Vamps of all kinds.

Jonathan Rhys-Meyers has a fatal attraction problem with Scarlett Johansson in the new trailer for Match Point, directed by…well, someone unexpected. (By way of Listen Missy.) Also in the trailer bin are looks at the “remake” of Broadway’s The Producers (What? No Larry David?) and Underworld: Evolution, the unnecessary sequel to a truly terrible film. Seriously, if everyone just sent Bill Nighy $10 rather than seeing this latter flick, the world would be a better place. Catsuit-Kate notwithstanding, he’d be the only reason to sit through this drek.

Oil & Smoke.

In the movie bin, Jake Gyllenhaal welcomes the suck in the full trailer for Sam Mendes’ Jarhead (teaser noted here) , and John Turturro directs an all-star cast to song and dance in this first clip from Romance & Cigarettes.

Black Gold, Black Ops.

Corruption is our protection. Corruption keeps us safe and warm. Corruption is why we win.” Tim Blake Nelson channels Boss DeLay in the new trailer for Stephen Gaghan’s Syriana (a.k.a.Traffic meets Big Oil), starring George Clooney, Matt Damon, Jeffrey Wright, Chris Cooper, Amanda Peet, Alexander Siddig, and Christopher Plummer.

Burden of the Bayou

Hidden over at the official FX Nip/Tuck site (click on the Sony lounge button at the bottom of the screen) are a number of new trailers for upcoming big-ticket films, including Freedomland (with Samuel Jackson, Julianne Moore, Edie Falco, and The Wire‘s Clarke Peters) and Memoirs of a Geisha (with Zhang Ziyi, Michelle Yeoh, Gong Li and Ken Watanabe.) Both, particularly the latter, look impressive.

Less impressive, unfortunately, is the trailer for one of my most eagerly awaited films of the year, All the King’s Men. To be fair, I have very high hopes for this flick. All the King’s Men is far and away my favorite “Great American Novel” for many reasons. (To name just one, anyone thinking of going anywhere near a history graduate degree should peruse Jack Burden’s trying experience at State University first.) Whatsmore, it’s being brought to the screen (again) through the efforts of my old boss, who’s got, you might say, a good handle on the source material.

But this trailer misses the punch of the book and, frankly, plays like not much more than warmed-over Oscar bait. Ok, no biggie, it’s just a trailer. But more worrying, Jude Law and Sean Penn, both excellent actors, seem miscast. As the passage cited above attests, Burden is by no means a fresh-faced kid when he enters Willie’s circle — he’s been around the block a few times, fallen in and out of love and lust, gotten kicked around when he’s down, and taken refuge more than once in the smothering arms of the Great Sleep. There’s a sadness and a resignation about him that’s just not gonna shake…Think Gabriel Byrne in Miller’s Crossing. But, here, Jude Law looks entirely too wide-eyed, beaming, and innocent — in a word, too pretty — to do justice to the part. As for Penn…well, he just seems off to me, particularly considering how perfect Sadie (Patricia Clarkson) and Tiny Duffy (James Gandolfini) look. But, well, perhaps I’ll get used to him. (The Stantons — Kate Winslet and Mark Ruffalo — are neither here nor there, but I’m getting a bad feeling about Anthony Hopkins, who’s been known to phone it in, as Judge Irwin.)

More than Half-Full.

The new trailer for Harry Potter and the Goblet of Fire premiered this morning, and it’s nine kinds of great — I didn’t have much faith in Mike Newell at the outset, but this looks like it may have turned out even better than Cuaron’s Azkhaban. Check out Mad-Eyed Moody, Cho Chang, Rita Skeeter, the lovely ladies of Beauxbatons, and is that You-Know-Who at the very end? Update: There’s also a new international trailer floating around.

The Worst Joke Ever.


You see there’s this cat burglar who can’t see in the dark…” No, not that oneThe Aristocrats, which I heard told several times over in the first leg of my Labor Day movie marathon. By now, you’ve probably heard the setup for both the documentary and the joke…but, just in case, a gaggle of famous comedians tell their respective versions of a crusty and filthy old vaudeville yarn involving a “family act” audition in an agent’s office. The name of the act, as the punch-line tells us, is “the Aristocrats” (or occasionally “the Sophisticates” or “the Debonairs.”) The act itself varies in the telling, but generally includes lots of micturition, bowel-loosening, vomiting, sodomy, incest, bestiality, and sundry other vile depradations you usually can only see on cable TV. And the funniness of the joke depends a good deal on the talents and twisted imagination of the teller. All in all, I’d say the movie is funnier than the joke and worth catching (if you’re not easily offended), but it’s nothing you need to rush out and see in the theater.

