Farewell to Company B.


“Like her older sisters, Patty learned to love music as a child (she also became a good tap dancer), and she did not have to be persuaded when Maxene suggested that the sisters form a trio in 1932. She was 14 when they began to perform in public.” Patty Andrews, last of the Andrews Sisters, 1918-2013. “‘I was listening to Benny Goodman and to all the bands,’ Patty once remarked. ‘I was into the feel, so that would go into my own musical ability. I was into swing. I loved the brass section.’

Dr. Who?


It’s been a long strange trip, but as of last Friday, the dissertation has been defended and deposited, and I’m now — pending the final approval of the paperwork, of course — a Doctor of Philosophy.

The dissertation manuscript — deemed well-written but far too long by every reader — now goes to Top Men (as per below). After at least a few weeks of rest, I’ll start working to cut it down for possible publication. (If that never pans out, I could see myself posting it here on the site, as per my other writings from back in the day.)

At any rate, this milestone doesn’t change anything, really, about my current professional situation. Nor am I entirely clear yet on how it will end up being useful in the future. But, at the very least, this long, occasionally ignominious chapter of my life is done, and for once I didn’t end up going the Jack Burden route. And there was much rejoicing.

Darkness Over Oahu.

“For the first time, I felt that numb terror that all of London has known for months. It is the terror of not being able to do anything but fall on your stomach and hope the bomb won’t land on you. It’s the helplessness and terror of sudden visions of a ripping sensation in your back, shrapnel coursing through your chest, total blackness, maybe death.”

71 years after the day of infamy, the WP publishes a graphic first-hand account of the Pearl Harbor attack by journalist Betty McIntosh, now a hale and hearty 97.

Fact-checking Lincoln.

It’s not a question of being wrong, it’s just inadequate,’ Foner said…In fact, he says if the 13th Amendment had not passed in January 1865, Lincoln had pledged to call Congress into special session in March. ‘And there, the Republicans had a two-thirds majority and would ratify in a minute,’ Foner said. ‘It’s not this giant crisis in the way that the film’s portraying it.’

Historian Eric Foner, who knows of what he speaks, fact-checks Steven Spielberg and Tony Kushner’s Lincoln. I enjoyed the film quite a bit, and would recommend it to all comers, particularly Daniel Day Lewis’s typically amazing performance. That being said, I thought the excessive emphasis on the virtues of compromise in this story was fundamentally wrongheaded.

For one, the death of slavery would never have reached the House floor were it not for several decades of uncompromising agitation by abolitionists. “On this subject, I do not wish to think, or speak, or write, with moderation. No! no! Tell a man whose house is on fire, to give a moderate alarm; tell him to moderately rescue his wife from the hand of the ravisher; tell the mother to gradually extricate her babe from the fire into which it has fallen; — but urge me not to use moderation in a cause like the present. I am in earnest — I will not equivocate — I will not excuse — I will not retreat a single inch — AND I WILL BE HEARD.” As many of y’all know, that’s William Lloyd Garrison in 1831, giving one of the most definitive statements against compromising with an evil like slavery. Point being, compromise didn’t end slavery in America — an abject refusal to compromise did.

For another, as Foner notes, Lincoln had the votes in the next Congress — so there was no real need to compromise in this situation in any case. And besides, is it really a heroic moment for Thaddeus Stevens to be downplaying his commitment on the House floor to basic human equality? Surely, misleading the public about one’s true beliefs in congressional debate is not something we should be applauding. Nor does Washington, now or then, need any more erstwhile reformers who think the right thing to do when confronted with a stand on fundamental principle is to obfuscate and capitulate.

Of course, this nation was founded on compromise — some of them quite repellent, like the Three-Fifths — and the United States wouldn’t exist without it. And at other times, intransigence on principle has lost battles that compromise would clearly have won, such as the stubbornness of Woodrow Wilson dooming the League of Nations to defeat in 1919 and 1920, But the problem with this — mostly contemporary — emphasis on compromise is that it leads the filmmakers to a flawed understanding of the history of this period.

However much research Tony Kushner did on Lincoln here — and the film is indeed very well-written — it’s unfortunately quite clear that he doesn’t know jack about what came after the War. Here’s what he said to NPR on the subject:

“I think that what Lincoln was doing at the end of war was a very, very smart thing. And it is maybe one of the great tragedies of American history that people didn’t take him literally after he was murdered. The inability to forgive and to reconcile with the South in a really decent and humane way, without any question, was one of the causes of the kind of resentment and perpetuation of alienation and bitterness that led to the quote-unquote ‘noble cause,’ and the rise of the Klan and Southern self-protection societies. The abuse of the South after they were defeated was a catastrophe, and helped lead to just unimaginable, untellable human suffering.'”

