HBO’s The Wire, lauded around these parts many times over, will be shown from the beginning on BET starting tomorrow night at 9pm. Personally, I’d recommend renting (or buying) the DVDs, so as to avoid commercials and see the episodes uncut (and to allow for the indulgence of binge-watching, which may well become the norm in your household by the end of Season 1.) But, if for some reason you can’t be bothered, BET’s the place to be tomorrow night.
Category: The Wire
Simon Says.
“Thematically, it’s about the very simple idea that, in this Postmodern world of ours, human beings — all of us — are worth less. We’re worth less every day, despite the fact that some of us are achieving more and more. It’s the triumph of capitalism…The show is written in a 21st-century city-state that is incredibly bureaucratic, and in which a legal pursuit of an unenforceable prohibition has created great absurdity.“
Slate publishes a fascinating extended interview with Wire creator David Simon, which touches on, among other things, why there won’t be a Season 6 focusing on Latino immigrants, and what we can expect from Season 5. “Yes, the last season. The last theme is basically asking the question, why aren’t we paying attention? If we got everything right in the last four seasons in depicting this city-state, how is it that these problems — which have been attendant problems regardless of who is in power — how is it that they endure? That brings into mind one last institution, which is the media. What are we paying attention to?” I can’t say it enough — if you’re not paying attention to The Wire, you owe it to yourself to rent Season 1 and start playing catch-up next to immediately. It really is far and away the best show on television, perhaps ever. Certainly, it’s the savviest take on American politics ever put to the small screen.
Shia, Sunni, Cylon.
“Surely you’ve heard by now (because we’ve certainly repeated it often enough) that ‘Battlestar Galactica,’ the new remake of the cheesy ’70s series, is the most thrilling and trenchant dramatic series on TV at the moment (except, of course, for “The Wire“)…”Battlestar Galactica” may be set in outer space, with robots, in the far distant past, but it reminds us every week that the other TV shows are the fantasies.” As the New Caprica arc draws to a close, Salon‘s Laura Miller sings anew the praises of Battlestar Galactica.
The Art of Monologuing.
No, not in that Incredibles way. The House Next Door, an excellent film/television blog I routinely check after every new episode of The Wire, Battlestar Galactica, and Doctor Who, has sparked a fun conversation about choice movie monologues (somewhat akin to the list here.)
Sportswire.
“It’s an exceptional show, and I’m not even sure ‘exceptional’ is a strong enough word.” I’ve had considerable issues with Bill “Sports Guy” Simmons in the past, but, now that he’s become a fellow Wire enthusiast (see the last few paragraphs), I’m inclined to feel more charitable towards him. “After plowing through the first 37 episodes of ‘The Wire‘ in three weeks this summer, I agree with others who argue that it’s the most important television show of all-time, surpassing even ‘The Sopranos’ because of its ambition and social relevance.”
When the Thunder Rolls.
Over at The House Next Door, always an excellent destination for quality film and television commentary, Andrew Dignan eloquently dissects the various credit sequences for The Wire, and even show creator David Simon comes by to say a word.
High Wire Act.
“The Wire, which has just begun its fourth season on HBO, is surely the best TV show ever broadcast in America…no other program has ever done anything remotely like what this one does, namely to portray the social, political, and economic life of an American city with the scope, observational precision, and moral vision of great literature.” Slate‘s Jacob Weisberg joins the swelling ranks of Wire aficionados. (Season 4 is currently pulling a lowly 98 over at Metafilter.) “This year, The Wire‘s political science is as brilliant as its sociology. It leaves The West Wing, and everything else television has tried to do on this subject, in the dust.” And, in very happy news that partially atones for Deadwood‘s early demise (although that [expletive deleted] still rankles), HBO re-ups for The Wire Season 5, which will focus on the mass media. I’ll drink a spot of Jamesons to that.
Starbucking for an Emmy.
“Many of you are already fans. Some of you urged us to watch the show at the very beginning. We know you’ll clutch this golden Buffy to your bosom with pride. But others of you — and we’re addressing you, Emmy voters, directly here — ignore us like the petulant little pills you are.” Salon chooses Battlestar Galactica as the recipient of its third annual Buffy award for the most underappreciated show on television. (And, in case you have any doubts about the selection committee, they also had the sense to pick The Wire the first time around.)
Way Down in the Hole.
“What The Wire says, repeatedly, is that The System — government, business, law enforcement, everything that runs this country — is broken and that the guardians of The System are too committed to defending the status quo to even try fixing it. It’s not a case of corrupt or evil people choosing to ruin things for the rest of us; it’s people of all moral calibers making decisions within the established context of their own institutions (the police force, City Hall, drug corners) without regard to how they affect the world at large.” The Newark Star-Ledger‘s Alan Sepinwall previews Season 4 of The Wire. (Via The House Next Door.)
Citizen Hearst | Re-Up.
Grim [expletive deleted] tidings…With last night’s episode (and this season’s marvelously malevolent Big Bad, George Hearst [Gerald McRaney], on the verge of running riot), we’re already halfway through our last full helping of Deadwood. (You can keep up on its historicity here.) The silver lining? That puts us ever closer to Season 4 of The Wire (this year’s target: the school system), which HBO has only just begun to tease.