King (of the World) and Avatar.

“The Banshees and the other creatures are going to be about 90% or 95% animated. And with the humanoids hopefully we’re going to be coming down to 95% capture with the exception of ears and like I said clothing and hair and stuff like that.” I’m behind on this one — Sorry, I’ve been saving up links to space out the flurry of movie reviews, and then overestimating how much I can actually get written on a given day — but James Cameron has announced more details about Avatar (not to be confused with M. Night Shyamalan’s Avatar, which I couldn’t case less about) and granted AICN’s Harry Knowles an extended interview on the performance-capture project. Set for a 2009 release, the film will “star” Sam Worthington (recently in the Aussie Macbeth update) and Zoe Saldana (late of Pirates of the Caribbean II.)

On Avatar and Mars.

More James Cameron news: Harry of AICN has a wide-ranging conversation with the director which, if you can get past the usual Knowlesisms, reveals that Project 880 is in fact Avatar, and that Cameron has been working with NASA on a “Live Video Stereo Motion Image” (3-D) camera for the next Mars Rover.

DCCCLXXX.

Sorry, Battle Angel Alita and Aquaman: James Cameron announces the secretive Project 880 will be his next film. “‘We’ve moved “Project 880” into first position,’ Cameron said. ‘It’s as classified as the Manhattan Project.’ Many believe it is actually a version of Avatar, the director’s oft-rumored love story set against interplanetary war.” Both it and Alita (to follow) will be filmed in high-definition 3-D.

King of the Underworld

Despite feeling kinda rotten, I did venture out to the movies on Saturday night (armed with a hefty bag of throat lozenges) for an impromptu double feature. At the top of the bill was James Cameron’s IMAX extravaganza Aliens of the Deep and, all I can say is, if Cameron wants to make Battle Angel Alita using this funky 3-D technology, hail to the King. Granted, I haven’t seen a 3-D movie since the days before Captain Eo. Nevertheless, the effect was much improved, and made what could have been a staid underwater documentary comprised of what look to be outtakes from The Abyss into a riveting, jaw-dropping wonder.

I’ll admit, I was also fond of Cameron’s central conceit here, which is that our best bet for finding life in this solar system — at Europa, say — would be of the kind inexplicably thriving around thermal vents in the darkest, deepest parts of the ocean, where the sun never shines (and thus photosynthesis never takes place.) And what strange life it is! Innumerable swarming shrimp scuttle between ice-cold and boiling-hot water with nary an antenna twitch. Strange symbiotic tube worms ensnare food for their inner bacteria, which digests for them. Ethereal jellyfish float by, improbably yet undeniably alive. And, thanks to the 3-D, it seems you can reach out and touch all of these creatures just before your eyes — in fact, you can see them better in their natural habitat than any human being possibly could. It’s really quite amazing.

Like I said, I don’t know if Aliens of the Deep would be everyone’s cup of tea — most of the film just involves young astrobiologists and underwater explorers enthusing over their wild and crazy jobs in tiny little subs. But, whenever a strange new animal popped up on the screen, and particuarly when the camera hurtles past the moons of Jupiter on its CGI-way to far-flung Europa, I thought to myself, “Now, that’s Edutainment!”

Angel in America.

“A few years ago I started down this path of creating this 3D camera system and once I started working in that, I couldn’t imagine myself going back and shooting with the camera that I used before. It just seemed like going back from a car to a bicycle, and I don’t want to ride a bicycle again, so the question is, at what point can I use the kind of imaging that we’re able to do now for a feature film?” From the Rebel Billionaire to the King of the World, James Cameron (fresh off Aliens of the Deep), talks up 3D cinema and his next project, a live-action Battle Angel Alita.

Prince of Gotham, King of the World.

In the movie bin, some some news of a Batman Begins teaser (and a first look at Liam Neeson), and James Cameron speaks about his top-secret 3D Sci-Fi project, now starring Brian Cox. If Cameron is really serious about resurrecting 80’s action film stars, one of his favorites, Michael Biehn, is probably waiting by the phone…

Alien$.

Because noone demanded it, the new Alien v. Predator trailer. Man, talk about running a quality franchise into the ground. As James Cameron noted when he heard about this lame Paul Anderson project, why don’t we get Freddy Krueger or the Wolfman up in here too? I know this was a Dark Horse comic, but that doesn’t mean it had to be a movie.