Category: Television

Chief O’Brien, Working Stiff.

“We know that Miles O’Brien had a lot more fun serving aboard Deep Space Nine than he did aboard the Enterprise, and these ennui-filled comics help explain why. Hanging out alone in the transporter room all day is bound to drive a fellow a bit mad.”

Need more ST:TNG-related humor? io9 also recently pointed the way to this amusing webcomic about Chief O’Brien’s daily grind (before getting reassigned to Deep Space Nine.) Can an actual honest-to-goodness Colm Meaney cameo be far behind?

Narm!


“I think every series should end that way. Why not? We live with these characters for so long, it always feels like a betrayal to not know where they go, what the rest of their lives are like.” Eight years after its airing, Vulture offers up an oral history of the final Six Feet Under montage. “It was such a simultaneously shocking and obvious way to end the show. And I think that’s why it was so effective.”

Bayeux Who.

As part of the general fiftieth anniversary festivities, artist Bill Mudron creates an Bayeux Tapestry of the Doctor’s many adventures (to date). “A larger version of the illustration can be found on Mudron’s Flickr, and prints are available to pre-order online.”

Also in recent Who news, Steven Moffat offers up another anniversary minisode (tho’ it’s not nearly as cool as McGann’s recent return) and Io9 has ranked every televised Who story from best to worst. (Along the same lines, if you’re a Whovian of any sort, you should definitely be checking out Cryptonaut-in-Exile’s extensive Doctor Who Index.)

Eighth’s Had Enough. | Who at 50.


In anticipation of the upcoming 50th anniversary special, ten days away, Stephen Moffat offers up a lost tale of Paul McGann’s Eighth Doctor — who only appeared once, in the 1996 Fox movie — and the origins of John Hurt’s new ninth incarnation. Which makes Nine (Christopher Eccleston) Ten, Ten (David Tennant) Eleven, Eleven (Matt Smith) Twelve, and Capaldi a (potentially retconned) Thirteen. In any event, giving McGann some more run is a classy and well-done bit of fan service — here’s hoping they’ve found a way to get the other living doctors involved as well.

Update: To paraphrase Montgomery Scott, I like this show — It’s exciting! Moffat clearly brought his A-game to a very satisfying 50th anniversary special, which included some quality Ten/Eleven repartee, a welcome glimpse of Thirteen and (tho’ I’ll always be fond of Pertwee also) a curtain call for the definitive doctor, Tom Baker.

And if you disagree with that latter assessment, BBC also offered up An Adventure in Space and Time for the Hartnell-minded and Peter Davison’s very wry The Five-ish Doctors for 5, 6, and 7 fans. All in all, very well-played, and now I’m very much looking forward to Dr. Capaldi. Here’s to the next fifty, Doctor.

From the Files of Dr. Jacoby.

“Because there was no still photographer on the set during the filming of the last Twin Peaks episode, Richard Beymer (aka Benjamin Horne) was given permission by David Lynch to shoot some pictures on the set. The resulting ‘behind the scenes’ photos are nothing short of stunning.”

Cinephile Archive offers a smattering of rare Twin Peaks arcana. Worth a look-thru if you’re Peaks-inclined…Alas, it still doesn’t answer the real question: How’s Annie?

Heisenberg? Try Cheney.

“Americans are, like Walter White, a self-justifying sort. We see ourselves as exceptional. Often times we behave as if the rules that apply to the rest of the world, rules we want constraining them, don’t and needn’t really apply to us…Take it from The New York Times, our paper of record. Other nations forcing water into a prisoner’s lungs is torture. When we do it? Enhanced interrogation. America doesn’t torture. We’re the good guys!”

A late but welcome reassessment from Conor Friedersdorf: Breaking Bad as an analogy for post-9/11 America. “The world dealt us an unfair blow, and we used it as an excuse to break bad…We became inured to the selfishness of our actions. We slid predictably down the slope upon which we stepped, and the farther we go the uglier it gets. We haven’t hit bottom yet or anything close to it.”

Blue Man Group | Examine Meth.

“What, exactly, does it mean to be a ‘man’? It’s a question that sits at the dark, warped heart of the entire series and its anti-hero protagonist. A nerdy chemist whose brains haven’t earned him any power or respect from the world at large, the terminally ill Walt decides that he’s finally going to get that power and respect through whatever means necessary (and whenever possible, using science). The show doesn’t just trace Walt’s arc from Mr. Chips to Scarface, as Gilligan famously described it, or from Walt to Heisenberg; it also maps his journey from being a ‘pussy’ to being a ‘man.’ And while he succeeds in his goals, it’s a transformation that comes at a high price.”

You’re not wrong, Walter, you’re just an asshole! In a well-thought-out and close reading of the show as a whole, Wired’s Laura Hudson discusses “the toxic masculinity of Breaking Bad.” “The series begins with what seems like an odd image: a pair of pants, flying through the air. Much of what follows is about who gets to wear them.”

Also among the many farewells, homages, and critiques of Breaking Bad as it departs: screenshots from the Breaking Bad text-adventure game. Admittedly, this sort of article is basically just egregious click-bait, only one step higher on the content chain than Buzzfeed listicles. (Breaking Bad as a Nintendo Game/Choose Your Adventure Book/series of commemorative plates!) Still, I’m always down for a little Infocom nostalgia.

The Lowliest Adventure.


“Times are getting hard, boys. Money’s getting scarce. If things don’t get no better, boys, gonna leave this place.” Not to spoil anything for all those a few chapters or seasons behind, but, as you’ve probably heard, Breaking Bad has been firing on all cylinders in its final few episodes.

One comedy highlight in an event-filled and otherwise jet-black episode this past Sunday (and since I’m a sucker for both Glenn Yarbrough ditties and Sisyphus metaphors): Walter White rolling through the desert (even past his old Season 1 pants.) As such, here’s this week’s current earworm, and no mistake: “Take My True Love By the Hand,” by Glenn Yarbrough and the Limeliters. Enjoy.

The Knights Who Say “BWOMP.”


BWOMP, I say. And another via the folks at Slate‘s Browbeat, file this next to Shining: In a world ravaged by the Dark Ages, King Arthur (Graham Chapman) must assemble a band of hardy knights and find a sacred cup lost to history in the action-packed trailer for Monty Python and the Holy Grail. BWOMP.