Haunting the Web Since 1999
Following up on last week’s posters, the X-Men: Days of Future Past viral campaign kicks off with a spiffy corporate website and commercial for Trask Industries (Note Peter Dinklage, in period ‘stache), along the lines of the pre-Prometheus commercial for David — and we all know how Prometheus turned out. Still I’m a sucker for Watchmen-style alternate history, like the Sentinel presiding over Ronald Reagan’s inauguration, above.
“Well I never knew it was a man’s world! I never accepted that. I thought I had an education just as good as a man’s. I deserve to have the same opportunities and advantages. So I antagonized a lot of people, but I fought for women’s rights and blacks’ rights and civil rights. Discrimination against women was very bad. There was no reason to accept discrimination. No reason.” Helen Thomas, 1920-2013.
“‘My personality was formed by Chicago,’ he told Cigar Aficionado magazine in 1999. ‘It’s very American, very straightforward. If you can’t find it, or make it there, you won’t make it anywhere. It’s a very honest place.'” Dennis Farina. 1944-2013.
“I was the Knicks’ third-leading scorer [8.1 ppg], I also finished third in the league in assist average [2.0], and my salary was 60 dollars per game. Ha! These days, the players make about sixty dollars a minute. Don’t get me wrong, though. I have no jealousy or resentment over how much money these guys make today. I think they’re the best athletes in the world, and they’re worth every red cent. I’m just proud to have been one of the NBA’s pioneers.” Ossie Schectman, 1919-2013.
It’s a bad day in space in the powerful new trailer for Alfonso Cuaron’s Gravity, with Sandra Bullock and George Clooney. (And I expect it’ll be even worse in IMAX 3-D.) Oh yes, this could well be the cure for my summermovietime blues.
Speaking of which, great line in the AICN comment thread on this: “After seeing this (and especially the first trailer) I have a theory that Gravity is actually set in the same universe as Man of Steel and these poor people are some of those left to die in the wake of Superman’s destruction of orbiting satellites.”
Update: So the trailer above was apparently just the beginning. The powers-that-be are releasing three different clips. The third one is up tomorrow — Here’s Part 2.
Update 2: And Part 3…
All well and good, I suppose, and more indication that comic fandom is now completely mainstream. Still, while I have high hopes for the amiable weirdness currently surrounding James Gunn’s Guardians of the Galaxy, it sure feels like Hollywood is churning out a lot of mediocre, uninspired, and by-the-numbers product this year.
Maybe I’m just getting old, and I suppose Shane Black’s Iron Man 3 was decent enough fun, but I found both Star Trek: Into Darkness and Man of Steel loud, dumb, and disappointing, to the point where I haven’t felt all that inclined to pony up for World War Z and Pacific Rim, which looks like more of the same: smash-mouth visuals struggling to overcome dismal writing, and 9/11y spectacle used for fake-gravitas.
Hopefully Elysium will give this summer an Inception-like jolt. As it is, we’re halfway through 2013 and the only must-see film I’ve caught is Before Midnight.
Lots of scores to settle and cold dishes served in the trailer bin of late…
Antebellum musician Solomon Northrup (Chiwetel Ejiofor) finds himself way down on the wrong side of the Mason-Dixon line in our first look at Steve McQueen’s 12 Years a Slave, also with Benedict Cumberbatch, Paul Dano, Michael Fassbender, Paul Giamatti, Lupita Nyong’o, Sarah Paulson, Brad Pitt, and Alfre Woodard.
Some strange musical cues here, including the themes from Pearl Harbor and The Wolfman (the latter used to better effect in the original, still-creepy Tinker Tailor teaser). In any case, I liked Hunger and Shame less than most, but I’d be up to give this a go.
Please Hammer Don’t Hurt ‘Em: Josh Brolin discovers to his dismay that he can check in but never leave in the red-band trailer for Spike Lee’s remake of Park Chan-wook’s Oldboy, also with Elizabeth Olsen, Sharlto Copley, Samuel L. Jackson, Michael Imperioli, Lance Reddick, and James Ransone. I’m still trying to un-watch the original — some things involving octopi and tongues I wish I never saw in that there film.
