Nothing New Under the Burning Sun.

“‘This world is a strange madhouse. Currently, every coachman and every waiter is debating whether relativity theory is correct. Belief in this matter depends on political party affiliation.’ So wrote Albert Einstein in a letter to his one time collaborator, the mathematician Marcel Grossmann in 1920.“

A recent history-of-science paper by a Jeroen van Dongen of Utrecht University looks into the anti-relativity theory movement of the 1920’s, and how it compares to today’s climate change denialism. “Anti-relativists were convinced that their opinions were being suppressed. Indeed, many believed that conspiracies were at work that thwarted the promotion of their ideas.” (See also: Evolution and Scopes.)

The Tyranny of the Bullet (Point).

“‘When we understand that slide, we’ll have won the war,’ General McChrystal dryly remarked.” By way of a friend in the office, our military at the highest levels has apparently been infiltrated and subdued by Powerpoint groupthink. “‘PowerPoint makes us stupid,’ Gen. James N. Mattis of the Marine Corps, the Joint Forces commander, said this month at a military conference in North Carolina…’It’s dangerous because it can create the illusion of understanding and the illusion of control,’ General [H.R.] McMaster said in a telephone interview afterward. ‘Some problems in the world are not bullet-izable.‘”

The first thing that came to mind when I saw that ungainly graph above: The Daughters of the American Revolution’s “spider chart” in the 1920’s, which aimed to prove beyond a shadow of a doubt that the women’s peace and disarmament groups of the time were in fact the fifth column of international socialism. What goes around, comes around, I guess.

Luce Canon (and FORTUNE’s fool).

“From the mid-1930s through the late ’50s, Time Inc. was probably the largest news organization in the world, with bureaus on every continent…The company’s success was partly a result of shrewd management. But it was also a result of Luce, who had looked into the future and seen an increasingly integrated nation bound together by railroads, highways, radio, movies and the rise of a national corporate culture. As a result, Americans would need a vast amount of information and an efficient way of accessing it. Luce embraced that future and created vehicles that served the needs of his rapidly changing times.”

On the release of his long-awaited The Publisher, an extensive biography of TIME/LIFE founder Henry Luce, Columbia historian (and my dissertation advisor) Alan Brinkley discusses how Luce may have coped with the Digital Age. “Luce — for all his flaws — was an innovator, a visionary and a man of vast and daunting self-confidence. Were he to live in our time, trying once again to revolutionize the spread of knowledge, he might find his talents much in demand.“

And, in very related news, Boing Boing posts Chris Ware’s recently rejected throwback cover for Fortune‘s annual 500 issue. “It hearkens back to the golden age of Fortune as an exemplar of beautifully designed and illustrated magazines…’and he filled the image with tons of satirical imagery, like the U.S. Treasury being raided by Wall Street, China dumping money into the ocean, homes being flooded, homes being foreclosed, and CEOs dancing a jig while society devolves into chaos. The cover, needless to say, was rejected.’”

Village of the Damned.

The kids are alright? Not hardly. As the second half of a Saturday double-feature with Daniel Ellsberg: The Most Dangerous Man in America, I caught the Oscar favorite for Best Foreign Film this year, Michael Haneke’s The White Ribbon. Alas, meine freunde, I found it underwhelming.

Put briefly, and while adding a frisson of Funny Games‘ Aryan youths-gone-wild to the mix, The White Ribbon attempts to do for the rise of the Nazis in Germany what Haneke’s Cache did for the French-Algerian conflict. But, at least for me, lightning didn’t strike twice. Perhaps it’s due to either knowing the trick this time ’round or having a greater familiarity with the history at hand, but I thought the allegorical content of Ribbon started out rather didactically, and only got more obvious and belabored at the movie churned along. And, shorn of its historical musings, the story here doesn’t really hold up on its own — It’s mostly just long, meandering takes of (usually) unfortunate things happening to German peasants.

First, the story. The year is 1913, and in the (fictional) village of Eichwald, a German doctor (Rainer Bock) is thrown from his horse and gravely injured, apparently due to a tripwire someone — one of the Black Hand? — placed across his path. And before this event can even be fully processed, another tragedy takes place: A worker for the local Baron (Ulrich Tukur) falls through some rotted boards to her death. Yep, Eichwald is having a frozen run of luck like you read about.

