“Absolutely we wanted to have a villain not only who would fulfill the character needs but somebody who could entertain the audience on a visceral level and provide great visuals, something we haven’t seen before, and create a real challenge and great foe for Spider-Man and his unique spidery, spider-like powers.” Sam Raimi announces he’s picked a villain for Spiderman 3, but won’t say who it is. After the Green Goblin/Hobgoblin and Dr. Octopus, Spiderman doesn’t have all that many more culturally resonant arch-nemeses in his Rogue’s Gallery: It’d be hard to see them building a movie around Mysterio, Electro, The Vulture, The Sandman, or Kraven the Hunter. And, while Green Goblin II, The Lizard, and Man-Wolf were all alluded to in Spidey II, only the Harry Osborne/James Franco storyline seems weighty enough to build a third feature around, and I’m not sure they’d want to repeat the Goblin so quickly. So, unless Webhead takes on the entire Sinister Six, I think it’s a pretty good bet we’ll be seeing Venom in the next installment. He got really quickly overused in the McFarlane era, which is right around where I stopped reading Spidey (give or take a few issues of the Straczynski run.) But he should also be an FX dream on film if done right.
Tag: Comics
Superman’s Pal.
Bryan Singer’s Superman gets his Jimmy Olsen, actor Sam Huntington of Detroit Rock City and Not Another Teen Movie. Well, ok then…just think of the spinoff potential.
Going Back to the Well.
In the Bad Idea film bin today, De Niro and Scorsese contemplate a Taxi Driver 2, Mel Brooks’ Spaceballs becomes a TV series, and Joel Schumacher is currently hard at work creating a “10th Anniversary Extended Director’s Cut” of Batman & Robin. Oof…is that really necessary?
It’s Clobbering Time.
In case you never saw the 20-sec promo last week, the full-on Fantastic Four trailer is online now and, well, what is there to say, really? Like Spiderman and X-Men, The Fantastic Four is one of Marvel’s signature franchises…so I’m surprised how leaden this one’s turning out. In no way does this look or feel like FF to me, with the possible exception of Michael Chiklis’ early-Kirby Thing look. Turning Doom into a deranged budget Emperor Palpatine was a particularly bad call.
Speaking of which, not to get too old-school fanboy up in here, but what is Julian McMahon doing with them up there in space anyway? (And what’s with the space station? I seem to remember a 4-seater test shuttle…don’t fix it if it ain’t broke, y’all.) Oof, I’ve got a bad feeling about this…could this actually end up being worse than The Hulk?
Ich bin ein Batman.
Six new high-quality images from Batman Begins show up at a German fanboy site, and there’s nary a Schumacher-esque bat-nipple to be had.
Prepping for Arkham.
In today’s trailer bin (Warning: This being IFILM, you may have to suffer through a commercial for the Catwoman DVD), Gulf War vet Adrien Brody gets experimented on by evil Dr. Kris Kristofferson (and only Keira Knightley can help him) in our first glimpse at The Jacket. Looks intriguing, and I like the cast…but, really, next time somebody locks up Brody in an insane asylum, I want to see him come out as the Joker in Nolan’s Batman Begins sequel. (He’d be so spot-on for The Killing Joke.)
Great Caesar’s Ghost.
Quite a bit of new comic-to-film news today: Hugh Laurie and James Marsden join Superman as Daily Planet editor Perry White and Richard White (Lois’s non-Super love interest) respectively, the Dark Knight cradles Katie Holmes in this new EW pic from Batman Begins, and 20 seconds of the new FF trailer appear online (along with this shot of The Thing, also from the new EW.) I know I keep piling bad vibes on this project, but really, the litany of hard-to-discern FX shots coupled with the “Kick out the Jams”-style whiteboy-angst-metal does nothing for me.
X3, III, & 3 Pulls.
Lots of fanboy trilogy news at ComingSoon today…Famke Janssen talks about the likelihood of Dark Phoenix in X3, word of a likely Episode III cameo breaks, and New Line announces it’ll shoot Books 2 and 3 of His Dark Materials back-to-back should the first one prove a hit. “New Line says the ‘Materials’ trilogy would soar far beyond the $350 million the studio spent on ‘The Lord of the Rings’ trilogy.” It’s good to see New Line continuing to make big gambles on fantasy adaptations, but still…it sounds a bit like the guy who doubles his money on black in Vegas, then goes ahead and throws it all back on the table. Ah well, our gain, I suppose.
