DC Life – Ghost in the Machine

The Terminal. | And the Bridge.

“It speaks to the paucity of our civic imagination, and the small-mindedness of our politics, that simply to describe a project of such ambition is to invite the knowing smirks and raised eyebrows of those who will immediately recognize it as wholly incompatible with the current political and budgetary environment…At the same time, broader economic forces make Union Station expansion almost inevitable. As Doug Allen, the head of the Virginia’s commuter rail service, put it, ‘The question is how we do it, not whether we do it.'”

In a long and handsomely illustrated piece, WaPo’s Stephen Pearlstein looks into the reimagining of Union Station (or is it Truman Station), in light of both commuter needs and the burgeoning of NoMa, H-St, and the DC downtown in general. “This new Union Station would go well beyond the ambitions of Daniel Burnham’s original Beaux-Arts masterpiece. Its footprint would span 10 square blocks — two blocks east to west, five blocks north to south, from the foot of Capitol Hill to K Street.”

Update: “Make no mistake: Any of the finalists in the competition to design D.C.’s 11th Street Bridge Park is a winner. This is the savviest proposal for adapting outmoded infrastructure since the High Line. The four teams that made the grade as finalists to design the thing met the challenge.

And while we’re re-envisioning DC, CityLab looks at some intriguing “High Line”-style plans for the 11th Street Bridge. “Maybe the City Council could be convinced of the merits of the Southeast-to-Southwest Streetcar line once D.C. decides on a final design for the edgiest architecture project in the city’s history.”

Life in the Big City.

“His rad book…includes the answers to such burning questions as, how do I hail a cab? What is a bodega? Which way is Uptown?” From a new book by cartoonist Nathan Pyle, Distractify shows off a number of spiffy animated primers on how to live/survive in NYC. Funny because they’re true, and definitely worth a perusal. The one above — a.k.a. the “Reservoir Dogs walk” — is a huge problem in DC also.

The Idaho Way To Treat You.

“[C]yclists are probably in the right here. While it’s obviously reckless for them to blow through an intersection when they don’t have the right of way, research and common sense say that slowly rolling through a stop sign on a bike shouldn’t be illegal in the first place. Some places in the US already allow cyclists to treat stop signs as yields, and red lights as stop signs, and these rules are no more dangerous — and perhaps even a little safer — than the status quo.”

In Vox, Joseph Stromberg makes the case for “the Idaho stop” — i.e. bikers treating red lights like stop signs, etc. As a frequent bike commuter (who, like most, does this anyway), I’m all for it. “There are even a few reasons why the Idaho stop might even make the roads safer than the status quo…[It] could funnel bikes on to safer, slower roads…[and] if legalized and widely adopted, would also make bikes more predictable.”

Revolving Doormen.

“One afternoon in San Francisco, Lehane explained his operating principle this way: ‘Everyone has a game plan until you punch them in the mouth. So let’s punch them in the mouth…In most situations,’ Lehane continued, ‘there are people who either have dirty hands or their own agendas. Whenever somebody complains that this stuff has happened to them, I say, “There’s a long line of people behind you.”‘”

Ever feel like maybe part of the problem with both our Party and our politics is that they tend to reward amoral, money- and power-driven, self-aggrandizing douchebags? Hey, you’re right! Exhibit A: Chris Lehane, previously Al Gore’s flak in 2000 (he also had a small part to play in Dean’s demise in 2004), who’s given the soft-focus treatment in this week’s New York Magazine. “‘You are only seeing 10 percent of what I do,’ Lehane said. The private clients have included Goldman Sachs, Michael Moore, the Weinstein Company and Boeing.”

And here’s Exhibit B: Peter Orszag, who’s currently trying to shield his big Citibank payday from public scrutiny. “Typically, documents in a civil-court proceeding are accessible to the public, but Orszag succeeded last year in quietly convincing a judge to seal financial records submitted in the case, including the salary he makes as a Citigroup vice president, from public view. In that request, Orszag worried that disclosure of his income might harm his career and ‘damage any eventual return to Federal Government service or other public office.'”

Yeah, because everybody’s clamoring for that. Sigh, This Town. Lehane’s right about one thing, tho’. Everywhere you look in DC, there are people who don’t know anything about anything strenuously clambering up the ranks, their only two skills of note shameless self-promotion and a brazen flexibility with regard to what should be basic Democratic principles. Or, as I put it more charitably a few years ago:

“That’s my rub too, and it dovetails with larger problems I have with DC political culture. More often than not, the people who tend to succeed here are the ones who keep their head down, play the DC game, stay resolutely non-ideological and unobtrusive in their opinions. never go out on a limb, never say or do anything that could hurt their bid to be a Big (or Bigger) Shot down the road. (Hence, the whole phenomenon of The Village.)The problem is, these plodding, risk-averse careerist types are exactly the type of people you don’t want making decisions in the end, because they will invariably lead to the plodding, risk-averse and too-often rudderless politics of the lowest common denominator.”

But I guess, as the The Wire made clear years ago, that’s pretty much the rule in any institution or industry, so there’s not much use in complaining about the way things are and have always been. Game’s the same, just got more fierce.

