Also from Follow Me Here, Salman Rushdie compares gang violence in Two Towers and Gangs of New York to developments in Iraq. Interesting points, but did we see the same Scorsese film? In both the initial and final gangland scenes, there’s hardly any sense of moral ambiguity. To the contrary, as I noted in this post, the Irish (Neeson/DeCaprio) forces are portrayed exclusively as maligned, freedom-loving immigrants, while the Nativist (Day Lewis) gang are portrayed as racist brutes. You’d never get the sense in Scorsese’s film that it was the former group that actually unleashed virulent hatred upon the city’s African-American population in July of 1863. I suspect this reading of Gangs has more to do with the close friendship between Rushdie and “The Band that Built America.” Or perhaps Rushdie saw the longer Scorsese cut of the film, which is rumored to be more nuanced.