As suspicions and recriminations deepen throughout this hamlet, more troubling events ensue. An aggrieved farmer ruins the harvest festival by slaughtering all the Baron’s cabbages. The Baron’s young son is taken by unknown parties and brutally horsewhipped (for some reason, and as in Doubt, nobody ever thinks to ask the kid who did this to him.) Fires are set, folks disappear (or leave while they still can), birds are mutilated, and, perhaps most frightening, even souls are in peril: For example, the son (Leonard Proxauf) of the local reverend (Burghart Klaubner) puts his eternal salvation in doubt by indulging in a nasty habit of onanism. To be sure, this evil must be beaten out of him, and his siblings, as soon as possible. In other words, we must destroy these children in order to save them.

Narrating this tale throughout (as an old man, years on) is the local schoolteacher (Christian Friedel), who, as a relatively young newcomer to the village, stands between its feuding generations. When not courting the Baron’s young nanny (Leonie Benesch), he watches the events unfolding in town with growing unease, and tries to figure out who is responsible for all the incidents driving the citizens of Eichwald mad. The problem is, he’s already tipped what’s actually going on in the very first scene of the movie, when he says something along the lines of “This is not just the story of a random German village, but the story of my nation.” Ooh, really? Allegory time.

Pretty soon thereafter, we are regaled with a scene where the Reverend’s children are taken to the proverbial woodshed and unduly punished for their transgressions, real and imagined. Given both the time I’ve spent on this subject in recent years and the schoolmaster’s “time to play German History Jeopardy!” warning in the first scene, this set off Versailles Conference bells and alarms right away, and especially so once these children are then forced to wear white ribbons as symbols of purity. Hmm…who else in 20th century German history ran around wearing armbands? Let me think on it.

The rest of the story pans out as you might expect. For various reasons, predominant among them the Sins of the Father(s), these kids go terribly wrong, eventually even going so far as to attack a developmentally disabled boy (i.e. the local minority in their midst.) Also, for some reason, the movie is constructed like a mystery, even tho’ — even if you didn’t pick up on all the hints in the last paragraph — one of the kids basically confesses to the schoolteacher what’s going on in the first reel. Uh, can we speed this along? Bitte?

I’d like to say The White Ribbon remains engaging despite all of its allegorical ambitions. But it doesn’t, really. When you’re not playing spot-the-German-history as it goes along — Is the Baron supposed to be Kaiser Wilhelm? Are we gonna get a Beer Hall Putsch? Hey, look, Pius XII! — Ribbon mostly just offers long, intermittently interesting digressions on agrarian village life, like harvest festivals, courting carriage-rides and the cruelest break-up of the German pre-war period. (Some of this plays a bit like Todd Haynes’ Far from Heaven — A period film, told in period (B&W) style, with then-taboo subjects like incest, sexual assault, and the aforementioned onanism now thrown in.)

Simply put, there’s not enough story to sustain interest in this enterprise without the allegorical content that’s driving the movie. And, since this allegory was tipped in the opening half-hour, I pretty much just spent most of The White Ribbon waiting for all the various little Nazi shoes to drop. Without either the ambiguity or the open-endedness of Cache, I found The White Ribbon on the pedantic and stultifying side, and I can’t really recommend it. It’s not terrible or anything, but it is rather long and uninvolving, and I have to think one of the other Foreign Film contenders probably puts on a better show.

Thoughts after the Quake.

“‘I was born in 1941, the year they bombed Pearl Harbor. I’ve been living in darkness ever since,’ Dylan said to introduce the song, or as a goodbye, or, as he hadn’t spoken before, as a hello. ‘But it looks like things are going to change now.’ At the end of the stage he stepped out from behind his electric organ and did a jig.“

Thus was the freewheelin’ Bob Dylan’s happy reaction to Obama’s election Tuesday night. (As you may remember, he publicly backed the senator in June.) For many others, including yours truly, the feeling of the evening might best be summed up by one of Dylan’s esteemed contemporaries, Leonard Cohen: “Hallelujah, Hallelujah, Hallelujah, Halleloooooojah!“

For the first time since 1994, we have a Democratic president and a safely Democratic Congress. For the first time since 1964, we have a Democratic president entering office with a commanding mandate from the people. For the first time since…well, ever, we’ve reaffirmed our founding principles by choosing an African-American to lead us into the future.

