“Service in Iraq is ‘a potential death sentence,’ said one man who identified himself as a 46-year Foreign Service veteran. ‘Any other embassy in the world would be closed by now,’ he said to sustained applause.” Want to join the Foreign Service? Here’s your chance…US diplomats appear to be on the verge of mutiny over forced postings in Baghdad. “Foreign Service officers swear an oath to serve wherever the secretary of state sends them, but no directed assignments have been ordered since the late 1960s, during the Vietnam War…A poll conducted this month by the American Foreign Service Association found that only 12 percent of officers ‘believe that [Secretary of State Condoleeza] Rice is fighting for them’.”
Category: The Middle East
Rummy Flakes.
“In a series of internal musings and memos to his staff, then-Defense Secretary Donald H. Rumsfeld argued that Muslims avoid ‘physical labor’ and wrote of the need to ‘keep elevating the threat,’ ‘link Iraq to Iran’ and develop ‘bumper sticker statements’ to rally public support for an increasingly unpopular war.” The WP surveys the “snowflakes” composed by ex-SecDef Donald Rumsfeld during his tenure. “Rumsfeld, whose sometimes abrasive approach often alienated other Cabinet members and White House staff members, produced 20 to 60 snowflakes a day and regularly poured out his thoughts in writing as the basis for developing policy, aides said.” Uh, Rummy, get a blog.
Integrity Theft.
“Is the military’s top spokesman in Iraq a loose cannon who routinely fires off angry, impetuous e-mails to bloggers who criticize the war and the spin surrounding it? Or is Col. Steven Boylan, instead, an innocent victim — an online wallflower whose identity has been hijacked by a pro-war hacker who has managed to break into the most well-fortified space on the planet in order to taunt lefty critics? Neither scenario paints a comforting picture of the situation in Iraq — and even though the e-mails in question are coming from military servers in Iraq, the military seems strangely uninterested in solving the mystery of who is writing them.” Speaking of ominous “snowflakes” emanating from the Pentagon, Salon‘s Farhad Manjoo summarizes the recent bizarre and troubling behavior by Col. Steven Boylan, most notably his unsolicited letter and subsequent denial to Salon‘s Glenn Greenwald. Hmm…perhaps Boylan is a drailer?
The Neo-Con Hit List.
“‘We screwed up and left Saddam Hussein in power. The president [then George H.W. Bush] believes he’ll be overthrown by his own people, but I rather doubt it,’ he quotes Wolfowitz lamenting [in 1991]. ‘But we did learn one thing that’s very important. With the end of the Cold War, we can now use our military with impunity. The Soviets won’t come in to block us. And we’ve got five, maybe 10, years to clean up these old Soviet surrogate regimes like Iraq and Syria before the next superpower emerges to challenge us … We could have a little more time, but no one really knows.‘” According to Salon‘s Joe Conason, Wesley Clark’s new book suggests the existence of a smoking-gun 2001 memo that outlined in full the neo-cons’ delusional ambitions for the Middle East before the Iraq War. “‘Six weeks later, Clark returned to Washington to see the same general and inquired whether the plan to strike Iraq was still under consideration…”Oh, it’s worse than that,” he said, holding up a memo on his desk. “Here’s the paper from the Office of the Secretary of Defense [then Donald Rumsfeld] outlining the strategy. We’re going to take out seven countries in five years.” And he named them, starting with Iraq and Syria and ending with Iran.’ While Clark doesn’t name the other four countries, he has mentioned in televised interviews that the hit list included Lebanon, Libya, Somalia and Sudan.”
Bait and Switch?
“In a series of public statements in recent months, President Bush and members of his Administration have redefined the war in Iraq, to an increasing degree, as a strategic battle between the United States and Iran…The President’s position, and its corollary — that, if many of America’s problems in Iraq are the responsibility of Tehran, then the solution to them is to confront the Iranians — have taken firm hold in the Administration.” With that in mind, and with Secretary of State Rice citing Iranian “lying” about their nuclear program, here’s one from a week or so ago: The New Yorker‘s Sy Hersh evaluates the current prospects in the administration for a war with Iran. “I was repeatedly cautioned, in interviews, that the President has yet to issue the ‘execute order’ that would be required for a military operation inside Iran, and such an order may never be issued. But there has been a significant increase in the tempo of attack planning…’They’re moving everybody to the Iran desk,’ one recently retired C.I.A. official said.”
No Time for Fools.
“If you’re really worried about Iran, do you want to put your faith in the United States, the country that bungled Iraq? If you really care about Islamic fundamentalism, do you want to be led by the country that, distracted by Iraq, failed to predict the return of the Taliban in Pakistan and Afghanistan?” Why has the world soured on America of late? The real reason, argues Slate‘s Anne Applebaum and the data she surveys, is that, thanks to seven years of Dubya, we’re starting to look incompetent. “And even if the surge works, even if the roadside bombs vanish, inept is a word that will always be used about the Iraqi invasion.“
Guns to Navarone (and everywhere else).
Paging Yuri Orlov: By way of Dangerous Meta, a new Congressional study finds the US atop the leaderboard in terms of selling weaponry to the developing world. “Pakistan, India and Saudi Arabia were the top buyers…The study makes clear also that the United States has signed weapons-sales agreements with nations whose records on democracy and human rights are subject to official criticism.“
Hessians Accomplished.
Blackwater grows murkier: It seems the private security firm in Iraq has a long and sordid history of troubling incidents to its name, and that the initial State Dept. report on the firefight of a few weeks ago was originally written by a Blackwater contractor. (Indeed, the State Department tried to intervene in today’s Congressional testimony by Blackwater head Erik Prince until forced to back down as a result of public pressure.)
