Haunting the Web Since 1999
I’m from The Future, you should move to China: Forbes’ Bruce Upbin examines a theoretically quick and easy way to learn Chinese characters…or, at least, a few of them. “There are some 10,000 Chinese characters in common use. Basic literacy, according to the Chinese government, starts at two thousand characters. A solid grasp of a daily Beijing newspaper requires knowing around three thousand. An erudite Chinese reader should recognize five to seven thousand characters. How about eight?
Lots of scores to settle and cold dishes served in the trailer bin of late…
Antebellum musician Solomon Northrup (Chiwetel Ejiofor) finds himself way down on the wrong side of the Mason-Dixon line in our first look at Steve McQueen’s 12 Years a Slave, also with Benedict Cumberbatch, Paul Dano, Michael Fassbender, Paul Giamatti, Lupita Nyong’o, Sarah Paulson, Brad Pitt, and Alfre Woodard.
Some strange musical cues here, including the themes from Pearl Harbor and The Wolfman (the latter used to better effect in the original, still-creepy Tinker Tailor teaser). In any case, I liked Hunger and Shame less than most, but I’d be up to give this a go.
Please Hammer Don’t Hurt ‘Em: Josh Brolin discovers to his dismay that he can check in but never leave in the red-band trailer for Spike Lee’s remake of Park Chan-wook’s Oldboy, also with Elizabeth Olsen, Sharlto Copley, Samuel L. Jackson, Michael Imperioli, Lance Reddick, and James Ransone. I’m still trying to un-watch the original — some things involving octopi and tongues I wish I never saw in that there film.
One good remake deserves another: Deserve’s still got nothing to do with it as Ken Watanabe fills Clint Eastwood’s shoes for Sang-il Lee’s Yurusarezaru mono, the Japanese remake of Unforgiven, also with Akira Emoto, Koichi Sato, and Yuya Yagira. From The Seven Samurai to The Magnificent Seven, there’s a long and fertile history for this sort of cultural exchange, so I’d watch it.
What I likely won’t be watching is Sergei Bodrov’s fantasy epic Seventh Son, based on a series I haven’t heard of called The Wardstone Chronicles, even if it does have Jeff and Maude Lebowski operating on opposite sides of the ball. (Between this and R.I.P.D., Bridges seems to be in full “paying for an extension to my house” mode these days.)
I thought at first this might be based on Susan Cooper’s The Dark is Rising, but then I remembered they already made a lousy adaptation of that a few years ago. In any case, also along for the ride: Ben Barnes, Kit Harington, Alicia Vikander, Djimon Hounsou, Jason Scott Lee, and Antje Traue.
When bad things happen to his brother (Casey Affleck), Christian Bale goes vigilante to take down the local ne’er-do-well (Woody Harrelson) in the first trailer for Scott Cooper’s Out of the Furnace, also with Zoe Saldana, Willem Dafoe, Forrest Whitaker, and Sam Shepard. (TL;DR: Bale meets Death Wish meets Winter’s Bone.) Alrighty then.
When bad things happen to his brother (Matt Barnes), Ryan Gosling goes vigilante to take down the local ne’er-do-well (Vithaya Pansringarm) in the newest trailer for Nicholas Winding Refn’s Only God Forgives.
Along with presumably another hyper-catchy soundtrack like Refn and Gosling’s Drive, this also has the added benefit of Kristin Scott Thomas apparently doing her “Ben Kingsley in Sexy Beast/Ralph Fiennes in In Bruges” turn. As with Oldboy, I expect this to be hyper-violent, tho’.
And finally Wong Kar-Wai, Yuen Woo Ping, Tony Leung, and Zhang Ziyi band together to tell the story of Ip Man (again) in the newest trailer for The Grandmaster. This still looks to me like an unnecessary remake of the third Matrix movie, but you can’t fault the pedigree involved.
Update: One more down the pike today: Benedict Cumberbatch channels Julian Assange, and has some Social Network-style angst with his partner Daniel Bruhl, in the first trailer for Bill Condon’s The Fifth Estate, with Anthony Mackie, David Thewlis, Alicia Vikander, Peter Capaldi, Carice van Houten, Dan Stevens, Stanley Tucci and Laura Linney. Linney’s smarmy “truth, justice, and the American way” line is wince-inducing, but otherwise this could be promising.