I don’t want to overplay the “first black president” thing, because that’s not at all why we chose Sen. Obama. Still it must be said: With this election, we have shown the world — and ourselves — anew that the American ideal isn’t just a convenient myth, but a vision of the good that many of us still aspire to create every day. In the words of Cornel West, “To understand your country, you must love it. To love it, you must, in a sense, accept it. To accept it as how it is, however is to betray it. To accept your country without betraying it, you must love it for that in it which shows what it might become. America – this monument to the genius of ordinary men and women, this place where hope becomes capacity, this long, halting turn of the no into the yes, needs citizens who love it enough to reimagine and remake it.” And so we have, in a way the founders of our American experiment 221 years ago could barely have imagined.

Meanwhile, even with crooks like Ted Stevens and Norm Coleman still floating for the moment, our old friends the Republicans are now not only in full rout, but appear to be set to tear each other’s throats out in assigning blame for their repudiation at the polls. (Expect several further symposia of conservative hand-wringing, and a lot more intraparty shivving, along the lines of “Palin thinks Africa is a country,” in the weeks to come.) This gang will regroup — they always do — but for now the GOP has enough problems of their own to keep them busy. And, whatever ever they manage to accomplish as the loyal(?) opposition, it seems a safe bet that the Conservative Era that began with the defeat of Barry Goldwater in 1964 has now officially coughed up its last in 2008, with the defeat of fellow Arizonan John McCain.

By the way, also joining the Republicans on the road to oblivion Tuesday night, alas, was my old laptop, a victim of post-return celebratory spillage. (Jamesons: Good for Jimmy McNulty and jubliant Dems, Bad for computer hardware in and around the television area.) Normally, inadvertently frying my growing-ancient-but-generally-reliable PC would’ve completely ruined my day. As it was, I took the news about like Baxter eating the whole wheel of cheese: “How’d you do that? Heck, I’m not even mad; that’s amazing.” (And, fortunately, the hard drive, and the dissertoral files therein, were salvageable regardless.)

One much more depressing skeleton at the feast Tuesday night, about which Ted at Gideonse Bible, Chris at DYFL, and others have written eloquently: the passage of the idiotic Proposition 8 in California, which seemingly won with quite a bit of help from first-time Obama voters. It’s irredeemably sad not only that a day that saw so much progress was marred by Prop 8 and its like around the country, but that so many of the voters who helped strike a fatal blow against enduring racial prejudice at the national level seemingly had no qualms about encoding anti-gay bigotry into the California constitution.

Perhaps I’m dense, but I fail to understand how the institution of marriage could somehow be threatened by the state recognizing the unions of same-sex couples, particularly in a day and age when so many straight folk (myself included) have already had marriages that failed. (As my old boss used to say of the thrice-married Bob Barr back when he supported the Defense of Marriage Act: “Which marriage is he defending?”) By the way, particularly galling on the Prop 8 front, I think, is the strong imposition of the Mormon church into the battle on the side of the anti-gay zealots. One would think, of all people, the Mormons might have some sense of the damage that can be wrought by the state involving itself in stringent definitions of marriage. But, no, apparently what was good for two ganders in the eyes of the Mormons isn’t good for the goose. For shame.

Still, the Prop 8 debacle notwithstanding (I have every faith that within a decade, that law will seem as knee-jerk, narrow-minded, and embarrassing as it in fact is), Tuesday was otherwise a great night for America. What it now befalls us to remember is that, while we should savor them while we can, the path of progress before us will likely offer few such moments of jubilation in the months and years ahead. When it comes to change, it really is “uphill all the way.”

Given the economic and diplomatic travails already before President-elect Obama, he’ll have his work cut out for him from jump street. And those out there old enough to remember President Clinton’s first days in office, and how quickly things seemed to go south then (the sanity-restoring ’93 budget bill notwithstanding) will know that a Dem president and Dem Congress is no guarantee of progressive legislation in the offing. We won’t see the change we want — and voted for — without maintaining steady and unyielding pressure on all the machinery of government in the months and years to come. Now is not the time to sit back and let our new president try to do all the heavy lifting, but to stay involved as citizens and keep the progressive ball moving forward. (And, hey, keeping one’s head in the game may help to mitigate those postpartum existential crises The Onion warned us about.)

