so strange — less like the traditional benediction of a fellow member of the party “club” than a senior executive welcoming the successful leveraged buyout specialist.” Everett Ehrlich pens an intriguing article on Dean, Ronald Coase, and “virtual parties.”

The Limits of Segregation.

“All the laws of Washington and all the bayonets of the Army cannot force the Negro into our homes, our schools, our churches,” decried Strom Thurmond in 1948 as he led the Dixiecrat segregationists out of the Democratic Party. Of course, as always in the Souths Old and New, the bedroom was another matter. To no one in South Carolina’s real surprise, 78-year-old Essie Mae Washington-Williams announces she is Thurmond’s mixed-race daughter. True to the character and hypocrisy of the Jim Crow South, here is a man who broke the Democratic Party and the filibuster record of the United States Congress trying to deny basic civil rights to his own child. How’s that for “family values?” Unbelievable. Update: Surprise, surprise. The Thurmond family confirms it.

“We Got Him.”

In a hole in the ground lived a Hussein…until today. (There’s also a Gimli joke in here somewhere, but let’s not be too flippant.) Any way you cut it, this is excellent news. By capturing Saddam, we’ve struck a considerable blow against the continuing Iraqi resistance (even if this capture won’t faze many anti-American groups joining in the fight.) By capturing him alive, we’ve prevented his martyrdom. By turning him over to an international tribunal, we can now help bridge the widening gaps between the US and the world on Iraq. (And, for the Dems, it’s better for Saddam to have been found now, eleven months before the election, than for a October surprise later down the road.) Of course we still haven’t found anything to suggest our WMD casus belli was legitimate, but hopefully this capture will make the situation in Iraq much more stable and less deadly for our troops abroad. And, while it might be too much to ask, perhaps it will encourage the Bush administration to refocus on capturing America’s public enemy #1, Osama Bin Laden, before they launch any more military sideshows.

Two (Towers)…

Reelviews: “There can be no greater gift for a movie lover than the one bestowed upon audiences by Peter Jackson, whose The Lord of the Rings: The Return of the King is not only the best movie of 2003, but the crowning cinematic achievement of the past several years. In fact, labeling this as a “movie” is almost an injustice. This is an experience of epic scope and grandeur, amazing emotional power, and relentless momentum…Not only is this motion picture an entirely worthy conclusion to the landmark trilogy, but it’s better than its predecessors.” Mori at AICN: “[T]hese films represent a high point for genre filmmaking that will be nearly impossible to equal or surpass…It’s overwhelming. It’s incredibly powerful, with battle sequences that will sweep over you like virtual reality and emotional crescendos that would be impossible to hit in a single film.

Three (Hunters)…

The Daily Mail: “How about amazing, stupendous, jawdropping and overwhelming? For this is wonderfully imaginative cinema on the grandest possible scale…There are sights here unparalleled in cinema…For its scale, imagination and passion, this is, without doubt, the greatest cinematic trilogy ever.” Financial Times: “This concluding film may be the greatest fantasy- adventure epic ever made. It is almost certainly the most spectacular.Harry at AICN: “This is frankly one of the greatest films ever made…for me, it is without equal or parallel. It does not diminish the others to any degree, it is just what it is — perfect. Like when Lean did BRIDGE OF THE RIVER KWAI, LAWRENCE OF ARABIA and DR ZHIVAGO — there was just fate leaning over the shoulder and perfection was achieved.” Wow, after all that superlative madness (which, ok, we expected from Harry), how bout a new commercial? Beware: this one’s a money-shot trailer…there’s a very good chance you might not want to see some of this stuff until after Tuesday. Then again, maybe you do…

Politics by other means.

Well, due to various other projects — end of term grading, freelance history textbook work, attending multiple job talks for a pending Columbia hire — my online note-taking has fallen even farther behind my orals reading lately. But, the spirit marches on. So, without further ado:

John Lewis Gaddis, Strategies of Containment: A Critical Appraisal of Postwar American National Security Policy.
David Kennedy, Over Here: The First World War and American Society.

Four (Hobbits)…

BBC: “The Return of the King brings an overwhelming air of expectation and of consequence – and in almost every sense it dwarfs what has come before…This three-hour, 11-minute epic is an unqualified triumph, one that raises the bar for any spectacle-respecting director of the future. The Oscar, surely, must go to Peter Jackson.” CTV: “Are there enough M words to describe Lord of the Rings: Return of the King? Majestic, monumental, magnificent.” Times Online: “AND so it ends, the greatest film trilogy ever mounted, with some of the most amazing action sequences committed to celluloid. The Return of the King is everything a Ring fan could possibly wish for, and much more.