This, I’m sorry to say, is nonsense. Here, Kushner is blithely reciting a century-old popular myth, perpetuated by the Dunning School and D.W. Griffith, that isn’t just anachronistic and wrong. It’s been widely discredited, by some of the very same authors the film cites as sources.

The noble cause and the Klan did not arise because the North was mean to the former Confederate states. They arose because many in the South refused to accord African-Americans the basic civil liberties for which the war had ultimately been fought. To “forgive and reconcile with the South” would mean acceding to the disfranchisement and general abuse that many whites desired to levy upon African-Americans in the former Confederacy. Indeed, when Kushner’s desired move to “forgive and reconcile with the South” came with the end of Reconstruction in 1877, it was followed relatively soon thereafter by the emergence of Jim Crow. In short, Kushner’s argument here is pure wishful thinking, and it has been exposed as bunk by the last 40-some-odd years of Civil War and Reconstruction histories.

TL;DR: Lincoln is an entertaining and worthwhile film, but, then as now, compromise can be overrated. (Kushner quote via Tropics of Meta.) Update: More from Foner.

Uphill all the Way.

‘The whole era,’ concluded Bourne in disgust, ‘has been spiritually wasted.’” Let’s hope, down the road a-ways from 2012, the last few years won’t feel the same. Anyway, that line’s from the first paragraph of the now completed(!) dissertation, which I sent off to my advisor and the committee this afternoon. It’s been a very long road, and I’m sure the euphoria will take hold in a bit. As for now, I just feel as per the clip above — plus exhausted with a twinge of Comic Guy.

FWIW, the final draft, with footnotes and bibliography and all that, clocked in at 1269 pages. If anyone’s interested on what’s covered and the general layout, I posted the table of contents below. That is obviously far too long for public — or anyone’s — consumption. I mean, I wrote the damned thing and I only read, like, the conclusion and stuff…It’s about the 20’s, right?

Seriously though, I’m sure I could have condensed it more than I did. For example, here’s the part on p. 527 where I talk about how the Harding administration used the Herrin Massacre as a public relations coup against the labor movement in 1922:

All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy. All work and no play makes Kevin a boring boy.

That goes on for about 70 pages. And I think, if I’d just worked at it a little harder, I could’ve really gotten that down to 40. Ohhhhh well.

At any rate, I’m way too tired to be blogging at the moment, so I’ll leave it at that for now. Thanks to everyone for putting up with all the navel-gazing posts about this over the past few weeks, months, and years. FWIW, the general GitM readership got a shout-out on the acknowledgments page. With that in mind, work is crazy through election day, but this site should hopefully resume to normal status updates soon thereafter. First I need to sleep for awhile, clean up my paper-, book-, and dog-hair-strewn apartment, do some more sleeping, see all the movies I’ve missed — the only one I’ve seen in months was Looper (I liked it) — take my man Berk to the park, sleep some more, get a life, stuff like that.

Also, there is still the actual defense to consider, which will happen sometime in the next two months. But I am assuming that today was the day I destroyed the Ring, and that will be more of an “I’m a scarred, melancholy badass now, so let’s kick Saruman out of the Shire” Scouring-level event. Also, I’m not counting any chickens, trust me, but I did go ahead and put the batteries in my brand-new sonic screwdriver.

Uphill All The Way: The Fortunes of Progressivism 1919-1929

ACKNOWLEDGEMENTS v
DEDICATION ix
PREFACE x
INTRODUCTION 1

  • The Bourne Legacy 1
  • Progressives and Progressivism 7
  • Cast of Characters 12
  • Review of the Literature 15
  • Chapter Outline 17
PROLOGUE: INAUGURATION DAY, 1921 22
PART ONE: CRACK-UP: FROM VERSAILLES TO NORMALCY 30

