The Clown and the Siren.

“‘The first season of Mork & Mindy I knew immediately that a three-camera format would not be enough to capture Robin and his genius talent,’ said Marshall. ‘So I hired a fourth camera operator and he just followed Robin. Only Robin. Looking back, four cameras weren’t enough. I should have hired a fifth camera to follow him too.'”

Robin Williams, 1951-2014. See also: David Simon’s remembrance: “I encountered him only once, twenty years ago, but the memory is distinct. I found Mr. Williams good-hearted, hilarious, talented, and remarkably, indescribably sad.”

Must-see Williams: The World According to Garp, Moscow on the Hudson, The Fisher King, Good Morning Vietnam, Dead Poets Society, Aladdin.

***“‘You just learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you’re a New Yorker? The world doesn’t owe you a damn thing.'”

Lauren Bacall, 1924-2014. More from RogerEbert.com’s Balder and Dash: “The most touching thing about Bacall’s autobiography is her bewilderment about having been given so much at such a young age and then having it all taken away from her…But she did keep going, and going, for more than half a century…Her interviews were always salty, brassy, forbidding. She claimed often that she was more vulnerable than she appeared, and maybe that was true.”

Must-See Bacall: To Have and Have Not, The Big Sleep.

When Simon Met Carcetti.

“He still hates ‘The Wire’ with a taut fury. I suggested he might watch it some years from now, when there was less at stake. I am still no fan of some of his policies, especially with regard to the drug war and the use of mass arrest…We searched for common ground and landed eventually on The Pogues, a band beloved to us both…At one point, we both lamented the death last year of Pogues guitarist Phil Chevron and sang some lyrics to Chevron’s magnificent ‘Faithful Departed.'”

On his blog, The Audacity of Despair, David Simon recounts his recent impromptu sit-down with Governor Martin O’Malley aboard the Acela. “As the train neared Baltimore, the governor suggested that perhaps we both suffered from Irish — or as I know the joke, Jewish — Alzheimers. As he explained, ‘That’s where you…’ ‘…only remember the grudges,’ I finished.”

At Canaan’s Edge.

“‘Eric Overmyer and I have taken on a project that was already in HBO’s development stable,’ he wrote. ‘We have agreed to go into a room with Taylor Branch and others and see what can be done for a six-hour miniseries.'”

The Baltimore Sun reports that David Simon is working on a MLK mini-series for HBO, “based on the celebrated book trilogy by Pulitzer Prize-winner Taylor Branch…But as per Blown Deadline’s development projects, this is behind another miniseries project for HBO that is closer to production and that we hope to be announcing shortly.”

Twilight of the Drug War?

“Change is ‘snowballing in the right direction,’ said Tom Angell, chairman of Marijuana Majority. ‘I think you’re going to see a lot of action on the state level in the next several years and action will trickle up to the federal level…For a long time people would agree with us behind closed doors, but they would be afraid to say that in public,’ he said. Now, even in Washington, things are changing. ‘There was just a lot of cynicism and pessimism … I think that attitude is really going away.’“

More fruits from Californication: With public support for legalizing marijuana over 50% for the first time, and a new documentary, The House I Live In, once again calling attention to the many cruel absurdities of the Drug War — $1 trillion spent, 2.2 million in prison — signs suggest the ill-advised War on Drugs may finally be receding as a sacrosanct institution in Washington.

“For decades, the politics of the drug war were straightforward: Being tough could help at the polls and came with no political downside; being open to reform had few advantages, but would be used against a candidate on the campaign trail. That calculation is no longer so simple.”

It’s Time for the Brown Bag.

“The Attorney-General’s kind remarks are noted and appreciated. I’ve spoken to Ed Burns and we are prepared to go to work on season six of The Wire if the Department of Justice is equally ready to reconsider and address its continuing prosecution of our misguided, destructive and dehumanising drug prohibition.“

I saw this a few weeks ago, and Follow me Here reminded me of it: As we pass the fortieth anniversary of the failed war on drugs, Wire creator David Simon makes a deal with Attorney General Eric Holder: End the drug war for a Wire season six. As if there weren’t already enough good reasons to do so, S6 would be the cherry on top.

Respect the Stripes? Not Hardly.

“But publicly, let me state that The Wire owes no apologies — at least not for its depiction of those portions of Baltimore where we set our story, for its address of economic and political priorities and urban poverty, for its discussion of the drug war and the damage done from that misguided prohibition, or for its attention to the cover-your-ass institutional dynamic that leads, say, big-city police commissioners to perceive a fictional narrative, rather than actual, complex urban problems as a cause for righteous concern.“

I’ve been meaning to blog this for a few days, via Genehack: After the show is harangued by Baltimore’s current police commissioner, the consistently take-no-guff David Simon sticks up for his creation, The Wire. “As citizens using a fictional narrative as a means of arguing different priorities or policies, those who created and worked on The Wire have dissented.“

Ya happy now, b**ch?

“‘I confess to a feeling that I can only describe as a vague sense of shame,’ says Simon…’It was exacerbated when I went online and looked at the people who’d gotten fellowships in the past…I definitely felt a little sheepish after looking at the list.‘”

Take that, Pulitzer people. Wire mastermind David Simon, among others, receives a MacArthur Genius Fellowship. “His first reaction was to deflect the money (paid quarterly for five years) to charity, but the foundation urged him to take time to absorb the news.” Hey, money ain’t go no owners…only spenders. [Full list of winners.]

An Encore (Already) for Simon’s Nola.

“I can’t think of another show that is more emblematic of what we aspire to be as a network than TREME…We are thrilled that the press has recognized the profound artistry and intelligence of this show and are eager to see where David and Eric take us in a second season.” Looka! I haven’t yet boarded the Treme train which left the station this past Sunday — no Home Box Office ’round these parts just yet. Nonetheless, HBO has already ordered up a second season, and I can’t wait to catch up.

The Sultan Plays Creole. | Time to Cook.

David Simon’s Treme, his long-awaited follow-up to The Wire about musicians in post-Katrina New Orleans (and starring Wendell “Bunk” Pierce, Clarke “Freamon” Peters, Steve Zahn, Khandi Alexander of The Corner, Kim Dickens of Deadwood, and Melissa Leo of Homicide), gets a Home Box Office teaser and a start date: Sunday, April 11. Sounds like it’s almost time for the (HBO) re-up.

Update: Speaking of which, it’s almost time to cook: Also coming up on the television schedule this spring, Season 3 of Breaking Bad begins March 21 on AMC. Until then, stay out of Walt’s territory.

They Shoot Horses, Don’t They?

“The pilot is about a bunch of intersecting lives in the world of horse racing,” Milch told Daily Variety. “It’s a subject which has engaged and some might say has compelled me for 50 years. I’ve joked that if I just can make $25 million on this show, I’ll be even on research expenses.” This might be interesting — Deadwood‘s David Milch and Michael Mann are coming together for Luck, a new 1-hour pilot for HBO.

Sure, Milch’s John from Cincinnati basically went off the rails and was close to unwatchable. Still, with this, Tom McCarthy’s A Game of Thrones, and David Simon’s Treme on the docket, I might actually re-up for HBO one of these days.