One good remake deserves another: Deserve’s still got nothing to do with it as Ken Watanabe fills Clint Eastwood’s shoes for Sang-il Lee’s Yurusarezaru mono, the Japanese remake of Unforgiven, also with Akira Emoto, Koichi Sato, and Yuya Yagira. From The Seven Samurai to The Magnificent Seven, there’s a long and fertile history for this sort of cultural exchange, so I’d watch it.
What I likely won’t be watching is Sergei Bodrov’s fantasy epic Seventh Son, based on a series I haven’t heard of called The Wardstone Chronicles, even if it does have Jeff and Maude Lebowski operating on opposite sides of the ball. (Between this and R.I.P.D., Bridges seems to be in full “paying for an extension to my house” mode these days.)
I thought at first this might be based on Susan Cooper’s The Dark is Rising, but then I remembered they already made a lousy adaptation of that a few years ago. In any case, also along for the ride: Ben Barnes, Kit Harington, Alicia Vikander, Djimon Hounsou, Jason Scott Lee, and Antje Traue.
When bad things happen to his brother (Casey Affleck), Christian Bale goes vigilante to take down the local ne’er-do-well (Woody Harrelson) in the first trailer for Scott Cooper’s Out of the Furnace, also with Zoe Saldana, Willem Dafoe, Forrest Whitaker, and Sam Shepard. (TL;DR: Bale meets Death Wish meets Winter’s Bone.) Alrighty then.
When bad things happen to his brother (Matt Barnes), Ryan Gosling goes vigilante to take down the local ne’er-do-well (Vithaya Pansringarm) in the newest trailer for Nicholas Winding Refn’s Only God Forgives.
Along with presumably another hyper-catchy soundtrack like Refn and Gosling’s Drive, this also has the added benefit of Kristin Scott Thomas apparently doing her “Ben Kingsley in Sexy Beast/Ralph Fiennes in In Bruges” turn. As with Oldboy, I expect this to be hyper-violent, tho’.
And finally Wong Kar-Wai, Yuen Woo Ping, Tony Leung, and Zhang Ziyi band together to tell the story of Ip Man (again) in the newest trailer for The Grandmaster. This still looks to me like an unnecessary remake of the third Matrix movie, but you can’t fault the pedigree involved.
Update: One more down the pike today: Benedict Cumberbatch channels Julian Assange, and has some Social Network-style angst with his partner Daniel Bruhl, in the first trailer for Bill Condon’s The Fifth Estate, with Anthony Mackie, David Thewlis, Alicia Vikander, Peter Capaldi, Carice van Houten, Dan Stevens, Stanley Tucci and Laura Linney. Linney’s smarmy “truth, justice, and the American way” line is wince-inducing, but otherwise this could be promising.
Update 2: Blanchett, meet Blanche DuBois? After Madoff-y husband Alec Baldwin becomes only the second person in America to be prosecuted for misdealings during the financial crisis, Cate Blanchett learns how the other half lives in the first trailer for Woody Allen’s Blue Jasmine, with Sally Hawkins, Bobby Cannavale, Andrew Dice Clay(?), Michael Stuhlbarg, and (hopefully) the Woodster’s new best friend, Louis C.K.
“‘I hate the word horror,’ the author told fantasy editor and writer Stanley Wiater for the 2009 video doc Dark Dreamers. “To me, the word horror is visceral. Terror hits you in the mind. You don’t have to show anything to scare a lot of people.’ Just the wail of an invisible child, or the face of a furry gremlin…on the wing of a Twilight Zone plane.” Richard Matheson, 1926-2013. For the next generation of kids to be touched by Richard Matheson’s stories, what nightmares await! What dreams may come!
“‘He was the most successful coach of the 1960s, and it could be said he still was in the 2000s,’ Caldwell said. ‘His ability to be successful at the same place over such a long period is unparalleled.'” Harry Parker, 1935-2013.“‘It really is like God died and nobody knows what anything means now, because Harry was the sport,’ said Bruce Smith, executive director of Community Rowing.”
I dunno…I know it’s Scorsese and all that, but at least Gatsby had period panache going for it. This looks like yet another generic Rise and Fall of the Financial Sector Douchebros, and Boiler Room, Margin Call and the Wall Streets, among other films, already covered these useless yahoos enough to my satisfaction. We’ll see.
