Escape from New York.

While Dean and Clark parry for New York votes, Tom De Lay laments the loss of his GOP convention booze cruise. As of yesterday, “some Republicans in Washington who supported the cruise liner idea were still saying that it would not have taken much money away from the city and that perhaps there are some Republican members of Congress who want to take their families to the convention but do not want them to stay in Manhattan.” I see. So for the GOP, New York City is a great place to wave the bloody shirt, but God forbid they spend a night there.

Pillars of Fire.

ABT and Gill‘s City Center season opens to grand reviews: “Gillian Murphy as Hagar, the repressed heroine, knew that a Tudor dancer emotes through movement, not the face, and much of her impact came through sheer muscular power, especially in her space-devouring leaps…The beauty of Ms. Murphy’s performance was in its contrast, between her dazed outcast and a desperate but not hysterical woman whose emotions visibly surge through her body.” Also in dance news, the Globe profiles Ethan Stiefel, my sister’s boyfriend.

Life and How to Live It.

So R.E.M. came to town Saturday night and played probably the best show I’ve seen by Athens’ finest. (This is my fourth over the past decade.) First the setlist:



1. Finest Worksong

2. What’s The Frequency, Kenneth?

3. Driver 8

4. Drive

5. Animal

6. Fall On Me

7. Daysleeper

8. Bad Day

9. The One I Love

10. World Leader Pretend

11. (Don’t Go Back To) Rockville

12. The Great Beyond

13. Country Feedback

14. Losing My Religion

15. Find The River

16. She Just Wants To Be

17. Walk Unafraid
18. Man On The Moon

19. Life And How To Live It

20. NYC (Interpol cover)

21. Nightswimming
22. The Final Straw
23. Imitation Of Life

24. Gardening At Night
25. It’s The End Of The World As We Know It (And I Feel Fine)

So all in all, a truly excellent show. There were other R.E.M. songs they’re playing on this tour that I’d have loved to hear (Exhuming McCarthy, Feeling Gravity’s Pull), but they played my two favorites (and my top two requests) — Fall on Me and Country Feedback — so I left happy. I was particularly impressed with Walk Unafraid and She Just Wants to Be, two songs off Up and Reveal respectively that really came into their own tonight, when Peter Buck chose them to show off his considerable guitar mojo. And the band wisely skipped some of their more saccharine moments — Everybody Hurts or Strange Currencies, for example — to showcase old hits (Rockville, Gardening) and political tone poems (Final Straw and World Leader Pretend, a special treat.) In sum, Stipe, Buck and Mills still got it, and I’m very much looking forward to their next swing through the area.

Buried, but not Dead.

New York prepares for a mass re-burial of over 400 Colonial-era slaves in the spot where they were found 12 years ago. Perhaps this ceremony will help to encourage more formal and historic recognition of the city’s relationship to slavery. (As the article notes, Gotham once held more slaves than any other city but Charleston.) And as New York, so too the nation — While the Holocaust Museum serves as an important and necessary reminder of how nations ostensibly grounded in Enlightenment ideals can go terribly, terribly wrong, it’s a bit glaring that we have such a fine museum in Washington dedicated to Germany’s most grievous sin, without any comparable historic institution focusing on our own. A National Museum of Slavery is well past due, and, Civil War importance aside, it should really be on the National Mall, not in Fredericksburg.