In all honesty, be it due to exposure to Deadwood, Grand Theft Auto, or the school bus, I found most iterations of the joke less transgressive than they were just repetitive. While some comedians bomb with the joke (Taylor Negron, Lisa Lampanelli, David Brenner, and Emo Phillips, to whom the years have not been kind), others seem to have never heard it (Chris Rock, Eddie Izzard), and still others hedge their bets (Paul Reiser, Drew Carey), I’d say up to 85% or so of the tellers just seem content to swim around in the same sex-and-defecating pool like demented eighth graders afflicted with the giggles. Sick-and-twisted-funny, sure, but not over and over again (which is why the movie wisely begins throwing in a mime version, two magic versions, and other more idiosyncratic iterations after awhile.)

Still, some comedians do shine with the material. George Carlin and Bill Maher in particular offer sound insights into the joke’s past and present. (As Maher and Lewis Black note, the Aristocrats stand in increasing danger of being overtaken by Reality TV.) Martin Mull, Carrie Fisher, “Christopher Walken,” and Sarah Silverman deserves points for telling roundabout or slightly off-kilter versions of the same sordid story. And Bob Saget gets a gold star for performing a bizarre career self-immolation and running with easily one of the most inventive and disgusting versions of the joke…no more America’s Funniest Home Videos, for him, I’d wager. (Jason Alexander’s isn’t bad, either.)

Much is made of a cathartic public telling of the joke by Gilbert Gottfried soon after 9/11, but, frankly, it doesn’t come across. In fact, in a way that version belies the problem I had with most tellings of the joke. By avoiding the 9/11 tragedy to focus on ungodly shagging and bodily fluids, Gottfried wasn’t being transgressive — he was playing it safe (and, to his credit, uniting the comic world with a joke they all shared, which was more likely his intention.) Still, Jeffrey Ross’ riposte to Rob Schneider that night — “Hasn’t there been enough bombing in this city?” — seems closer to the anarchic, tasteless, subversive, and shocking spirit the Aristocrats needs to be anything more than an endless litany of fart jokes. Different strokes for different folks, I know. But, given that I was watching the film while the Aristocrats in office bumbled their way through the tragedy of errors that was Katrina, I just found myself thinking that, in today’s dark times, the strictly vulgarian canoodling of most versions of the joke seemed, well, quaint, out-dated, and devoid of edge…in some ways, even tame, or as tame as a joke involved incest, bestiality, and sodomy can be. (For their part, the masterminds behind The Onion are, I think, the only comedians to broach politics in the film.)

Not to miss the forest for the trees, though, I wasn’t really brooding on this during the film so much as laughing at every third or fourth version of the joke…which, if you think about it, isn’t all that bad a hit rate. So, check out The Aristocrats on cable if you don’t mind the dirty-talk…but, please, don’t try this at home.

Murrow, Mines, Mobsters, Menage, and Monkey.

Soon after posting the last entry, I found a new cache of trailers for films around the corner over at Coming Soon: First off, Edward Murrow takes a journalistic stand against McCarthyism (with much explicit contemporary relevance) in the trailer for George Clooney’s Good Night and Good Luck, starring David Strathairn, Clooney, Patricia Clarkson, Robert Downey, Jr., Jeff Daniels, and Frank Langella. Then, Charlize Theron braves borderline winds, the mining life, and sexual harassment in the preview for North Country, also with Frances McDormand, Sissy Spacek, Woody Harrelson, Sean Bean, and Richard Jenkins. Meanwhile, law partners John Cusack and Billy Bob Thornton look for the big score in Harold Ramis’ The Ice Harvest, with Randy Quaid, Connie Nielsen, and Oliver Platt. And, finally, journalist Alison Lohman looks into the racy reasons behind the demise of comedy team Bacon & Firth in Atom Egoyan’s Where the Truth Lies (recently saddled with a NC-17), and video gamer Allen Covert pays respect to his elders in the trailer for the Adam-Sandler produced Grandma’s Boy. (To be honest, I’m only blogging this last one for the “don’t judge me” monkey bit and the too-brief glimpse of the lovely Linda “Lindsey Weir” Cardellini.) Update: Ok, one more: Tilda Swinton, Vincent D’Onofrio, Vince Vaughn, Benjamin Bratt and Keanu Reeves try to help newcomer Lou Pucci stop a nasty habit in the trailer for Thumbsucker, due out in just over two weeks.

Blood, sweat, and dust.

In the trailer bin, Philip Seymour Hoffman channels In Cold Blood-era Truman Capote — I presume that’s how he actually sounded — in the preview for Capote, also with Catherine Keener and Chris Cooper. Elsewhere, 1880s Aussie Guy Pearce gets an offer he probably should refuse in The Proposition, written by Nick Cave and also starring Ray Winstone, John Hurt, Danny Houston, David Wenham, and Emily Watson. Finally, I should’ve posted this before, but only now found it: the trailer for Martin Scorsese’s Dylan-doc No Direction Home, appearing on PBS Sept. 26th and 27th.

La coupe de feu.

The Leaky Cauldron procures the international trailer for HP and the Goblet of Fire (Scroll down.) With the exception of that truly terrible falling sequence near the end there, this looks like it could be as entertaining as Azkhaban.