Update 2: Blanchett, meet Blanche DuBois? After Madoff-y husband Alec Baldwin becomes only the second person in America to be prosecuted for misdealings during the financial crisis, Cate Blanchett learns how the other half lives in the first trailer for Woody Allen’s Blue Jasmine, with Sally Hawkins, Bobby Cannavale, Andrew Dice Clay(?), Michael Stuhlbarg, and (hopefully) the Woodster’s new best friend, Louis C.K.
A new CEPR report finds — once again — that Americans are working inordinately hard. “Workers in the European Union are legally guaranteed at least 20 paid vacation days per year, with 25 and even 30 or more days in some countries. Canada and Japan guarantee at least 10 days of paid vacation per year. U.S. workers have no statutory right to paid vacations.”
While pleading guilty to 10 of the 22 charges against him, Bradley Manning makes a long and detailed statement about why he gave classified documents to Wikileaks. “The more I read the cables, the more I came to the conclusion that this was the type of information that– that this type of information should become public. I once read a, and used, a quote on open diplomacy written after the First World War and how the world would be a better place if states would avoid making secret pacts and deals with and against each other.”
See also this on Gitmo: “[T]he more I became educated on the topic, it seemed that we found ourselves holding an increasing number of individuals indefinitely that we believed or knew to be innocent, low level foot soldiers that did not have useful intelligence and would be released if they were still held in theater.”
I’m with Glenn Greenwald on this – Bradley Manning should be considered a hero, the Daniel Ellsberg of our day, and the real crime here is how terribly he’s been treated by the powers-that-be for a justifiable act of whistle-blowing. “He knew exactly what he was risking, what he was likely subjecting himself to. But he made the choice to do it anyway because of the good he believed he could achieve, because of the evil that he believed needed urgently to be exposed and combated, and because of his conviction that only leaks enable the public to learn the truth about the bad acts their governments are doing in secret.”
And, for this stand on idealism, we’ve kept Pvt. Manning locked in a cell for 23 hours a day and are (still) threatening him with life in prison. Meanwhile, this town is overrun with glib, useless assholes who don’t care about anyone but themselves, and those guys keep failing up. We hound and imprison our Swartzes and Mannings, while coddling and venerating the Dimons and Blankfeins of this world. Some system.
Consider this a wake-up call. This is one more reason why we need to invest in our space program — because, right now, we are playing chicken with the universe. That deadly asteroid might not hit tomorrow, or even in 2106. But the danger is real. As author Larry Niven put it, “the dinosaurs became extinct because they didn’t have a space program. And if we become extinct because we don’t have a space program, it’ll serve us right!”
Newly-released documents tell of how America learned of the 1940 Katyn Massacre seventy-two years ago, and worked to keep it quiet. “The directive was to ‘never to speak about a secret message on Katyn.’ During the 1951-52 Congressional hearings, for example, no material was presented to demonstrate that Washington knew about Katyn as early as it did.”
In the wake of Neil Armstrong’s passing, The New Statesman‘s Alex Hern makes the case for moving in the direction of a space elevator. The political argument aside, serious forays into space are clearly hindered by the prohibitive costs of leaving orbit more than anything else. If we are going to get serious about this, a space elevator is a technology that’s worth looking into. Right now, only Japan is on the case.
Some very troubling news for MMORPG cheats to consider: The Guardian reports that prisoners at Chinese labor camps are now forced to gold-farm for hours on end. “If I couldn’t complete my work quota, they would punish me physically. They would make me stand with my hands raised in the air and after I returned to my dormitory they would beat me with plastic pipes. We kept playing until we could barely see things.” Ugh, don’t subsidize this, people. If you can’t farm the stuff yourself, find another hobby. (Arthas pic via here.)
“An executive at a small defense contractor recently joked to me, ‘Afghanistan is our business plan.’ I asked him what he would do if the war ended. He stared at me for a moment and said, ‘Well, then I hope we invade Libya.‘”
Proving Chalmers Johnson‘s maxim in Why We Fight that “when war becomes that profitable, you’re going to see more of it,” PBS’s Joshua Foust looks at the economic implications of withdrawal in Afghanistan for our standing army of Hessians defense sub-contractors. “Ten years of war have established a discrete class of entrepreneurs, mid-level workers and administrators who are completely reliant upon the U.S. being at war to stay employed.” I somehow doubt we’ll be freezing their pay anytime soon.