Tag: Art

Galactic Getaways.

“‘It feels like we’re living in the future, or science fiction is coming to life. We thought it would be really cool to explore the characteristics of each planet through the context of travel.'” As Kepler finds its 1,000th exoplanet, NASA celebrates by commissioning nifty vintage travel posters for faraway worlds. Either of the above might be good for a swing-through while folding space to Arrakis.

Let’s Make Another One.

“‘It’s neat because the posters aren’t just something with a “2” attached to it,’ Gibson said during a recent interview while preparing to hang the show. ‘There’s concepts, and there’s actual story being developed here.'”

There’re actually sequel ideas they’re not using? The iam8bit gallery in Los Angeles features a fun exhibition of posters for sequels that never were, or at the very least, have not yet come to pass. (More here.)

Migrant Malkovich.

“After selecting thirty-five images to emulate, Sandro contacted Malkovich, who instantly agreed to participate…Sandro states: ‘John is the most brilliant, prolific person I know. His genius is unparalleled. I can suggest a mood or an idea and within moments, he literally morphs into the character right in front of my eyes.'”

Malkovich, Malkovich. Malkovich, Malkovich… Ok, so this is pretty transparent blogger-bait, but, hey, I have a blog! John Malkovich recreates 100 famous photographs for artist Sandro Miller. “Sandro Miller ‘has been photographing people for over thirty years. He became interested in photography at the age of sixteen upon seeing the work of Irving Penn and has since devoted his life to creating expressive images.'”

Then It Wouldn’t Be Sky Anymore.

“Someone asked me, ‘Do you think children born after, say, 1994, will ever feel the same things about 9/11 that people born before then feel? More and more, what we “feel” about collective history seems like something manufactured, and kind of pumped into us, rather than a real emotion. It’s all so framed by the sense that reality doesn’t exist any more, or at least not in a way that is alterable or questioning.”

In related news, Michael Stipe of R.E.M. talks about the art of Douglas Coupland and the legacy of 9/11. “Is that who we are now? Blind, unquestioning, warlike? Are we that violent, that childish, that silly, that shallow? Are we that afraid of others? Of ourselves? Of the possibility of genuine change? Are we that easily swayed, that capable of defending ‘American interests’, whatever ‘American interests’ means?

Birth of Diana.

“Worth1000 hosts a variety of photo-editing and illustrative contests. One of their contest series, Superhero ModRen, challenges users to incorporate superheroes into fine art pieces. It’s fun to see the contrast of modern characters we know and love placed in classic painting styles and poses.”“

Superheroes added to classic art — click through for many more.

Conjurer of Nightmares.

“A thread running through Mr. Giger’s work was the uneasy meshing of machines and biology, in a highly idiosyncratic blend of science fiction and surrealism…He kept a notepad next to his bed so he could sketch the terrors that rocked his uneasy sleep — nightmarish forms that could as easily have lumbered from prehistory as arrived from Mars.”

R.I.P. Swiss surrealist H.R. Giger, best known as the creator of the Lovecraftian Xenomorph from Alien (which, along with The Shining twins, Freddy Krueger, and the final shot from Carrie, is responsible for a goodly percentage of my nightmares over the years), 1940-2014. “My paintings seem to make the strongest impression on people who are, well, who are crazy. A good many people think as I do. If they like my work they are creative…or they are crazy.”