The End of All Things (Pt. 6).

“The worst mass extinction of all time came about 250 million years ago [the Permian-Triassic extinction event]. There’s a pretty good consensus there that this was caused by a huge volcanic event that went on for a long time and released a lot of carbon-dioxide into the atmosphere. That is pretty ominous considering that we are releasing a lot of CO2 into the atmosphere and people increasingly are drawing parallels between the two events.”

The WP’s Brad Plumer talks with Elizabeth Kolber about her new book, The Sixth Extinction, and the many grim portents for life on our planet these days. “I think many scientists would say that what we’re doing to the chemistry of the oceans is the most significant. One-third of the carbon-dioxide that we pump into the air ends up in the oceans almost right away, and when CO2 dissolves in water, it forms an acid, that’s just an unfortunate fact.”

Room in DC.

“Emblematic examples of his work, the two paintings…capture the strong sense of atmosphere and light as well as the empty stillness that characterize much of Hopper’s imagery. They also demonstrate Hopper’s fascination with the various forms of this country’s vernacular architecture — a subject he would return to again and again, resulting in some of the most enduring images of American art.”

By way of a friend, the Oval Office gets some Hoppers on loan (apparently to replace a copy of the Emancipation Proclamation, which needs to get out of the light for awhile.) “Cobb’s Barns, South Truro, and Burly Cobb’s House, South Truro — oil on canvas works painted in 1930-33 on Cape Cod — have been lent by the Whitney Museum of American Art in New York, the world’s largest repository of Hopper’s works.”

For Want of a Checkmark…

“The Battle of B-R5RB was the largest and bloodiest in the history of warfare. More than 20 million soldiers were killed and more than 600 warships — some of them kilometers long and capable of destroying lesser vessels with a single shot — destroyed in a battle that raged for 22 hours…[But] The biggest battle in the history of forever started with a clerical error.”

By way of Dangerous Meta, it has happened again. Wired‘s Bo Moore explains the tactical snafu that precipitated the costly Battle of B-R5RB in Eve Online last month. “Though it was just a game, the 7,548 people who fought the Battle of B-R could not have taken it any more seriously — and not simply because they lost virtual ships worth more than $300,000 in real-world money fighting it.”

The Shadow from Ekkaia.

“Outerra…is a ‘3D planetary engine’ that purports to be able to render a world in full detail, from space all the way down to pebbles on the surface. Meanwhile, Steve Edwards and Carl Lingard created the ME-DEM (Middle-earth Digital Elevation Model) Project in 2006, with the ultimate goal of rendering the entirety of Middle-earth in open-source data. Last year, they exported their data into the Outerra engine.”

Also in world-building news from Wired, Middle Earth as seen from space. As another Wired writer aptly noted on Twitter, Mordor looks like it was probably an impact crater.

Pouring Down All Over Mars.

“So, how does water flow in the frigid Martian temperatures that are present, even in the summer months? Researchers think that there may be a naturally-occurring anti-freeze in the water, caused by the high-iron content…the water and ferric iron flowed together as part of a brine.”

Via io9, Scientists at NASA’s JPL find the strongest evidence of currently extant water on Mars yet. “We still don’t have a smoking gun for existence of water…Although we’re not sure how this process would take place without water.”

Obviously She’s Not a Golfer.


“Lipinski glided around the rink in a white v-neck and bathrobe, all while holding a White Russian. Yes, there is a beverage there, man. I like pretty much all things Lebowski-related, so I support this, but feel compelled to call bullshit on that not being a real White Russian. Unless they just used really heavy cream in it, which would be very Dudelian.”

Can’t say I’m a big watcher of the Olympics — I don’t think I saw a single second of the London games in 2012, but I was in dissertation mode then — and particularly the Winter Olympics. But you know what would get me to partake? More Lebowski-themed numbers. Tara Lipinski channels the Dude for Jimmy Fallon’s last week at 12:30 (who, Roots be damned, bid his farewell with Dr. Teeth and the Electric Mayhem.)

Only One Absolute…Everything Freezes.

“‘We’re going to study matter at temperatures far colder than are found naturally,’ says Rob Thompson of JPL…’We aim to push effective temperatures down to 100 pico-Kelvin.’ 100 pico-Kelvin is just one ten billionth of a degree above absolute zero, where all the thermal activity of atoms theoretically stops. At such low temperatures, ordinary concepts of solid, liquid and gas are no longer relevant. Atoms interacting just above the threshold of zero energy create new forms of matter that are essentially…quantum.”

In the nearest reaches of space (a.k.a. the ISS), NASA scientists plan to create the coldest spot in the universe, in order to toy with the fabric of reality. “No one knows where this fundamental research will lead. Even the ‘practical’ applications listed by Thompson — quantum sensors, matter wave interferometers, and atomic lasers, just to name a few — sound like science fiction. ‘We’re entering the unknown,’ he says.’

