Ably channeling the spirit of Mencken, Gawker’s Tom Scocca writes in defense of Snark, and skewers the evil that produced it, Smarm. “We have popular names now for the rhetorical tools these flacks are deploying: the straw-man attack, the fake umbrage, the concern-trolling. Why are those tools so familiar? It is because they are essential parts of the smarmer’s tool kit, the grease gun and the rag and the spatula.” If you judge a man by his enemies, Scocca picks a lot of the right ones here.
Llewyn to Caesar. | The Cat is the Hat?
As Inside Llewyn Davis hits theaters, Joel and Ethan Coen talk about their potential next projects — looks like Hail Caesar is still flitting around — and the trouble with filming felines. “‘You have lots of different cats on set,’ said Joel. ‘”Oh, that one won’t do the scene? Try this other one, see if he’ll do it.” And you just sit there until he does it, or until you say, “Fuck it, he ain’t gonna do it,’ and come up with something else.”‘”
I haven’t seen Davis yet — DC being a second-tier film town, it hasn’t arrived yet — but I have a sneaking suspicion Llewyn’s kitteh will be playing the role of Tom Reagan’s hat here — a metaphor for his self-possession. Looking forward to finding out this weekend.
Martian Vineyard.
Where do bad folks go when they die? They don’t go to heaven where the angels fly. Mars? Hrm…well, maybe. Curiosity finds the remnants of what appears to be an ancient Martian lake in Yellowknife Bay, part of Gale Crater. Unfortunately, “[e]ven if there were fossils in the mudstone, Curiosity doesn’t have the right kind of equipment to see them. That job will be left to the Mars rover set to launch in 2020.”
Nuthin’ but a ‘G’ Thang.
The World Cup 2014 groups are announced, and — alongside Germany, Ghana, and Portugal in Group G — the US look to have a tough go of it. The silver lining: “There is actually some evidence that if the group of death doesn’t kill you, it can ultimately make you stronger.”
Waiting for Gadot.
This seems like a role that Jaimie Alexander was born to play, but I’ll reserve judgment until I’ve seen more of Gadot — She was apparently in Knight and Day but I have no memory of her.
Cthulhu Fhtagn!
Er, yeah, not sure what they were thinking there. In any event, in honor of this dubious messaging, Popular Science offers eight historical examples of octopi taking over the world. Above is Standard Oil, smothering both ends of Congress with its undulating, oleaginous reach.
Walks like a Progressive…
In case you enjoyed the last go-round in August with Jay Ackroyd, I recorded another stint on Virtually Speaking this past week about Uphill All the Way, who the progressives were, and the shift from progressivism to liberalism — this time with Stuart Zechman. And since I invariably feel like I’m not being altogether lucid when speaking in public, consider this also another plug for the written word and Uphill, still online in full.
An Unconquerable Soul.
Not Ruby, Not Oswald: Lehnsherr.
“Days before Kennedy arrived in Dallas for his Trade Mart visit, the Friends of Humanity had campaigned among locals for his impeachment. According to the group, the Missile Crisis was the least of Kennedy’s sins in a list of treasons including “mutant love” and “conspiracy to dilute the human race with ungodly blood.”
I missed this during JFK retrospective/Thanksgiving week until Ted of The Late Adopter passed it along: The Magic Bullet is finally explained. In short, there was no second shooter — just a bullet-bending mutant master of magnetism on the grassy knoll. Seems like a good reason to authorize the Sentinel program, and no mistake.
Update: Upon looking over recent entries, I notice I neglected to post the full X-Men: Days of Future Past trailer, so here it is: Some questionable editing choices here (that jump-cut after “Patience isn’t my strongest suit” is jarring every time), but hopefully this will avoid the overstuffed pitfalls of X3 and continue in the positive vein of First Class.
Rooms in a New York Shoebox.
Also by way of The Late Adopter: With Edward Hopper as his (original) inspiration, photographer Richard Tuschman conjures up evocative Hopper-style photos using dioramas and Photoshop. “I have always loved the way Hopper’s paintings, with an economy of means, are able to address the mysteries and complexities of the human condition,’ Tuschman wrote in his statement about the work.”