How deep does this rabbit hole go? Salon‘s Ben Van Heuvelen traces the financial connections between Blackwater and the Bushies, while P.W. Singer, an expert on private contractors, explains what Blackwater has cost us all: “When we evaluate the facts, the use of private military contractors appears to have harmed, rather than helped, the counterinsurgency efforts of the U.S. mission in Iraq, going against our best doctrine and undermining critical efforts of our troops…According to testimony before the House Committee on Oversight and Government Reform, the Defense Contract Audit Agency has identified more than a staggering $10 billion in unsupported or questionable costs from battlefield contractors — and investigators have barely scratched the surface.”
Congress in the Quagmire.
“More than nine months after taking power, about all that Reid and House Speaker Nancy Pelosi have achieved on the Iraq front is to unfairly share in the blame for mismanaging the conflict…Pelosi, in particular, erred in unduly raising antiwar expectations when she took over as the first Democratic speaker in a dozen years. It was the Gingrich Revolution in reverse, this time with Democrats failing to appreciate the balance-of-power realities of a congressional showdown with an unyielding president, however wounded.” Salon‘s Walter Shapiro puts forth an explanation why Democratic attempts to change direction in Iraq have failed.
No Country for Young Men.
[Review, take 2.] Every day I think I’m going to wake up back in the desert… I must say, I went in expecting not much more than an over-the-top “message movie” schmaltzfest, or at best a harmless helping of mediocre, inert Oscar Bait like Cinderella Man or A Beautiful Mind. But Paul Haggis’ In the Valley of Elah, the first of four(!) movies I caught last Saturday, turned out to be quite a bit better than I expected. Rather, Elah is a melancholy rumination on the hidden casualties of (any) war and a somber inquiry into the heavy toll exacted on the wives, parents, and children of military men. (The families of military women will likely get their due in John Cusack’s forthcoming Grace is Gone.) The David and Goliath nonsequitur of its title notwithstanding, Elah more often brings to mind the questionable sacrifice for an unknown higher purpose in Abraham and Isaac, or the bloody fate of erstwhile brothers Cain and Abel. And, biblical parallels aside, the film showcases the best work Tommy Lee Jones has done in years. (Well, I didn’t see The Three Burials of Melquiades Estrada, and have high hopes for No Country for Old Men.) And it’s probably the most engaging police procedural of the year this side of Zodiac.
“Dad?” Roused from a dream he can barely grasp the edges of, grizzled Vietnam Vet turned mechanic Hank Greenfield (Jones) is awoken one Tennessee morning by a call from faraway Fort Rudd, informing him not only that his son Mike is back from Iraq but has gone AWOL since getting back stateside. This doesn’t gibe with Hank, who’s been receiving image-laden e-mails from his second son during his tour (his first son already perished in his nation’s service), and so he packs his bags, kisses his wife (Susan Sarandon) goodbye, and drives straight through to New Mexico, looking to ascertain the score.
The sergeant on duty at Ft. Rudd (James Franco) and Mike’s returning platoon members all think he’s just shacked up with a good time woman somewhere…but Hank’s not so certain. And, just as he’s beginning to tease clues off Mike’s damaged cameraphone, a charred, mutilated, and dismembered body is discovered on the outskirts of town. Sure enough, it’s Mike, and as the ensuing homicide investigation slips into the jursidictional crack between local law enforcement (most notably represented by Charlize Theron) and the Military Police (headed by bureaucrat Jason Patric), Hank takes it on himself to bring his son’s murderer to justice. But, as Hank well knows, the dogs of war impart a moon-touched madness on those they’ve mauled, and Hank will be forced to confront some ugly truths about his son, and the man he became in Iraq, in order to get to the bottom of things.
Admittedly, the movie starts out kinda rocky (or perhaps I was just gunning for Haggis in the first reel.) Events occur early on that scream symbolic significance (you’ll know what I mean), people speak in characterization shorthand — “Someday, you’ll just have to trust somebody, Hank” — and some plot points just don’t hang together. How did Hank ever find that (symbolically-named) computer guru operating out of a van, and why does it take him so ever-loving long just to do a defrag? But, for whatever reason — my money’s mostly on Jones — Elah is a significantly subtler and more resonant film than I ever expected from the writer-director of the lamentable Crash. (Then again, a ball-peen hammer to the skull is subtler than Crash, a film which, as I noted in my review of Inside Man last year, feels like it was made by and for people who don’t get out very much.)
In any case, Tommy Lee Jones is really excellent here: Check out the scene where he has to ID his son’s body in the morgue, or note how his early military rectitude seeps away as he sinks into the slough of despond. And Jones isn’t alone. Sarandon is memorable in every short scene she’s in, Theron is surprisingly believable as an ordinary (albeit beautiful) cop, and Patric — a dependable actor who never quite made it as a lead — seems to relish the freedom of his oncoming, paunchy Val Kilmer/Alec Baldwin phase. His “on a need to know basis” character in particular could’ve been way over the top, but Patric underplays him as a guy who really just doesn’t want to do the paperwork. (There’s also a brief but solid turn by Josh Brolin, Jones’ Coen compadre, as the local sheriff.)
Elah isn’t the best movie of the year or anything. But it is most of everything you’d want out of a fall film — It’s timely, sober-minded, well-acted and well-made. And, if nothing else, it shows Haggis has the ability to reboot after Crash.