Rebecca and Lawrence.

“‘You see, in our family Olivia was always the breadwinner, and I the no-talent, no-future little sister not good for much more than paying her share of the rent’ Fontaine told columnist Hedda Hopper in 1949…’My sister was born a lion, and I a tiger, and in the laws of the jungle, they were never friends.'” Joan Fontaine, 1917-2013.

“Burton called him ‘the most original actor to come out of Britain since the war,’ with ‘something odd, mystical and deeply disturbing’ in his work.'” Peter O’Toole, 1932-2013. “‘I’m a professional,’ he said in one interview, ‘and I’ll do anything — a poetry reading, television, cinema, anything that allows me to act.'”

Flying, Spidering, Roaring, Zerging.


As a follow-up to the ambitious and underrated Cloud Atlas, the siblings Wachowski return to their manga-centric sci-fi roots in this first trailer for Jupiter Ascending, with Mila Kunis, Channing Tatum, Sean Bean, Eddie Redmayne, and James D’Arcy. Hrm…looks a bit like The Fifth Element, art direction wise, and Kunis sure does seem to fall off things a lot. Anyway, I’m in.


Also in the trailer bin of late, Spiderman (Andrew Garfield) makes at least three more enemies — we’ll get to a Sinister Six soon, no doubt — in Rhino (Paul Giamatti), Electro (Jamie Foxx) and the Green Goblin (Dane De Haan) in the first teaser for Marc Webb’s The Amazing Spiderman 2, also with Emma Stone, Sally Field, and Campbell Scott. After Chronicle, The Place Beyond the Pines, and Kill Your Darlings, I’m a mite tired of DeHaan, to be honest, but I’ll grant that his schtick does work well for Harry Osborne.

Update: And another I missed on the first sweep: David Strathairn gamely rallies the paratroopers in the atmospheric trailer for Gareth Edwards’ Godzilla reboot, also with Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Juliette Binoche, Sally Hawkins and Ken Watanabe. I prefer the leaked one with the Oppenheimer voiceover (“I am become Death, Destroyer of Worlds,” bringing the thunder lizard back to its Hiroshima roots), but I can see how that might’ve been too edgy for a summer blockbuster.

Update 2: Tom Cruise cosplays Starcraft, and gets some mechanized infantry pro-tips from Emily Blunt, in the first trailer for Doug Liman’s The Edge of Tomorrow, a badly-named adaptation of Hiroshi Sakurazaka’s All You Need is Kill. Eh, maybe.

Update 3: Matthew McConaughey and Christopher Nolan celebrate the dream of flight in a brief and relatively vague teaser for Interstellar, also with Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, Michael Caine, Matt Damon, Casey Affleck, Topher Grace, John Lithgow, David Gyasi, Wes Bentley, and David Oyelowo. As it says, one year from now.

Update 4: Speaking of gamely rallying folks, Gary Oldman tries to get San Francisco’s few remaining humans to chin up against those damn dirty apes in the first teaser for Matt Reeves’ Dawn of the Planet of the Apes, also with Jason Clarke, Keri Russell, Judy Greer, and, of course, Andy Serkis. The first one was surprisingly ok, and this can’t be worse than Oldman’s last dystopian epic, The Book of Eli, so I’ll likely matinee it.

Update 5: A few more come down the pike for the holiday film season: First up, computer genius Johnny Depp goes the way of the The Lawnmower Man in this short teaser for Wally Pfister’s Transcendence, also with Rebecca Hall, Paul Bettany, Morgan Freeman, Kate Mara, Cillian Murphy, Clifton Collins Jr., and Cole Hauser. The Matrix-style binary is a bit of a cliché at this point, but Pfister has done memorable work as Nolan’s cinematographer, so I’m optimistic.

And, following up on the first trailer of a few months ago, Wes Anderson introduces us to the cast of characters of The Grand Budapest Hotel, among them Ralph Fiennes, F. Murray Abraham, Mathieu Almaric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Saiorse Ronan, Jason Schwartzman, Tilda Swinton, Tom Wilkinson, Owen Wilson, and Tony Revolori.

Awful, Actually.

“Let’s begin by stating the obvious: It’s a tremendous cast. (Chiwetel Ejiofor is even tucked in there somewhere.)…As for the rest of the film — which is to say, the bulk of the film — I think it offers up at least three disturbing lessons about love. First, that love is overwhelmingly a product of physical attraction and requires virtually no verbal communication or intellectual/emotional affinity of any kind. Second, that the principal barrier to consummating a relationship is mustering the nerve to say ‘I love you’ — preferably with some grand gesture — and that once you manage that, you’re basically on the fast track to nuptial bliss. And third, that any actual obstacle to romantic fulfillment, however surmountable, is not worth the effort it would require to overcome.”

Standing athwart the recent attempts by Vulture to canonize the loathsome Love, Actually as a beloved Christmas standard, Chris Orr points out, once again, that it’s, actually one of the least romantic films out there. This may seem at first to be just another battleground in the current culture war of Snark v. Smarm, but I don’t think that quite applies. I defer to no man in my appreciation of good movie romances — I picked one as my top film of last decade — but I Find Love, Actually schlocky, gross, and the opposite of romantic. (That is, unless you happen to find it heartwarming when dudebros relentlessly hit on their subordinates and their best friends’ wives.)