River and Atoms.

When not sitting ringside while the GOP devours its own tail, the ladyfriend and I have been continuing to take in concerts around the area. Of late:

Encore: Walking Without Frankie | A Hand to Take Hold of the Scene | Unless It’s Kicks

I wasn’t familiar with these guys at all before the show — Apparently, they’ve been at it for fifteen years — but they seemed to be a pretty solid alt-rock outfit out of Austin. The songs that had the biggest impression on me, live at least, were The Valley (“Fallen in the valley of the rock and roll dead!”) and “Lost Coastlines” (buoyed by some very Morrissey-ish crooning by (iirc) the bassist.)

Nor, being a movie more than a music guy, was I aware that Thom Yorke and Flea were taking time away from their respective SuperGroups to make Afrobeat albums as Atoms for Peace. Hard to pick a distinctive best moment from this show — Most of the songs ran together here (in a good way, if you enjoy more beat-intensive variations on that distinctive Yorke-shire croon.)

That being said, after watching Flea (Age 50) hop around like a madman half his age throughout this show — in the same week that Sandra Bullock (Age 49) braved the vicissitudes of Zero-G Ripley-style in Gravity, it sure seems like 50 is the new 30 these days. And that puts me solidly in my 20’s – Woot.

Take Berk Out to the Ball Game.

You can’t teach an old dog new tricks, but you can help them pick up a new pastime or two. On account of Pups in the Park night at Nats Park, Berk got to take in his first MLB game Saturday night: Phillies over Nats, 5-4. FWIW, he seemed to quite enjoy the experience, most notably all the many other dogs around and the bag of peanuts in the seat in front of him. The folding chairs, not so much.

Heard that Hoot Owl Singing.

The Roots on New Years’ Eve notwithstanding, I’ve been derelict about posting on live entertainment I’ve seen this year, like Louis CK in Baltimore, The Motherf**ker with the Hat at Studio Theater, The Last Five Years in Shirlington, Dean Fields in Arlington and The Postal Service at Merriweather Post.

All that being said, since there’s an especially clear precedent here — 1, 2, 3, 4, 5, 6, 7, 8, 9 — I shouldn’t neglect to mention I caught my tenth Dylan show two weeks ago, as part of the Americana Music Festival (with Ryan Bingham, My Morning Jacket, and Wilco). Here’s the setlist:

Perhaps it’s because the setlists are fluctuating less this tour, or he’s playing a shorter set, or he’s just inspired by the bands he’s touring with, but this was actually the best I’ve heard Bob sound in awhile. He seemed animated and his voice, while always gravelly these days, sounded more mellifluous than it’s been in many a moon. “Things Have Changed” and “Ballad of a Thin Man” are always favorites, but the highlight for me this time around was finally catching Blind Willie McTell live — You can see it as well above, thanks to Joanna’s Visions.

Also, due to the vagaries of having a job and all that — the festival started at 4:30pm over in Columbia, MD — we missed Ryan Bingham’s set and all but the last song of My Morning Jacket, but here was the evening for the Wilco-inclined (who were also very good):

Older Navy.

Into Plato before it was cool? Do you take a six-pack of PBR with you to the Hirschorn? (Jazz in the Garden doesn’t count, and, besides, you should really be at Yards Park.) Then check out classical sculptures dressed as hipsters. Strangely compelling.

The Audacity of Sheeeee…

“Prometheus Bound. An ancient play, one of the oldest we have. About a simple man who was horrifically punished by the powers that be for the terrible crime of trying to bring light to the common people. In the words of…Ascyllius, ‘No good deed goes unpunished.’ I cannot tell you how much consolation I find in these slim pages.”

From a DCist story on Mayor Vince Gray’s recent woes, a Fairey-esque tribute to Maryland State Senator R. Clayton Davis of The Wire. I laughed.

Tales of Yankee Power.

What better way to celebrate eleven years of GitM than a ninth cuppa Bob (and my first in three years)? (1, 2, 3, 4, 5, 6, 7, 8) The freewheeling Bob Dylan continued his never-ending tour Saturday night at George Washington University, and while the haters are hatin’, I knew what I was getting into — Dylan croaking his way through rockabilly versions of his classics — and had a grand ole time. Here’s the setlist:

Encore: Jolene | Like A Rolling Stone

So, if you’re keeping score, that’s a full five tracks from 1965’s Highway 61 Revisited. For me, the highlights of the evening were Ballad of a Thin Man, from that album, and especially Senor, from 1978’s Street Legal — one of my top 10 favorite Dylan songs (and one I missed during Bob’s 2005 Beacon stand.)

As far as the new stuff goes, I’d rather have heard any other Time Out of Mind track over “Tryin’ to Get to Heaven” (well, except “Make You Feel My Love“), and “Ain’t Talkin’,'” off of 2006’s Modern Times sounds to me like Dylan trying a bit too hard to be Dylanesque. That being said, “High Water (for Charley Patton)“, off of 2001’s “Love and Theft (is that album really a decade old now?) sounded as lean, mean, and vital as I’d ever heard it. It’s rough out there, high water everywhere…but it’s good to know Bob’s still keep on keepin’ on regardless.