Make theirs Marvel.

Marvel Comics signs a deal with Paramount on film rights to ten characters or groups. Ok, Captain America and the Avengers seem like gimmes, but is there anyone out there waiting in line for the Power Pack, Ant-Man, Hawkeye, or Cloak & Dagger movie? Why not throw in Star Brand or Dazzler while you’re at it? This reminds me of the old e-trade ad where the two dot.com guys sign a huge venture cap deal just because they have a website.

The New (Non)Mutants.

The X3 cast fills out with Michael “Tanner” Murphy, Bill “Predator” Duke, and Olivia Williams as Angel’s Dad, a White House politico, and Moira McTaggart respectively, as well as House of Sand and Fog‘s Shohreh Aghdashloo as Dr. Kavita Rao. Hmmm. I really like the Olivia Williams casting (even if she isn’t Scottish), but, in general, X3 is starting to sound more and more like an overstuffed rush job.

Crabgrass (and Martian) Frontiers.

Some trailers for movies I doubt I’ll see: Jim Carrey and Tea Leoni keep up with the Joneses via armed robbery in Fun with Dick and Jane, Eomer and The Rock wield BFGs in the totally unnecessary film version of Doom, and suburban housewife Julianne Moore pens her way to big bucks (much to the chagrin of man-of-the-house Woody Harrelson) in The Prizewinner of Defiance, Ohio. Ho-hum. Also in film news, Ellen Page is Kitty Pryde in X3, which sits better with me than the idea of Eli of Freaks & Geeks as Angel.

Vendetta Mondatta.

“Remember, remember, the 5th of November…” The Comic-Con trailer for V for Vendetta is now online, starring Natalie Portman, Hugo Weaving (formerly James Purefoy), Stephen Rea, and John Hurt. Look like it’s Winston’s turn as Big Brother.

Two Finches, One Fury.

In fanboy cinema news, Alien 3, Fight Club and Se7en director David Fincher picks up two new projects: Zodiac, yet another serial-killer flick starring Mark Ruffalo, Jake Gyllenhaal, Robert Downey, Jr., and Anthony Edwards, and Benjamin Button, which concerns Brad Pitt aging backward from the age of fifty (while romancing Cate Blanchett.) Elsewhere, Bruce Willis as Nick Fury, Agent of S.H.I.E.L.D? Beats Hasselhoff, I suppose. Update: Gary Oldman joins Zodiac.

Munich, Mission, Muties.

In recent casting news, Geoffrey Rush joins Spielberg’s Vengeance (with Eric Bana and Daniel Craig), Laurence Fishburne boards MI:3, and Alan Cumming announces he won’t be back as Nightcrawler for X3. Well, good to hear at least the blue fuzzy elf will miss the Ratneresque carnage Fox is about to perpetrate on the X-Franchise.

Bats in the Cradle.


This just in from the Gotham Gazette: Much of the city’s criminal element are packing off for Metropolis to try their luck with Supes…cause, well, this “Bat Man” fellow is just plain terrifying. Yes, y’all, I’m happy to report that, while Chris Nolan’s Batman Begins has some minor problems — each character gets a few clunky lines and the final action sequence isn’t all that memorable — this is the Batman movie that fans of the Dark Knight have been waiting for. There’s no Schumacher statuary in this Gotham City, and nary a Burtonesque Batdance to be had. Nope, this is just straight-up Frank Miller-style Batman, scaring the bejeezus out of the underworld in his inimitable fashion. [Spoilers to follow.]

Going in, I was mostly afraid that all the ninja training and Liam Neeson speaking in Qui-Gonisms that marked the trailers was going to take up half the film. But, to its credit, Batman Begins moves at a surprisingly brisk clip, interspersing Bruce Wayne’s travels in the Orient (as we begin, he’s doing hard time in a Eastern prison) with flashbacks of various fateful moments in his early life. Bale and Neeson in particular are encumbered by some potentially ponderous dialogue here — fear is the mindkiller type stuff — but they do well with it (as does Michael Caine, Gary Oldman, Cillian Murphy, Tom Wilkinson…everybody, really, even Katie Holmes.)

And, when Wayne gets back to Gotham, the film really takes flight. If the message boards are any indication, some of the fanboy nation are ticked that you never get a really good look at Bats in any of the fight sequences — he’s always flitting from shadow to shadow or bringing a beat-down from above. But I for one loved it…as seen from common-thug-level, this incarnation of Batman is — finally — downright scary. (And, speaking of scary, the Scarecrow has a devilishly creepy introduction here.) Whatsmore, Nolan and screenwriter David Goyer wisely play up the “Bruce Wayne, billionaire playboy” angle too, which is as important a subterfuge as Clark Kent’s bumbling around the Daily Planet.

Problems? Like I said, yeah, a few. The Batmobile chase scene is a bit gratuitous, and the final action extravaganza isn’t all that involving. (Also, as one astute AICN reader pointed out, the microwave emitter scenario should have had a much more disastrous effect on the “bags of mostly water” surrounding it.) I’d have liked to see even more of the Fear-vision (particularly as that whole sequence reminded of me of Swamp Thing’s visit to Gotham in the Alan Moore years.) It seems like calling in the “back-up” would likely give away the location of the Batcave. Taking out Wayne Manor was a bit extreme. And, to my mind, Batman never really needs a love interest, aside from Catwoman, Poison Ivy, or the like.

But these are all quibbles. In the big picture, Batman Begins is a rousing success, and I want to see Batman Continues next-to-immediately…particularly after that you-know-what at the end. (!) After all, even with the considerable star power on display here, Gotham’s still one card short of a full deck