Tag: Cinema

Heard You Like Wes Anderson…


Hyperbole is lazy, I know. Still, I’m not sure it’s possible, given what we know of physics, to construct a more Wes Anderson-y trailer than the trailer for Wes Anderson’s The Grand Budapest Hotel, starring Ralph Fiennes, F. Murray Abraham, Mathieu Almaric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Saiorse Ronan, Jason Schwartzman, Tilda Swinton, Tom Wilkinson, Owen Wilson, and Tony Revolori.

That’s not a dis, mind you — I’ll definitely be seeing this. Even if I keep presuming we’ve already reached Peak Anderson, the only movie of his that really left me cold was Darjeeling Limited (although Bottle Rocket didn’t feel fully formed, and The Life Aquatic could’ve been better too.) But with Rushmore, Tenenbaums, Mr. Fox and Moonrise Kingdom on the positive side of the ledger, I’m still in for more. Besides, what a cast.

Yippie-Kay-Ay?

“McClane’s not Rambo. When the bullets start firing, the first thing he does is grab his gun, but the second is to look to the exit…He spends many of the early scenes swearing and talking to himself in a panic…Twenty-five years later, with McClane enshrined in rap lyrics and video games, the Die Hard series has left McClane’s vulnerability behind on the Gruber-stained sidewalk outside Nakatomi Plaza.”

In The Village Voice, longtime film writer and action aficionado Vern examines the evolution of Bruce Willis from Moonlighting to “action hero.” “It’s easy to forget that Bruce was an odd choice for movies like this.”

The Knights Who Say “BWOMP.”


BWOMP, I say. And another via the folks at Slate‘s Browbeat, file this next to Shining: In a world ravaged by the Dark Ages, King Arthur (Graham Chapman) must assemble a band of hardy knights and find a sacred cup lost to history in the action-packed trailer for Monty Python and the Holy Grail. BWOMP.

Tech, Lies, and Videotape.

In a move that should take some of the recent heat off Ben Affleck, Marvel and Joss Whedon cast James Spader as Ultron, the villain of Avengers 2 (presumably in a mo-cap or voiceover capacity.) Erm…ok. Spader’s a solid actor, but I stand by my earlier description of him as the Brundlefly William Shatner — not exactly who first comes to mind to play a crazed robot. (Also, this would seem to quell the persistent rumor that Whedon’s Ultron would be Paul Bettany’s JARVIS gone rogue.)

The Hardbender Theorem.

“The problem to me is, yes, it’s hard to get the money because even though I’m making films with no money, they still want Johnny [Depp] or Brad [Pitt] in it. It’s stupid, it’s ridiculous. The new phrase that’s floating around is you need a ‘hard-bender’ if you’re doing a film of a certain size. A ‘hard-bender’ is one with either Tom Hardy or Michael Fassbender and it never stops, it always astonishes me.”

With The Zero Theorem in the can — a trailer of sorts is here — Indiewire checks in with Terry Gilliam on the state of the business. “It’s so immediate now, there’s very little long-term thinking. I mean, Johnny [Depp] is one of the few who can keep making films that are somehow less successful and still end up on people’s lists.”

The Dahk Knight.

So…Ben Affleck. He’s not who I would’ve cast, and it’s hard to see how an Affleck Batman would be any different from his portrayal of Daredevil. But he isn’t the worst choice in the world, I suppose. Affleck’s a decent enough actor most of the time, and, in any case, the poorly written, too 9/11y by half Man of Steel was so flawed that his presence can only help at this point. (It’s too bad Affleck isn’t directing.) Besides, I doubt any iteration of Batman, Affleck or otherwise, would cotton to Supes bringing MoS-level destruction to Gotham City, unless there were cookies involved. (Animated gif via here.)

Return I Will, to Old Brazil.

“An opening title card declares that Brazil takes place ‘somewhere in the 20th century,’ but the date and location are deliberately muddy; it’s a dystopian world built from a mishmash of eras, part future and part past. Sam Lowry (played by Jonathan Pryce) is a competent, content functionary in a world ruled by a hideously broken bureaucracy, under assault by unknown terrorists, and compensating with kidnapping and torture…in Brazil, over and over again, people turn to fantasy to let them briefly step outside a junky, dysfunctional world controlled by an oppressive yet strikingly indifferent government.”

“Sometimes, madness is the right response to a mad world. Sometimes, illusion is the only way out.” By way of a longtime reader, The Keynote‘s Tasha Robinson discusses the origins and greatness of Terry Gilliam’s Brazil, one of my trifecta of all-time favorite films (along with Amadeus and Miller’s Crossing) and at least partly the namesake of GitM (Ere I am, JH…) — I got the still above signed at a Gilliam event in NYC in October 2006. Some great stuff in here — I actually never knew, or had forgotten, how close this came to being a Tom Cruise vehicle — That would’ve been a error of Tuttle/Buttle proportions. Da dum, da da da da da dee dum…