In an election held eighty years ago (i.e. in the living memory of one Ann Nixon Cooper), Herbert Hoover, the longstanding Secretary of Commerce widely revered as “the Great Engineer” and “the Great Humanitarian,” decisively defeated Al Smith, the Catholic Governor of New York. “Given a chance to go forward with the policies of the last eight years,” Hoover had promised in his nomination speech, “we shall soon with the help of God be in sight of the day when poverty will be banished from this nation.” And, while he obviously had his detractors, many across the country viewed Hoover as a miracle-worker who could singlehandedly steer the country to these new great heights. “We were in a mood for magic,” journalist Anne O’Hare McCormick wrote of the Hoover inauguration. “We summoned a great engineer to solve our problems for us; now we sat back comfortably and confidently to watch the problems being solved.“

For his part, Hoover was less sanguine about his prospects. “They have a conviction that I am some sort of superman, he fretted. “If some unprecedented calamity should come upon the nation…I would be sacrificed to the unreasoning disappointment of a people who expected too much.“

Who among us think Hoover a superman now? History doesn’t stop with a war or an election or the collapse of a governing ideology, be it Communism or Conservatism. It grinds inexorably on, always uncertain, always equal parts danger and opportunity, and all too often deeply laced with irony — Time and time again in our American story, nothing succeeds like abject failure, and nothing fails like a great success. So let’s not rest on our laurels by any means: The election of 2008 was a campaign hard-fought and hard-won, but the battle continues, and in many ways the real work before us is only now just beginning.

Let us look to navigate the turbulent waters ahead with a deep and abiding faith in our new captain, but also with our own eyes to the sea.

(Presidents pic via Hal at Blivet and Patrick at Supercres.)

Outside, it’s America.

Hello all. After a long week of moving, cleaning, filling up a nearby storage unit, and unpacking the mobile dissertation office, Berk and I are back on the grid: He’s acclimatizing (again) to my parents’ house, and I’m acclimatizing (again) to the strange and seemingly unsustainable environment that is late-stage car culture. In order to procure a bag of dog food, we drove along the highway for two exits, pulled into one of an endless sea of strip-malls with parking lots the size of Morningside Park, and entered a super-air-conditioned palace, brimming over with a cornucopia of All Things Pet-Related. Now, I understand this is highly normal, but it seemed really bizarre at the time. Hey, it’s been awhile.

At any rate, the move out of New York is complete. And, notwithstanding a few more occasional moments of in-transition disorientation, I expect my southern roots will soon reassert themselves (particularly after several more visits to Chick-Fil-A, Cracker Barrel, and the like.)

Great Borah’s Ghost!

A busy day traffic-wise here at GitM: In a speech before the Knesset today, Dubya compared Obama to Sen. William Borah of Idaho (and not in complimentary fashion, although that case could be made too.) Here’s GWB: “Some seem to believe we should negotiate with terrorists and radicals, as if some ingenious argument will persuade them they have been wrong all along. We have heard this foolish delusion before. As Nazi tanks crossed into Poland in 1939, an American senator declared: ‘Lord, if only I could have talked to Hitler, all of this might have been avoided.’ We have an obligation to call this what it is –- the false comfort of appeasement, which has been repeatedly discredited by history.“

Now, as it turns out, Sen. Borah was the subject of my undergraduate thesis and features prominently in my dissertation. So, notwithstanding the self-serving idiocy and sad invoking of Godwin’s Law in Dubya’s words, I do want to take a moment to defend Sen. Borah, before — just as Philip Roth Cheneyed up Burton Wheeler — he disappears down the memory hole and is reinvented as simply a kneejerk reactionary. (I know Dubya brought him up to bash as a weak-kneed surrender-monkey, but I’ve also read several left-leaning comments out and about today that make note that Borah was a Republican, and thus belongs in Dubya’s camp. He really doesn’t.)

