The Literal (and Semiotic) Seuss.

The original Buzzfeed post from whence these came seems to have been airlocked, but the images have survived at LinkMachineGo and elsewhere: What Dr. Seuss Books Are Really About.

Or for a longer but equally goofy answer, see Louis Menand in The New Yorker, circa 2002: “The Cat in the Hat was a Cold War invention. His value as an analyst of the psychology of his time…is readily appreciated: transgression and hypocrisy are the principal themes of his little story. But he also stands in an intimate and paradoxical relation to national-security policy. He was both its creature and its nemesis — the unraveller of the very culture that produced him and that made him a star.”

Do Green Lights Cause Lens Flare?


“My life, Old Sport, has got to be like this.” Two new TV spots hit for Baz Luhrmann’s The Great Gatsby, now only a little over a month away. As I’ve said before, this looks like it’s either going to be amazing or a total train wreck.

Also in the bin of late, Kirk steps up after a few anti-Federation terrorist attacks in the newest trailer for J.J. Abrams’ Star Trek: Into Darkness. Man, Benny Cumberbatch talks a lot of smack, doesn’t he? Well, if that’s what it takes to get into Smaug shape, so be it.

G is for Gibbering.

“Edward Gorey is one of my favorite artists (A is for Amy, anyone?). What if he illustrated Lovecraft stories or created artwork with Lovecraftian themes?” In honor of Edward Gorey’s 88th birthday and by way of Kestrel’s Nest, Gorey meets Lovecraft in the work of Danish artist John Kenn Mortenson.

Update: Along the same lines, here’s a Kickstarter for The Littlest Lovecraft, a child’s illustrated edition of The Call of Cthulhu.

Poor Life Decisions, Graphed.

“Politicians and businessmen are fond of talking about America’s scientist shortage — the dearth of engineering and lab talent that will inevitably leave us sputtering in the global economy. But perhaps it’s time they start talking about our scientist surplus instead.”

The Atlantic‘s Jordan Weissman takes another gander at the sorry state of the PhD life in America, with an emphasis on the sciences. “The pattern reaching back to 2001 is clear — fewer jobs, more unemployment, and more post-doc work — especially in the sciences. A post doc essentially translates into toiling as a low-paid lab hand.”

Note also the dismal situation of the humanities in the graph below. The average salary for a humanities PhD is not only less than I’m making in speechwriting these days — it’s less than what I was making in 2001, before I went off for grad school. It’s also less, or at the very least comparable, to the average salary of a public school teacher in America — a job where you’re probably much more likely to make a difference in the lives of your students. But hey, check out the big brain on me.

The upshot here, at least for the humanities? It’s generally a bad idea to spend a decade apprenticing yourself to a job that barely even exists anymore.

Update: “Let me start with the bad news. It is not even news anymore; it is simply bad. Graduate education in the humanities is in crisis. Every aspect, from the most specific details of the curriculum to the broadest questions about its purpose, is in crisis. It is a seamless garment of crisis: If you pull on any one thread, the entire thing unravels.” Literature professor Michael Bérubé surveys the sad state of affairs in the Chronicle of Higher Education.

The Axes of Evil.

“This series is an experiment where a dictator, a psycho, a murderer (sometimes they are the whole package) or even a suspicious figure from real life is mashed with a comics bad guy – strangely related some way or the other with his counterpart.” Brazilian artist Butcher Billy’s Legion of Doom, by way of Normative.

A Better Tomorrow.

“This is not a list of the ‘best’ fantasy or SF. There are huge numbers of superb works not on the list. Those below are chosen not just because of their quality – which though mostly good, is variable – but because the politics they embed (deliberately or not) are of particular interest to socialists.”

Sci-fi author China Mieville (Perdido Street Station, Iron Council, The City & The City) offers up his personal list of the 50 Sci-Fi and Fantasy Works Every Socialist Should Read, including Octavia Butler, Charlotte Perkins Gilman, Edward Bellamy, Iain Banks, Kim Stanley Robinson, and Mervyn Peake. “Ayn Rand—Atlas Shrugged (1957): Know your enemy. This panoply of portentous Nietzcheanism lite has had a huge influence on American SF. Rand was an obsessive ‘objectivist’ (libertarian pro-capitalist individualist) whose hatred of socialism and any form of ‘collectivism’ is visible in this important and influential – though vile and ponderous – novel.”

As y’all already know, I’m not a socialist — I’m a civic progressive. But I have more admiration for the old Party of Debs than I do, say, today’s New Dems. Also, the Iron Council-ish train above is by Arizona-based illustrator Chris Gall, whose colorful, social realist-inspired drawings and engravings are worth perusing.

Breaking Very Very Bad.

“In The Sparrow we follow two stories: The global miscommunications that arise when one culture attempts to convert another, and one man’s crippling loss of faith. On February 1st, Russell herself announced that The Sparrow might finally be flying from page to screen.” In intriguing TV news, AMC options Mary Doria Russell’s The Sparrow for a possible television series. (My thoughts on the book are here, and its sequel here.) Now, who to play Father Sandoz…Ciaran Hinds?

Tulip Time.

“Abstract rainbows of color fill the landscape in these beautiful photos by French photographer Normann Szkop who hopped in a Cesna with pilot Claython Pender to soar above the tulip fields in Anna Paulowna, a town in North Holland.” It’s a Mondrian kind of ground – Let him show you what he can do with it: In the eye candy department, tulip fields from the sky. “See the entire 100+ photograph set over on Flickr.”

Where the Magic Happens.

“As I move through the book it becomes more demanding…Toward the end of a book, the state of composition feels like a complex, chemically altered state that will go away if I don’t continue to give it what it needs. What it needs is simply to write all the time. Downtime other than simply sleeping becomes problematic. I’m always glad to see the back of that.” Via Brain Pickings, daily routines of famous writers.