Blue (and Red) Crush.
In the fanboy casting department, Kate Bosworth is set to play Lois Lane in Bryan Singer’s forthcoming Superman, while Natalie Portman purportedly joins V for Vendetta. Bosworth doesn’t scream Lois to me, but she’s talented (and, obviously a looker) and I’m sure she’ll do well. As for V, I could see it going either way at this point, although I do like the teaser poster (at right). Update: Regarding Superman, it’s official: Spacey is Lex.
2004 in Film.
Happy New Year, everyone. Inauspiciously for 2005, it looks like I’m starting the year a day late on the end-of-2004 movie roundup…but better late than never. As you probably already guessed, this year’s film list will be the first in four years without a Peter Jackson Tolkien adaptation in the #1 spot (although I’m still keeping it warm for The Hobbit in 2008.) Nevertheless, my top choice this year was an easy one, and those of y’all who come ’round here often can probably figure it out.
[2000/2001/2002/2003]
1) Eternal Sunshine of the Spotless Mind. The one true classic of 2004, Eternal Sunshine has only grown in my estimation since its initial release in March. (David Edelstein’s take on it as one of Harvard philosopher Stanley Cavell‘s remarriage comedies is well worth reading.) A heartfelt examination of love, loss, and memory, Eternal Sunshine was also a strikingly adult take on romance and relationships, the kind you usually don’t get from Hollywood. With great performances from a caged Jim Carrey and an electric Kate Winslet, the film managed to be both an earnest, passionate love story and a wistful paean to those person-shaped holes we all carry in our hearts and memories. Along with Annie Hall and High Fidelity, it goes down as one of my all-time favorite films about the mysteries of love. (Why even bother? We need the eggs.)
2) Garden State. Writer-director Zach Braff’s “anti-Graduate” debut was a small but touching ode to home that, along with reviving Natalie Portman as an actress and offering the best soundtrack of the year, delivered exactly what it promised. A bit hokey at times, sure, but Garden State wore its heart on its sleeve and, for the most part, got away with it. It was a witty and eloquent voyage to the Jersey burbs and a testament to the proposition that as Paul Weller put it, it’s never too late to make a brand new start.
3) The Incredibles. Pixar has been delivering well-constructed eye-popping wonders since Toy Story, and The Incredibles is the best of the lot. I figured it might be awhile before a movie topped Spiderman 2 as a sheer comic book spectacle, but, as it turned out, The Incredibles did it only a few months later. One of the best comic book films ever made, The Incredibles was two hours of unmitigated fanboy fun. I’m going to go out on a limb and say it’s probably also the best Fantastic Four film we’re ever going to see.
4) Sideways. Like a fine 1961 Cheval Blanc, Alexander Payne’s elegiac toast to California wine country and the regrets and indignities of middle-age has a tendency to linger in the senses. Paul Giamatti must tire of playing depressive, barely sociable losers, but he’s great at it here…Sideways isn’t as funny as Election, but it is a memorable trip.
5) Spiderman 2. A definite improvement on the first adventure of your friendly neighborhood wallcraller, Spiderman 2 was a perfectly made summer film that stayed true to the spirit of Peter Parker. Along with X2, this is the gold standard for comic book-to-film adaptations right now…let’s hope Batman Begins is up to snuff.
6) Shaun of the Dead. Although it lost its footing shambling to its conclusion, Shaun of the Dead was great fun for the first two-thirds of its run, and it’s now probably my favorite zombie movie (everyone should have one.) A much-needed dry British humor fix to tide us over until Hitchhiker’s Guide.
7) The Aviator. A bit on the long side, Scorsese’s life of Howard Hughes is most fun when it stays away from the airfields and lounges about Old Hollywood. Two very clean thumbs up.
8) The Assassination of Richard Nixon. A dark, unflinching 90-minute descent into violent futility. I originally had this before The Aviator, then figured the degree of difficulty on Scorsese’s flick was much, much higher. Nevertheless, this funereal biopic for non-billionaire crazies, while grim and not much fun, was well-made and well-performed, and I expect it’ll stay with me for awhile.