However wrong he was about Hitler in his final years, and obviously he was very, very wrong (although not perhaps as wrong as George Prescott Bush), Sen. Borah is neither the apostle of appeasement nor the GOP stooge that Dubya and folks pushing back would respectively make him out to be today. With La Follette and Johnson, Borah was one of the leading progressives in the Senate for decades, and one of its strongest civil liberties advocates in the years after World War I. In fact, if Dubya wants to ponder aloud the words of Borah, may I suggest the following?

“It may seem incredible to many, but to me the most vital problem in American politics at the present time is the preservation of the great guarantees of civil liberty, found in our constitution, and so long supposed to be secure and indispensable…One of the most common traits of the political pharisees – the man who is always professing great devotion to the Constitution and always betraying it, or disregarding it – is that of constantly expressing the fear that the people may have their minds poisoned by false doctrines.” – Borah to the American Legion, 1921.

“Everybody is in favor of the Constitution when it favors them, but too many are willing to trample upon it when it gets in their way. The war disclosed that the great principles and guarantees of the Constitution are vital to a free people and at the same time are easily disregarded in an hour of passion or crisis.” — Borah to S.S. Bailey, 1921.

“I have no use for the ‘reds,’ nor for the lawless nor for the anarchists, but I have infinitely more respect for the man who stands out and is willing to suffer and sacrifice for his cause than for the miserable hypocrite who professes to be an American and is at the same time perfectly willing that every guarantee in the Constitution shall be trampelled under foot.

The men who are destroying American institutions and who are a menace to American principles are not the ‘reds,’ nor the anarchistic…but rather the men who, professing like Augustus the Great, to preserve our Constitution, are subtly and with sinister and selfish purposes, undermining them.” — Borah to Frank Morrison, 1921.

But, civil liberties aside, what should we take from Sen. Borah’s unfortunate remarks about Hitler (which he made at the age of 75, less than a year before his death?) Well, to me, it might suggest that age can cloud the judgement of all of us, even long-standing Senate mavericks much-beloved by the media. It’s just a good thing that ancient, venerable lion of the Senate didn’t win the election of 1936, eh?

The Real World Beckons.

You may have noticed it’s been quieter than usual around here over the past week. This is partly because I’ve come around to the opinion that blogging every minor twist in the Obama-Clinton primary saga has become redundant. We all know Sen. Obama is our nominee, and many of us have known it since Wisconsin back in February. (The most recent evidence of this assertion: Obama picked up a +2 delegate swing in Miss. on Thursday.) So, my inclination to cover this extended garbagetime as closely as I would an actually tight contest has grown more attentuated over the past few weeks. This isn’t to say I won’t be covering the primary anymore, just that I doubt I’ll be spending as much time on it.

More to the point, it’s also been quiet around here because I’ve been busier than usual in meatspace this week. To wit, I’ve been stripping down my apartment, throwing out all the useless junk, as per the spring cleaning norm, but also putting all but really necessary items in boxes, to prepare for my imminent departure from the Columbia environs in two months. I’m still writing at the moment, and don’t plan to defend until the fall term. Still, it’s soon time to leave this place, in preparation for either a return to writerly-type ventures in DC or an academic job search, which I plan to embark on after knowing the electoral lay of the land in November. (Or perhaps I’ll just spend a few years walking the earth like Tom Joad, ’cause you never know.)

Either way, the bills don’t pay themselves, so my non-dissertating, non-blogging time is now mostly spent looking for remunerative employ — if not a full-time gig then at least enough freelance projects to swing the summer months. We’ll see how that goes. Early feelers to Team Obama in Chicago came up blank, unfortunately (they seem more than fine in the speechwriting department anyway), and applications to some higher-profile political blog-jobs didn’t even merit a rejection letter. (Which reminds me, I have a rant about the current state of the paid political blogosphere on broil at the moment — short version: it’s effectively become as insular and echo-chambery as the Weblog Jr. High/”blogger cabal” of the early days — but I’ll save it for another post so it doesn’t come across totally as pique.) But, I’m working on other leads too, so hopefully something will shake out. (Of course, if y’all hear of anything, do let me know — the resume is over here.) In any event, if you’re wondering why it’s quieter than usual here for now, that’s why.

24.