Four Score and Seven Slides.

“This dialect is notable for its use of bullet points, objet trouve clip art, and gratuitously intrusive animation. Speakers are commonly found in business, academia, government, and the officer corps of the military. While some TP speakers are bilingual in English, many of them see complete paragraphs as only so much babble.”

The Atlantic‘s Robinson Meyer delves into the conversion of classic texts into “Terrible Powerpoint”, including Paul’s letter to the Corinthians and the Gettysburg Address. “It is so that these TP speakers might be saved that I have translated Paul’s First Letter to the Corinthians into their native tongue.”

With Friends Like These.

“If the reporter’s own mother was losing $90 of foods a month out of an already-meager allotment, or the reporter’s son or daughter, I very much doubt that reporter would describe that loss as merely symbolic. I don’t know that reporter thinks their own breakfast, their own lunch, or their own dinner is merely symbolic. This is real money coming out of the grocery carts of real families.”

In Salon, former USDA official Joel Berg reads the riot act to lazy journalists and spineless Dems over the soon-to-pass Farm Bill, which cuts Food Stamps for the poor while expanding crop insurance subsidies for wealthy farms. “It infuriates me, that we live in a country with tens of thousands of actual loopholes that benefit the ultra-rich, [whereas] this is a provision authorized by law, perfectly legal, perfectly sensible, that governors of both parties have utilized…[Calling Food Stamp cuts “closing a loophole” is] basically a fabricated excuse. And it’s a smokescreen to obfuscate the fact that they’re taking food away from hungry families.”

Berg goes on: “George W. Bush proposed a billion dollars in cuts to SNAP, and virtually all these people were aghast at how horrible it is. For them to then turn around and justify cuts that are [eight] times as large as what George W. Bush proposed is a little hard to swallow. I do think our political system is basically evil versus spineless now.”

This. It’s the same dynamic you see on the NSA, on the Grand Bargain, and on countless other issues. And this is why I hard to find it to take so many Dems seriously anymore. Here’s the bill passage pablum from Senate Ag Chair Debbie Stabenow: “Congress is on the verge of taking bipartisan action that will create jobs and help reduce the deficit. This is not your father’s Farm Bill. It implements major reforms and ends unnecessary subsidies…Congress can pass a bipartisan bill that helps take us into the future and beyond the policies of the past.” And here’s the missing subtext: “Agriculture Committee Chairwoman Debbie Stabenow (D-Mich.) has received more contributions from the crop production industry than any other senator.”

Ain’t no use jiving, ain’t no use joking. Everything is broken, and we need to stop enabling it or it will never, ever get better.

Things Have…Changed?


“It feels silly to make this point for the umpteenth time, more than half a century after Dylan released his debut album, but here goes. Bob Dylan, history has shown, is a wily and willful character. Arguably the only through line in his career is his tricksterish determination to upset expectations; to thumb his nose at his fans and hagiographers; to épater la bourgeoisie, especially by acting bourgeois.”

New York Magazine music critic Jody Rosen argues Bob Dylan is having a laugh in his new Superbowl Chrysler ad. “Dylan hasn’t recorded a protest song in decades, but make no mistake: The car ad and the yogurt ad, they’re protests.”

“When Clint Eastwood did his Chrysler Super Bowl ad, he was introduced with a silhouette, and there was never any doubt; once Dylan appears the ad does everything short of superimposing a neon arrow labeled ‘Dylan’ and directed at him. At one point, he actually goes into a guitar store, stops, and brings his face close to a rack of books with his name and pictures on their covers.”

Meanwhile, The New Yorker‘s Amy Davidson argues it was a dumb ad anyway. “It’s not even the best car ad Dylan has ever made; he did a better job for Cadillac.” (And for Victoria’s Secret, for that matter.)

Like Rosen, I think this was very much in keeping what Dylan does these days. And like Davidson, I thought the ad could have been better — Even the syncing of Bob’s voice and face seemed off.

My biggest issue, intentional or not, was that the sincerity of Bob’s pitch was completely undercut by the song in the background — “Things Have Changed”. It’s a little late in the day to try and repurpose Dylan’s existential classic, and an obvious riff off the almost snide self-assurance that Good Will Inherently Prevail in “The Times They-Are-A-Changin’,” into an upbeat marketing anthem.

“Only a fool in here would think he’s got anything to prove…You can’t win with a losing hand…All the truth in the world adds up to one big lie.” Theoretically, Bob is telling us to Buy American, Buy Detroit, but all I could hear was the ode to not giving a good-goddamn about a broken world anymore. “Highway 61” or the jaunty “Stuck Inside of Mobile” would’ve made more sense.