Marjah Under Starlight.

By way of Genehack, the Big Picture’s most recent photo dispatch from Afghanistan includes images that are breath-taking (above), sweeping (shades of A Broken Frame), cinematic, poignant, and just plain sad. (I should really link to TBP more often — this shot from Glastonbury is amazing also.)

“Most of the U.S. national news about immigration is very sad: bitter political disputes in Arizona, or images of desperate immigrants trying to cross the border. So much pain numbs you. It is easy to overlook the practical contribution of immigrants to American society, as well as the enormous financial contribution they make in sending remittances home. A lot of Latino communities survive on that money…Comic-book superheroes have an alter ego, and so do immigrants in the United States. They may be insignificant or even invisible to much of society, but they are heroes in their homelands.“

In Foreign Policy, photojournalist Dulce Pinzon shares her photo collection of Mexican migrant workers dressed as superheroes. (Officially here.) “The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.”

28 Hours Later.

By way of Kris, a recent survivor of the apparent zombie apocalypse that took place in Sydney, Tom Coates of Plasticbag has collected a gallery of some of the day’s more amazing pictures. (FWIW, ten years ago, Coates’ Barbelith was an inspiration for starting GitM.) I particularly like this one, the bridge, the funhouse, and the weird Matrix-y kitchen.

Everything looks worse in black and white.

They gave us those nice bright colors, they gave us the greens of summers: By way of Dangerous Meta and to commemorate the recent discontinuing of the famous film, Fortune offers up twenty Kodachrome images from its extensive photo archives, including shots by Ansel Adams, Walker Evans, and William Vandivert. The one above, by W. Eugene Smith, dates to 1957.

The Other End of the Telescope.

“‘Houston, Hubble has been released,’ Atlantis commander Scott Altman radioed Mission Control. ‘It’s safely back on its journey of exploration as we begin the steps to conclude ours.” The crew of STS-125 re-release the Hubble into high orbit, their epic repair-and-upgrade mission accomplished. “‘We have literally thousands of astronomers out there around the world waiting to use these new capabilities,’ Morse said. ‘And they are chomping at the bit to get their data.‘” Great work, Atlantis.

Update: Spiffy pic above — and many more like it — courtesy of Boston.com‘s The Big Picture and Hal at Blivet.

Grasp of Thanos.

Speaking of NASA, somebody page Jim Starlin (and file this next to the Great Eye): Another holdover from last week, The agency’s Chandra X-Ray Laboratory captures an eerie and beautiful galactic “hand” reaching across the cosmos. “[T]he display is caused by a young and powerful pulsar, known by the rather prosaic name of PSR B1509-58…The space agency says B1509 — created by a collapsed star — is one of the most powerful electromagnetic generators in the Galaxy. The nebula is formed by a torrent of electrons and ions emitted by the 1,700-year-old phenomenon. The finger-like structures are apparently caused by ‘energizing knots of material in a neighboring gas cloud,’ NASA says.”

Picture Pages.

By way of DCoE, Boston.com‘s “The Big Picture” picks the top 120 photographs of 2008. (This is part one — parts two and three will follow on subsequent days.)

Land of Lincoln.

“With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation’s wounds; to care for him who shall have borne the battle, and for his widow, and his orphan — to do all which may achieve and cherish a just and lasting peace, among ourselves, and with all nations.” From deep within the Library of Congress, new photos emerge of Lincoln’s second inauguration.

A Thousand Words.

By way of Quiddity, some enterprising soul has compiled the top fifteen most embarrassing photos of Dubya. (Honorable mentions here.) I’d probably have changed the order up (the Katrina guitar pic should be higher) and thrown in a few more (Dubya flipping the Segway, for example.) But, otherwise, well-played.

Trailer Convoy.

Several items for the trailer bin:

* Diane Lane and Thomas Jane go on the lam to escape hitmen Mickey Rourke and Joseph Gordon-Leavitt in this glimpse at John Madden’s Tarantino’ed-up version of Elmore Leonard’s Killshot. (Johnny Knoxville and Rosario Dawson are involved in some fashion as well.)

* Chow Yun-Fat and Gong Li gear up for some trademark Zhang Yimou wire-fu (a la Hero and House of Flying Daggers) in the new teaser for Curse of the Golden Flower.

* Nicole Kidman ventures through the photographic looking-glass as Diane Arbus in Fur: An Imaginary Portrait of Diane Arbus, the new film by Secretary‘s Steven Shainberg, also with Robert Downey Jr. (Mirrored here.)

* Helen Mirren jumps from Elizabeth I to Elizabeth II in this look at Stephen Frears’ The Queen, concerning Buckingham Palace’s reaction to the death of Princess Diana. (I have zero interest in the subject matter, frankly, but I do like Mirren, Frears, and James Cromwell, and there’s an iffy Tony Blair impression here by Michael Sheen, to say nothing of the guy playing Prince Charles.)

* Finally, Guillermo del Toro returns to the faerie Spain of The Devil’s Backbone in this rapid-edit teaser for Pan’s Labyrinth. (Being on a lousy hotel connection, I couldn’t get this link to work, but I believe the same teaser is mirrored here.)

Category: Photography