“‘This convention,’ wrote H.L. Mencken, the most famous reporter of the age, is ‘almost as vain and idiotic as a golf tournament or a disarmament conference.’” Those political junkies out there pining for a brokered convention, be careful what you wish for: The WP‘s Peter Carlson reminds everyone of the 1924 Democratic Convention in New York, which stalled out between Al Smith and William McAdoo before finally deciding on Wall St. lawyer John W. Davis, who in turn lost to Republican Calvin Coolidge and — in twelve states — Progressive Robert La Follette. (For the longer version, see Robert Murray’s The 103rd Ballot. Which reminds me, having spent the day myself in 1924, it seemed a strange confluence to find this staring back at me upon my return to 2008.)

A disaster for the Democrats that year, the “unconventional convention” did at least provide choice grist for political wags then, and has ever since. “This thing has got to come to an end,” Will Rogers pleaded well into the nine-day stretch. “New York invited you people here as guests, not to live.” (Rogers also noted on the day of the infamous KKK resolution that it “will always remain burned in my memory as long as I live as being the day when I heard the most religion preached, and the least practiced, of any day in the world’s history.“) When William Jennings Bryan, after days of thundering himself hoarse, wheeled around to support the final Davis ticket (which included as a sop to the Bryanites his younger brother in the veep slot), one reporter quipped: “If monkeys had votes, Mr. Bryan would be a champion of evolution.”

And then there were the snafus. The Carlson piece talks about the Democratic decision to broadcast the convention on the newfangled radio, which turned out be a public relations catastrophe for the party. And there was worse. The Texas delegation — aghast that they shared a block with St. Patrick’s Cathedral and a city with Wall Street and the House of Morgan — had to be talked out of burning a cross. And when the convention band tried to appease their southern guests at one point by striking up a “Dixie” song, they obliviously settled in on “Marching Through Georgia.” Speaking of the Civil War, progressive Republican Hiram Johnson quipped once the Democratic ordeal was over, “How true was Grant’s exclamation that the Democratic Party could be relied upon to do the wrong thing at the right time.” (Let’s try not to live down to that assessment this year, please.)

Citizen Plain.

In the opening sequence of Paul Thomas Anderson’s passionate but flawed There Will Be Blood, it is 1898, and a man named Daniel Plainview (Daniel Day-Lewis), alone and driven, casts himself into a dark, dusty hole and hews mineral wealth from the surrounding rock. After suffering a nasty leg injury therein, Plainview hauls himself out of the deep recess through sheer grinding will and, in an act of Herculean exertion rivaling the endgame of Touching the Void, crawls across the sun-baked earth on his back, precious nuggets of silver in hand. This sweating, teeth-gnashing endeavor is an apt metaphor for Anderson’s film. There Will Be Blood looks beautiful, and it has moments of poetry in it. But, like Plainview (and The Assassination of Jesse James, another transplanted 70’s western out this year), it also wears its ambition on its sleeve, and it strains so hard to seem an instant movie classic that it eventually loses its way. (The mostly atonal and distracting Jonny Greenwood score, reminiscent of The Shining, unfortunately doesn’t help.)

Now, in the interest of full disclosure, Paul Thomas Anderson is a director I’ve never warmed to. I thought Boogie Nights was decent but overlong and I had a visceral dislike for both Magnolia and Punch-Drunk Love. (I haven’t seen Hard Eight.) Still, while I think this is Anderson’s best and most accomplished film, and it’s probably worth sitting through for the first third regardless, There Will Be Blood eventually bogs down in some of the usual PTA indulgences. In addition, Daniel Day-Lewis never gives a bad performance and is typically magnetic here, but he also gets more actorly and mannered as the film progresses, and is loonily over-the-top in Blood‘s disastrously misconceived closing moments. (That being said, I wouldn’t be surprised if “I drink YOUR milkshake!” gets some run in the cultural lexicon of useful and memorable movie quotes.) In short, There Will Be Blood is a good film, in some ways even a very good one. But it’s not the landmark masterpiece many reviewers are making it out to be, and it slips into murk well before the end.

