Original drummer Bill Berry returned to R.E.M. for a few short sets this past week to honor their new place in the Georgia Music Hall of Fame (and longtime blogger Eric of Kestrel’s Nest even caught a show at the 40 Watt.) But will he stick around?
Category: Music
Fame | Set Phasers on NIN.
Is it any wonder I reject you first? David Bowie rips up Ricky Gervais on Extras. And, while I’m snarfing arch Youtube links from Ed Rants, see also Kirk and Spock get “Closer,” in the Trent Reznor sense. (Some profanity…but you’ve probably heard the song by now.)
Gotta Serve Somebody.
As part of his Modern Times publicity blitz, Bob Dylan hawks iPods in a new commercial. Call him a sell-out, but, hey, things have changed. And besides, I have no real problem with iPods…or lingerie, for that matter. And, also in recent Dylanalia, Louis Menand reviews Bob Dylan: The Essential Interviews for The New Yorker (courtesy of Ralph Luker at Cliopatria.)
Ragged & Dirty.
“I hate to break it to Justin Timberlake, but a wheezy old man has recorded the best make-out songs of 2006. Put Modern Times in the CD player, pull your sweetheart close, and — as a young man advised a lifetime or so ago — shut the light, shut the shade.” Also in Slate, Jody Rosen swoons over Bob Dylan’s new album, which I’m listening to for the first time right this minute. So far, it sounds like a more accessible version of Love and Theft…I think I kinda dig it.
George the Revelator.
He’s a smooth operator, it’s time we cut him down to size. The indignities of dial-up being what they are, I have yet to see the whole thing. Still, this Monty Python-ish and Dubya’ed up remix video for Depeche Mode’s version of “John the Revelator” seems worth a look-see, DM fan or no. Update: Thanks to a brief and random wireless connection, I watched it all. (Poor Tony Blair.) Ok, the Revelations bit at the end is a bit shrill, and Afghanistan is not Iraq, but I did like the crusader outfit and particularly the 7x7x7 cube of lies.
Hughes on First | Remotivate Me.
Some amusing links via other blogs: Pureboredom offers an appreciation of John Hughes soundtracks, with a number of worthy mp3s available for download (via Freakgirl), and Webgoddess points the way to this slew of decently funny motivational posters. We’re going to need more monkeys.
Pre-Modern Balladeer.
“What we do understand, if we’re listening, is that we’re three albums into a Dylan renaissance that’s sounding more and more like a period to put beside any in his work. If, beginning with Bringing It All Back Home, Dylan garbed his amphetamine visions in the gloriously grungy clothes of the electric blues and early rock & roll, the musical glories of these three records are grounded in a knowledge of the blues built from the inside out…Dylan offers us nourishment from the root cellar of American cultural life. For an amnesiac society, that’s arguably as mind-expanding an offering as anything in his Sixties work. And with each succeeding record, Dylan’s convergence with his muses grows more effortlessly natural.” In the new Rolling Stone and on the eve of Modern Times (due out this Tuesday), author Jonathan Lethem interviews Bob Dylan. (Via Ed Rants.)
Visions of Alicia.
“I’m wondering where in the world Alicia Keys could be, I been looking for her even clean through Tennessee.” Dylanologists, get your pencils ready: Word is Bob namedrops Alicia Keys on the first track of his new album, Modern Times, due out August 29.
The Times They Are A-Changin’.
I’m a bit late in hearing this excellent news: Bob Dylan’s 44th album, Modern Times (and his first album of original material since Love & Theft, released on 9/11) comes out next month: August 29, to be exact. Tracks include “Thunder on the Mountain,” “Spirit on the Water,” “When the Deal goes Down,” and “Beyond the Horizon.”
Point Him At The Sky.
And if you survive till two thousand and five, I hope you’re exceedingly thin. For if you are stout you will have to breathe out while the people around you breathe in…Shine on, Syd Barrett, 1946-2006.