Not Worth the Paper They’re Printed On.

“The most preventable tragedy was the deterioration of quality. Downsized local publications were all but forced to rely on more national content, but that content didn’t have to become so vapid…But that’s what happened. Rather than investing in the valuable steel and concrete of hard reporting, national news outlets began printing the most worthless kind of commercial paper — rumors, personality profiles and other such speculative derivatives that consumers could find elsewhere.“

Don’t cry for the end of the newspaper, says Salon‘s David Sirota (who also seems to be feeling a bit Howard Beale-ish right about now.) They brought it on themselves. “‘In place of comprehensive, complex and idiosyncratic coverage, readers of even the most serious newspapers were offered celebrity and scandal, humor and light provocation,’ says journalist-turned-director David Simon, whose HBO series ‘The Wire’ examined this trend.” (Simon has more to say on the subject here.)

As Jack Shafer reminds us, newspapers were scurrilous, scandal-ridden, partisan rags long before they were bastions of citizenship and good journalism. Still, now that the broadsheets have mostly followed their television brethren down the road of endless horse-race-type political coverage and surface-skimming trivialities, what’s their purpose, really? We can get bad, rushed, smart-alecky journalism from TV and the web.