Straying rather far from the Upton Sinclair tome that inspired it, Blood is, in effect, a character study about the dehumanizing consequences of naked ambition. (If that sounds like Citizen Kane, you’re on the right track. PTA is borrowing from Welles, Malick, and Kubrick rather than Altman or Scorsese this time ’round.) After the 1898 prologue, we pick up Daniel Plainview’s story a few years later: He’s moved from silver to oil and has been successful enough to hire on a few workers, one of whom has brought his infant child with him on the dig. Alas, tragedy — a pretty common occurrence in the turn-of-the-century oil business, it seems — strikes at the workplace, and the child becomes Plainview’s. By 1911, this now ten-year-old boy (Dillon Freaser) has become a valuable part of the family business — He’s the silent partner Plainview uses to soften his pitch when dealing with locals or landowners. In any event, the oilman (as he prefers to be known) one day gets a tip from a traveler (Paul Dano) about a town where the black gold literally seeps from the ground. Soon, the Plainviews set up shop in this California hamlet, named Little Boston, and start buying up the place. But standing in his way is another ambitious soul, the evangelical preacher Eli Sunday (also Paul Dano), and he doesn’t want a rival for the town’s admiration. There’s only room for one Great Man in Little Boston…but will his symbol be the Derrick or the Cross?

So, as you can see, what we have here is John D. Rockefeller versus Elmer Gantry, commerce versus religion, another virulent intersection of the black gold, texas tea and that old-time fundamentalist religion. But don’t go in expecting Syriana in Progressive Era California just yet. In fact, Blood turns out to be barely political at all. (Somewhere, Sinclair sighs.) Anderson puts several interesting ideas and characters in play, and the first third of the movie is absolutely gripping stuff. But, unfortunately, once all the derricks are in a row, Anderson doesn’t seem to know what to do with them. And so, right around the time Plainview’s first rig goes up in flames, There Will Be Blood begins to stall out. There are some clever reversals in the oilman-churchman balance of power thereafter (the baptism scene, for example), but the movie doesn’t really go anywhere. Instead, for most of the rest of the film, PTA goes back to his well and focuses once again on his pet issue, the meaning and importance of family. (See also Magnolia, Boogie Nights, and, from what I’ve heard, Hard Eight.) He brings a long-lost half-brother (Kevin O’Connor) into the story, has Plainview take extreme umbrage at any suggestion he’s a deadbeat dad, and starts dwelling on the brewing discord and enmity between father and son. (Also a major factor in Oil!, although it’s done rather differently.) Of course, Anderson can be forgiven for concentrating on what most interests him, and plenty of very good directors — maybe even all of ’em — have a tendency to keep ruminating on the same thematic content. Still, given how intriguing There Will Be Blood plays for its first hour, it’s a significant letdown to see PTA fall back into the same old, same old.

Unfortunately, once the spell of Blood is broken, other bad habits of Anderson’s start becoming harder to ignore. Clearly good about giving actors room to breathe (maybe too much room, given DDL’s going off the rails in the final reel here), Anderson can also be distractingly showy (the Scorsese steadicam business in Boogie Nights, for example.) He has a tendency to beat quirky ideas into the ground (Exodus 8:2, the harmonium in Punch-Drunk Love), can hinge a sequence on some really lousy dialogue (“I’m silently judging you“), and often lets scenes meander for several beats too long (anything involving the quiz show in Magnolia.) These tics are more subdued in There Will Be Blood than in any of Anderson’s previous movies, but they become manifest as the film loses focus, and well up with explosive force in the last act. Set in 1927, with Plainview now a wealthy but dissolute drunk in his own Xanadu and Sunday an Aimee Semple McPherson of sorts, the final showdown between our two antagonists is a misfire on multiple levels. Not to give the story away, but the scene relies on far too many suspensions of disbelief. (Why would Sunday come to Plainview, of all people? Would Sunday really not get it beforehand? And, how the heck did he lose money in the stock market in 1927? Note this site: “From 1926 to 1929, the market indices moved up nearly 400%.“) Worse, both Day-Lewis and Dano start blatantly overacting. (Somebody please take that plate of chicken away.) And, what with the bowling alley and milkshakes and whatnot, the last act of There Will Be Blood even comes across as downright silly. It’s an ignominious end for a film that, for its first hour or so, had all the makings of a masterpiece. But, sadly, the gears end up grinding too loudly on this rig, and, just as pride goeth before a fall, it all eventually comes to a crash. Oil is a tricky business.