9) The Bourne Supremacy. Perhaps a bit too much like its predecessor, Bourne II was still a better Bond than anything we’ve seen in the past 20 years. Paul Greengrass’ shakicam work here bodes well for Rorshach in The Watchmen.
10) Harry Potter and the Prisoner of Azkhaban. It’d be hard to make a better film of Harry Potter’s adventures at Hogwarts than Alfonso Cuaron did here — Azkhaban managed to capture the dry wit and subversive spirit of the books that’s so missing in the Chris Columbus movies. That being said, Azkaban also made it clear that much of the fun of Rowling’s tomes is uncapturable on film. What was great fun to read on the page ended up seeming like Back to the Future II on the screen. With that in mind, Year 6 begins on 7/16.
11) Ocean’s 12. Two swollen hours of Soderberghian glamour and inside baseball. Not everyone’s cup of tea, I know, but I found it an agreeable improvement on Ocean’s 11. (Don Cheadle’s accent is still terrible, tho’.)
12) Touching the Void. Snap! Aigh! Crunch! Aigh! It’d be hard to forget anything as memorable as Shattered Femur Theater. Well worth seeing, if you can stand the pain.
13) Fahrenheit 9/11. Hmmm…perhaps this should be higher. I definitely left the theater in an angry froth (not that it takes much)…unfortunately, apparently so did all the freepers.
14) My Architect. An excellent documentary on Louis Kahn, brilliant architect and terrible family man. Alas, it’s also a less-excellent documentary on Kahn’s son, and his Oprah-like quest for self-acceptance.
15) Kinsey. Take that, red staters.
16) Hero. A memorable meditation on love, power, and kick-ass kung-fu, until its train-wreck derailing in the last half-hour.
17) The Life Aquatic with Steve Zissou. As I said yesterday, Aquatic was a jaunty Wes Anderson joyride that nevertheless gets a little lost in its terminal cuteness. When you care more about the leaving-behind of Cody the three-legged dog than you do the death of a major character, there’s a problem.
18) I Heart Huckabees. Huckabees had its heart in the right place, and made for a decently appealing night at the movies…but it also had a terminal-cute problem.
19) Collateral. If the movie had maintained the promise of its first hour throughout, Michael Mann’s Collateral would have been a top ten contender. Alas, it all falls apart once Tom Cruise goes bugnut psycho in da club.
20) Kill Bill, Vol. 2. There was probably one really good movie somewhere in the two Kill Bills. The second half was closer to it than the first.
Not Seen: Bad Education, Before Sunset, Finding Neverland, Friday Night Lights, Harold and Kumar, Hotel Rwanda, Maria Full of Grace, Million Dollar Baby, Ray, Spanglish
Worst Movies of the Year: Van Helsing, Sky Captain and the World of Tomorrow, The Chronicles of Riddick, The Village, Code 46, Closer, Alexander, 21 Grams (2003)
Biggest Disappointment: The Ladykillers
Ho-Hum: Team America: World Police, The Alamo, House of Flying Daggers, Troy, King Arthur, Anchorman, Blade: Trinity, Shrek 2
Worth a Rental: Mean Girls, The Manchurian Candidate,
Hellboy, The Machinist, City of God (2003)
Best Actor: Jim Carrey, Eternal Sunshine; Paul Giamatti, Sideways; Sean Penn, The Assassination of Richard Nixon.
Best Actress: Kate Winslet, Eternal Sunshine.
Best Supporting Actor: Thomas Haden Church, Sideways
Best Supporting Actress: Cate Blanchett, The Aviator; Virginia Madsen, Sideways.
2005: On paper, it’s looking like a better year for film, fanboy and otherwise, than 2004. The slate includes Star Wars Episode III, Batman Begins, The Chronicles of Narnia, All the King’s Men, PJ’s King Kong, Burton’s Charlie and the Chocolate Factory, Spielberg’s War of the Worlds, Gilliam’s The Brothers Grimm, Polanski’s Oliver Twist, Malick’s The New World, Harry Potter and the Goblet of Fire, Constantine, Sin City, Fantastic Four, and my own most-anticipated project, Hitchhiker’s Guide to the Galaxy. So here’s to the new year!