Joel Lobenthal of the NY Sun: “As Gamzatti, Gillian Murphy imprinted infallibly etched images of pride, love, and ruthless will. She has studied the role so thoroughly and respectfully that even when she brings her own time and culture to Gamzatti’s rarified reactions and body language, they don’t coarsen her performance, but rather add to its vitality. Ms. Murphy has refined her natural facility for turning, so that her multiple fouettes in the Pas d’Action coda were smooth as silk, and her pirouettes in her last act solo, followed by an echoing spiral into the upper body, were mesmerizing.” Or, says Jennifer Dunning of the NYT: “Once again Ms. Murphy made Gamzatti as pitiable a creature as she is evil, but this is a ballerina who needs a substantial work created for her.” Yes, it’s ABT’s summer season time at the Met, and once again Gill is rocking the house. I’ve caught her in Othello and The Dream (that’s her as Titania at right) thus far, and both times she was grand. If you’re in the NYC area and looking for an evening out, check the listings — you won’t be disappointed.