As the situation in Ukraine degenerates — here’s a decent primer — Paul Szoldra and Michael Kelly offer up stunning photos from the heart of the protests. “From riot police using ancient military tactics to defend against attacks to streets engulfed in flames, the photos coming for the heart of the standoff are incredible.”
Actually, It Gets Worse.
The New Yorker‘s Adam Alter surveys the recent data suggesting something that accords well with my overall worldview: Positive thinking is for suckers. “In a provocative new analysis, Oettingen and her colleagues have suggested that public displays of positive thinking may even predict downturns in major macroeconomic outcomes…the staggering results in this most recent paper are consistent with more than a decade’s worth of studies in Oettingen’s lab.”
But It’s Better Than the Alternative.
Well, my friends are gone and my hair is gray. I ache in the places where I used to play, and I’m crazy for love, but I’m not coming on: Also in The New Yorker, Roger Angell files a dispatch from the far side of ninety. “Here in my tenth decade, I can testify that the downside of great age is the room it provides for rotten news. Living long means enough already.”
A Raccoon Will Rise.
The King of Comedy.
Television pioneer Sid Caesar, 1922–2014. “Albert Einstein was a Caesar fan. Alfred Hitchcock called Mr. Caesar the funniest performer since Charlie Chaplin.”
At the Bayou of Madness.
In io9, Michael Hughes explores True Detective‘s many references to The King in Yellow, an 1895 collection of short stories by Robert Chambers, and a “fictional play…that brings despair, depravity, and insanity to anyone who reads it or sees it performed.”
As Molly Lambert of Grantland pointed out of HBO’s dark and addictive mini-series, “True Detective’s closest relative is Twin Peaks, which mined similarly nocturnal depths. Both shows espouse mythologies that feel extremely personal to the creators but also eerily universal, tapping into the same brain waves as paradoxical sleep.”
For his part, show creator Nic Pizzolatto recently talked about his debt to another Weird Fiction author, Thomas Ligotti. “I first heard of Ligotti maybe six years ago, when Laird Barron’s first collection alerted me to this whole world of new weird fiction that I hadn’t known existed. I started looking around for the best contemporary stuff to read, and in any discussion of that kind, the name ‘Ligotti’ comes up first…[H]is nightmare lyricism was enthralling and visionary.
On top of everything else, True Detective also has one of the more captivating credit sequences in recent years, as per below. (It apparently owes a heavy debt to the work of artist/photographer Dan Mountford.)
R.I.P. Berkeley 2000-2014.
Yesterday evening, I came home from work to find Berk splayed out on the floor, dead for many hours. (His body seemed like it was in a violent position – legs up, head half under the couch. But now that I think about it, what probably happened is he died on the couch, hopefully sleeping, and his body fell off sometime later — hence the contortion when the rictus sent in.) My friend Arjun and I carried his corpse downstairs and drove it to the vet for cremation. In the space of ten hours, he’s gone from being happy to just being gone. Looking out at the snow everywhere this morning, I can’t help but think that this is the type of day he would have loved.
My ex-wife and I divorced the following year, in 2001. I knew I wanted Berk and gave up all our other (very few) common possessions — Berk coming with me was never really in doubt. And for the next twelve+ years, he was my constant companion and power animal. We’d walk the streets of New York and DC together, spend the weekends in Riverside and Central Park, Dupont Circle and the Mall, and days and nights just hanging around the pad — him circling or on watch.
There was a year or two of grad school there where Berk was the only living entity I had consistent contact with. I remember at least twice in our time together, when I was devastated after a scorched-earth break-up and the general despair of the long-term PhD process, where the only thing I could do for days was stagger around my apartment sobbing, clutching a half-gallon of water so I didn’t completely dry out. Berk would dutifully follow me around, tail wagging, and lick my face dry when I got in a place where he could reach me. Despair or no, there was salt to be had here.
He was a great dog. Lived happy until the day he died.
And he was my best friend. I can think of a lot of times when he felt like my only friend.
RIP, little buddy. I’ll miss you.
The Woman Who Fell to Earth.
Alien Scarlett Johansson cruises Glasgow for humanoid males to bring back to her oily den — Sodastream Central? — in the creepy new trailer for Jonathan Glazer’s Under the Skin, also with Antonia Campbell-Hughes, Paul Brannigan and Krystof Hádek. I’ve never thought much of Johansson, to be honest, but Glazer’s Sexy Beast was #29 in my Best of the Oughts list, so I have high hopes for this.
Better Living Through Nanotech.
A glimpse of the future: A Penn State team manage to insert synthetic nanomotors into living cells for the first time. “We might be able to use nanomotors to treat cancer and other diseases by mechanically manipulating cells from the inside. Nanomotors could perform intracellular surgery and deliver drugs noninvasively to living tissues.”