Llewyn to Caesar. | The Cat is the Hat?

“You always blithely write shit in and then find out that it’s a pain in the ass to do it,” groaned Joel. “In Inside Llewyn Davis, we very blithely wrote that there was a cat in all of these different scenes. And then we got on the set and had to do it, and you know, cats are a pain in the ass. They’re just an unvarnished pain in the ass, that’s all there is. There’s nothing fun about it.”

As Inside Llewyn Davis hits theaters, Joel and Ethan Coen talk about their potential next projects — looks like Hail Caesar is still flitting around — and the trouble with filming felines. “‘You have lots of different cats on set,’ said Joel. ‘”Oh, that one won’t do the scene? Try this other one, see if he’ll do it.” And you just sit there until he does it, or until you say, “Fuck it, he ain’t gonna do it,’ and come up with something else.”‘”

I haven’t seen Davis yet — DC being a second-tier film town, it hasn’t arrived yet — but I have a sneaking suspicion Llewyn’s kitteh will be playing the role of Tom Reagan’s hat here — a metaphor for his self-possession. Looking forward to finding out this weekend.

Waiting for Gadot.

Israeli actress Gal Gadot is cast as Wonder Woman for Zach Snyder’s Man of Steel follow-up (which people have been calling Batman v. Superman, but now seems to be Batman v. Superman v. Wonder Woman v. Lex Luthor v. Doomsday or somesuch.) “Variety adds you can probably expect ‘several members of the Justice League’ to make appearances in the film.”

This seems like a role that Jaimie Alexander was born to play, but I’ll reserve judgment until I’ve seen more of Gadot — She was apparently in Knight and Day but I have no memory of her.

Not Ruby, Not Oswald: Lehnsherr.


“Days before Kennedy arrived in Dallas for his Trade Mart visit, the Friends of Humanity had campaigned among locals for his impeachment. According to the group, the Missile Crisis was the least of Kennedy’s sins in a list of treasons including “mutant love” and “conspiracy to dilute the human race with ungodly blood.”

I missed this during JFK retrospective/Thanksgiving week until Ted of The Late Adopter passed it along: The Magic Bullet is finally explained. In short, there was no second shooter — just a bullet-bending mutant master of magnetism on the grassy knoll. Seems like a good reason to authorize the Sentinel program, and no mistake.

Update: Upon looking over recent entries, I notice I neglected to post the full X-Men: Days of Future Past trailer, so here it is: Some questionable editing choices here (that jump-cut after “Patience isn’t my strongest suit” is jarring every time), but hopefully this will avoid the overstuffed pitfalls of X3 and continue in the positive vein of First Class.

50 Hours a Cineaste.


“Anyway, this was a lot of fun to cut together. While I don’t expect that you’ll agree with all of my choices (given that this is a ranked list of 25 films, it would be really strange if you did), I hope you enjoy watching this all the same.”

As per last year, Film.Com’s David Ehrlich has once again spliced together an entrancing Supercut of his top 25 films of 2013. As always, my own year-end list will arrive at the end of the month, but I will say that I’ve seen most of Ehrlich’s (wide-release) choices, I generally agree with what he’s got going on here, my current top two films are in his top five, and I have very high hopes for his #3.

Them Big Boys Did What HBO Couldn’t Do.

“As you probably heard, the onetime juggernaut of a video rental chain formally pulled the plug on most of its remaining retail stores this week. Just think of all those abandoned storefronts where people used to rent ‘Wall Street 2’ or ‘Pain and Gain’ or whatever; just think of what Bruce Springsteen, the bard of economic collapse, might have done with such a…well, I was about to type ‘catastrophic occurrence,’ but..it was more like a sector of the marketplace realigning itself with technological reality after years of denying the inevitable.”

Down in South Carolina, back in 1993, I wore the blue and yellow, got ten free films a week. I built up some movie knowledge, right near the Florence Mall. Now those tapes have been taken away, lost amid the suburban sprawl. After mining the Internet hivemind, Matt Zoller Seitz gathers odes to the end of Blockbuster in the style of Bruce Springsteen.

Mowing neighborhood lawns notwithstanding, Blockbuster was actually my first job. And, while I never cottoned to their Republican-leaning ways or their ridiculous drug test policy, it was a pretty good gig for a high school kid, all in all — if you could withstand the same twenty trailers and episode of Duck Tales playing ALL THE TIME. Like I said, ten free movies a week. As an 18-year-old just working to raise beer-money for college, you can’t beat that with a stick.

Painter of Lightsabers.

“Artist Jeff Bennett has invaded the cloying world of Thomas Kinkade with the full might of the Galactic Empire. In a series Bennett is calling Wars on Kinkade, the Painter of Light’s ethereally bland landscapes come under the iron fist of Star Wars storm troopers, Imperial Star Destroyers and Hoth-crushing AT-ATs.” General Veers, prepare your men for a surface attack: The Empire Strikes Kinkade.