Tag: Bob Dylan

Only a Pawn in their Game.

The NYT surveys politicans’ constant appropriation of Dylan lyrics, including several ridiculous uses of “The Times-They-Are-A-Changin'” and Gore‘s campaign-threatening use of “My Back Pages” last week. (Kindly sent along by All About George.) Well, Al, I got one for you: “You got a lotta nerve to say you got a helping hand to lend, You just want to be on the side that’s winning…Yes, I wish that for just one time, you could stand inside my shoes. You’d know what a drag it is to see you.”

Carrying a Torch.

Bob Dylan’s second night at the Garden was as enjoyable as the first, with its own share of surprises. The bulk of the setlist remained the same – Although this time around Bob seemed a little more hopeful (with Forever Young and The Times They-Are-A Changin’ in the mix), he still made time for some Dylanesque zingers (such as One Too Many Mornings and You Ain’t Going Nowhere) To be honest, at the end of the show the little cynic inside my head was on the fence about whether going twice was justified…until the band closed the night with a special surprise. Bob said a few words about a friend who couldn’t be there tonight: “We were such good buddies, so I wanted to play this for him.” At which point they broke into The Beatles’ [George Harrison’s] “Something.” It was a beautiful moment to cap another great night.

It’s Alright, Ma (He’s only from Yemen.)


Caught the first of Bob Dylan’s two NYC shows last night, and as always it was a powerful experience. Dylan (who spent most of the night on piano) definitely had an agenda for the evening. For one, the war in Iraq weighed heavily on the early part of the set. A cover of Don Henley’s “End of the Innocence” (?!) at the 4-spot led into the always-excellent “Things Have Changed” (as in the The-Times-They-Are-NOT-A’-Changin’) and, after a surprisingly rockin’ version of the Stones’ “Brown Sugar,” (?!), Bob gave us the one-two punch of “Masters of War” (self-explanatory) and “It’s Alright Ma (I’m only Bleedin’)” (in which he yelled the line “And even the President of the United States must have to stand NAKED.”)

For another, Dylan spent an inordinate amount of time playing other peoples’ songs, with Neil Young (“Old Man“) and Warren Zevon (“Mutineer“) tunes at the back end of the set. Considering also that the encore was “Knockin’ on Heaven’s Door” and “All Along the Watchtower” – two songs noted for other peoples’ versions of them – and it seems like Bob felt like paying credit to his colleagues tonight.

All in all, a great show, with “Just Like a Woman” and “Shelter from the Storm” also deserving special attention (The really hardcore Dylan fans’ highlight seemed to be the second song, “Yea! Heavy and a Bottle of Bread,” from The Basement Tapes…but to be honest, I didn’t recognize it until I saw the setlist.) The night also featured the following misheard exchange between me and my sister during a very loud “Drifter’s Escape:” Her (pointing at guy a few rows over dancing like crazy): “He’s jamming!” Me: “He’s from Yemen?” Ah well, I guess you had to be there. (Picture courtesy of Jim Lawhead.)

Cover Me.

The Covers Project, via Pearls That Are In His Eyes. Great for use in association with Kazaa. To take just two examples, I didn’t know Scott Weiland covered Depeche Mode’s “But Not Tonight” (tho’ the original is still better) or that Elvis Costello riffed on Dylan’s country classic, “I Threw It All Away.” Good stuff.