“When the president does it that means that it is not illegal.” The new trailer for Ron Howard’s film adaptation of Frost / Nixon is now online, starring Frank Langella, Michael Sheen, Oliver Platt, Matthew McFadyen, Sam Rockwell, Rebecca Hall, Toby Jones, and (naturally) Clint Howard. I’m intrigued by this project (haven’t seen the play), but this, sadly, is a pretty poor trailer (“In a world where the president blah blah blah, these men stood up for the truth…”) And, while I know he played the part on Broadway, Langella’s Nixon-voice sounds even more distracting to me than Christian Bale’s bat-rasp.
Category: History
Bastard out of Tennessee.
“Much of the pic’s dialogue is in French or German, and subtitles will be used, though Pitt will speak English in his role as a Tennessee hillbilly who assembles a team of eight Jewish-American soldiers to take on the Nazis.” Brad Pitt officially signs up for QT’s forthcoming WWII epic, Inglorious Bastards. Also in negotiations to join the project at the moment: Nastassja Kinski, Simon Pegg, David Krumholtz, and B.J. Novak.
Hmm…I dunno. I haven’t read the script, which I heard was floating around, and probably won’t before I see the movie. I’d like to think that this’ll be a return to the form of Reservoir Dogs, Pulp Fiction, and Jackie Brown for Tarantino. But the Kill Bills and Death Proof were so loopy, bloated, and self-indulgent that I fear QT has entered George Lucas territory, meaning that he’s surrounded by sycophantic yes-men and has sadly disappeared up his own ass, never to emerge again. And casting his buddy, torture-porn director Eli Roth, first only increases my wariness that this’ll be yet another self-referential bric-a-brac homage to exploitation flicks of the past. Still, hope springs eternal.
House: We Did Ya Wrong.
“African-Americans continue to suffer from the consequences of slavery and Jim Crow — long after both systems were formally abolished — through enormous damage and loss, both tangible and intangible, including the loss of human dignity and liberty, the frustration of careers and professional lives, and the long-term loss of income and opportunity.” The House looks set to pass a resolution apologizing for slavery and Jim Crow. Well, better late than never, I suppose.
232.
So, let’s enjoy the 4th, and take a moment not only to remember how precarious the American experiment once was, but also to ponder what we hope to make of it in our own time. For, regardless of how terrible the past eight years — or forty years, for that matter — have been, “we have it in our power to begin the world over again.“
Update: The Muppets are celebrating too. (Via Bitten Tongue/Gideonse Bible.)
Dream in Black and White.
“After examining the film the three experts are certain: The find from Buenos Aires is a real treasure, a worldwide sensation. Metropolis, the most important silent film in German history, can from this day on be considered to have been rediscovered.” Ave Maria! The original Ghost in the Machine has been found! Before this and this and this and this and this and just about anything else you can think of in the sci-fi department, there was Fritz Lang’s Metropolis, and it’s been rediscovered in an Argentine film vault. (Tour Lang’s city here.)
This unearthed original print is rumored to be 210 minutes long, a full hour and a half longer than any version seen since 1927. “Among the footage that has now been discovered…there are several scenes which are essential in order to understand the film: The role played by the actor Fritz Rasp in the film for instance, can finally be understood. Other scenes, such as for instance the saving of the children from the worker’s underworld, are considerably more dramatic. In brief: ‘Metropolis, Fritz Lang’s most famous film, can be seen through new eyes.’“
The Manchurian Handbook.
How low have we sunk under Dubya? Apparently, under this administration, we’ve actually been plagiarizing Maoist torture techniques for use in the Gitmo gulag. “‘What makes this document doubly stunning is that these were techniques to get false confessions,’ Levin said. ‘People say we need intelligence, and we do. But we don’t need false intelligence.’”
Obama: Don’t Tread on Me.
“‘The use of patriotism as a political sword or a political shield is as old as the Republic,’ Obama said. ‘Still, what is striking about today’s patriotism debate is the degree to which it remains rooted in the culture wars of the 1960s — in arguments that go back 40 years or more. In the early years of the civil rights movement and opposition to the Vietnam War, defenders of the status quo often accused anybody who questioned the wisdom of government policies of being unpatriotic.’“
From Unity (NH) to Independence (MO), Sen. Obama — pushing back against the current GOP strategy — delivers a long and eloquent speech on the issue of patriotism. [Transcript.] “His speech put the issue in a sweeping historical perspective, speaking of charges that Thomas Jefferson had sold the nation out to the French and that John Adams was in cahoots with the British. He also questioned policies enacted in the name of patriotism, from Adams’ Alien and Sedition Act, Abraham Lincoln’s suspension of habeas corpus and Franklin Delano Roosevelt’s internment of Japanese Americans…’I give him credit. He is taking this very seriously,’ said presidential historian Robert Dallek.”
Mellifluous Republic.
“Like other broad-minded and big-hearted works of American culture from the first half of the 20th century — H.L. Mencken’s American Language, John Dos Passos’ U.S.A. trilogy of novels, the Federal Writers’ Project American Guide series, Harry Smith’s Anthology of American Folk Music — Names on the Land reflects a glorious union of two primal forces in the American mind. On one hand, Americanism: the inclination toward the large-scale and industrial, toward manifest destiny and the farthest shore…On the other, Americana: the craving for the local and the lo-fi, for the inward heart of things, for the handcrafted and the homemade.” In Slate, Matt Weiland sings the praises of George Rippey Stewart’s Names on the Land.
After Forty Years in the Desert…
…and Sixty-Four on the Beach.
