Breaking Very Very Bad.

“In The Sparrow we follow two stories: The global miscommunications that arise when one culture attempts to convert another, and one man’s crippling loss of faith. On February 1st, Russell herself announced that The Sparrow might finally be flying from page to screen.” In intriguing TV news, AMC options Mary Doria Russell’s The Sparrow for a possible television series. (My thoughts on the book are here, and its sequel here.) Now, who to play Father Sandoz…Ciaran Hinds?

Story Matters on A(TV)C.


All in all, these AMC series remind me of American movies made in the early-to-mid-’60s, when Puritanical content restrictions were starting to break down and commercial films were embracing a new frankness, but filmmakers hadn’t yet gone into the ‘anything goes’ mode that dominated the final quarter of the 20th century…[A]s mid-’60s American film demonstrated, there’s more than one way to be ‘adult.’ AMC seems to have realized this and embraced it, and it’s one of the reasons the channel is flourishing.”

Salon‘s Matt Zoller Seitz (formerly of The House Next Door), sings the praises of AMC, home to Mad Men, Breaking Bad, The Walking Dead and Rubicon. I watch all of those except Rubicon, which is still languishing on the DVR for the time being. (Now that it’s canceled, unfortunately, I may never get around to uncorking it. This was also the fate of Carnivale.) As for The Walking Dead, it’s seriously overwritten at times — the sisterly pow-wow about fishing at the top of Episode 4 was just embarrassing — but I’ll stick around through the first season at least.

Anything for a Pryce.

He is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them.

Sounds like am organizational genius, a master of efficiency…a bit like Lane Pryce, no? Robert Downey Jr.’s Sherlock Holmes gets his arch-nemesis, Professor Moriarty, in veteran character actor Jared Harris. I like it. (FWIW, I still haven’t caught the the Moff’s contemporary Holmes reboot for BBC, but I hear good things.)

AMC’s got Braaaaaains.

“This is not about zombies popping out of closets. This is a story about survival, and the dynamics of what happens when a group is forced to survive under these circumstances. The world (in ‘Walking Dead‘) is portrayed in a smart, sophisticated way.Don Draper and Walt White, meet the Zombie Apocalypse: Apparently, AMC is close to contracting Frank Darabont to oversee, and Gale Ann Hurd to produce, a television series from Robert Kirkman’s The Walking Dead. Clever, clever — I’d watch it. (And let’s hope they use the most recent mathematical modeling to keep things on the up-and-up.)

I am not a number. I’m a free man!

Everyday I think I’m gonna wake up back in The Village… As part of the lead-up to their 2009 reboot with Jim Caviezel (Six) and Sir Ian McKellen (Two), AMC posts all of the original episodes of Patrick McGoohan’s The Prisoner in their entirety. (Via Neilalien.)

Years of Hope, Days of Madness. | HBO 2.0.

“I can start the story fresh, and at the same time there will be all these events that happened in between that will provide additional storytelling energy.” Don Draper’s destination? 1969. Apparently, Matthew Weiner and Mad Men have a five-season, ten-year mission, and will jump a year or so ahead after every season. (As noted here, Season 2 picks up on Valentines Day, 1962.)

Also in TV news, HBO announces its upcoming slate, which includes Treme (“Trah-May“, a.k.a. David Simon in Nola), True Blood (Alan Ball does Southern Gothic), more Curb, a Scorsese project, and — alas — absolutely no Deadwood.

This Place is a Prison.

Rumors were floating around a few weeks ago, and an earlier attempt with Christopher Eccleston failed…but now it’s confirmed. The classic British sci-fi show The Prisoner will return as a six-episode miniseries for AMC and ITV, with Jim Caviezel as Number 6 (Patrick McGoohan) and Ian McKellen as Number 2 (Leo McKern, most memorably). “While the original show worked as a metaphor for the paranoia of the Cold War, AMC says the remake will reflect 21st-century stressors such as constant surveillance and the conflict between liberty and security.