CHAPTER ONE: THE “TRAGEDY OF THE PEACE MESSIAH” 31

  • An American in Paris 32
  • A Human Failure 40
  • A Failure of Idealism? 47
  • The Peace Progressives 52
CHAPTER TWO: THE “LEAGUE OF DAM-NATIONS” 58
  • Collapse at Pueblo 58
  • The Origins of the League 61
  • The League after Armistice 67
  • The Third Way: Progressive Nationalists 71
  • The Treaty Arrives in the Senate 79
  • The Articles of Contention 82
  • Things Fall Apart 94
  • Aftermath 107
CHAPTER THREE: CHAOS AT HOME 111
  • Terror Comes to R Street. 112
  • The Storm before the Storm. 116
  • Enemies in Office, Friends in Jail. 133
  • Mobilizing the Nation 139
  • The Wheels Come Off 146
  • On a Pale Horse 150
  • Battle in Seattle 157
  • The Great Strike Wave 162
  • Steel and Coal 170
  • The Red Summer 184
  • The Forces of Order 193
  • Mr. Palmer’s War 205
  • The Fever Breaks 220
  • The Best Laid Plans 229
CHAPTER FOUR: THE TRIUMPH OF REACTION: 1920 241
  • A Rematch Not to Be 241
  • The Man on Horseback 245
  • The Men in the Middle 250
  • I’m for Hiram 254
  • Visions of a Third Term 257
  • Ambition in the Cabinet 260
  • The Democrats’ Lowden 263
  • The Great Engineer 265
  • The Smoke-Filled Room 275
  • San Francisco 285
  • A Third Party? 296
  • Mr. Ickes’ Vote 318
  • Countdown to a Landslide 331
  • The Triumph of Reaction 347
PART TWO: CONFRONTING NORMALCY 356

CHAPTER FIVE: THE POLITICS OF NORMALCY 357

  • The Harding White House 357
  • Organizing in Opposition 373
  • Lobbies Pestiferous and Progressive 393
  • The Taint of Newberryism 400
  • The Harding Scandals 409
  • Tempest from a Teapot 417
CHAPTER SIX: LEGACIES OF THE SCARE 439
  • The Education of Jane Addams 440
  • Prisoners of Conscience 444
  • The Laws and the Court 458
  • The Shoemaker and the Fish-Peddler 474
  • The Shame of America 491
  • The Right to Organize 518
  • Professional Patriots 547
CHAPTER SEVEN: AMERICA AND THE WORLD 565
  • The Sins of the Colonel 565
  • Guarding the Back Door 575
  • Disarming the World 589
  • The Outlawry of War 606
  • The Temptations of Empire 620
  • Immigrant Indigestion 650
CHAPTER EIGHT: THE DUTY TO REVOLT: 1924 671
  • Indian Summer 671
  • Now is the Time… 679
  • Hiram and Goliath 692
  • Coronation in Cleveland 712
  • Schism in the Democracy 723
  • Escape from New York 736
  • Fighting Bob 755
  • Coolidge or Chaos 767
  • The Contested Inheritance 777
  • Reds, Pinks, Blues, and Yellows 789
  • The Second Landslide 806
PART THREE: A NEW ERA 823

CHAPTER NINE: THE BUSINESS OF AMERICA 824

  • Two Brooms, Two Presidents 824
  • A Puritan in Babylon 833
  • Hoover and Mellon 842
  • Business Triumphant 865
CHAPTER TEN: CULTURE AND CONSUMPTION 883
  • A Distracted Nation 884
  • The Descent of Man 902
  • The Problem of Public Opinion 908
  • Triumph of the Cynics 925
  • Scopes and the Schism 946
  • Not with a Bang, But a Whimper 963
  • New World and a New Woman 975
  • The Empire and the Experiment 1017
CHAPTER ELEVEN: NEW DEAL COMING 1049
  • A Taste of Things to Come 1049
  • The General Welfare 1056
  • The Sidewalks of Albany 1073
  • For the Child, Against the Court 1082
  • The Rivers Give, The Rivers Take 1094
CHAPTER TWELVE: MY AMERICA AGAINST TAMMANY’S: 1928 1115
  • The Republican Succession 1115
  • The Available Man 1135
  • Hoover v. Smith 1153
  • The Third Landslide 1187
CONCLUSION: TIRED RADICALS 1197
  • The Strange Case of Reynolds Rogers 1197
  • The Progressive Revival 1202
  • Confessions of the Reformers 1206
BIBLIOGRAPHY 1221

A Stillness at Appomattox.


This settles the fate of all coming time, not only of the millions now in bondage, but of unborn millions to come. Shall we stop this bleeding?” The trailer for Steven Spielberg’s Lincoln is now online, apparently covering roughly the last month of the president’s life. It definitely looks more than a little Spielberg-y around the edges, but I can’t wait to see Daniel Day-Lewis — love the accurate high-pitched Kentucky voice — and Mr. Lincoln’s army of sterling character actors in this. (Showing Hal Holbrook early on was a touch of class.)