24.

‘This convention,’ wrote H.L. Mencken, the most famous reporter of the age, is ‘almost as vain and idiotic as a golf tournament or a disarmament conference.’” Those political junkies out there pining for a brokered convention, be careful what you wish for: The WP‘s Peter Carlson reminds everyone of the 1924 Democratic Convention in New York, which stalled out between Al Smith and William McAdoo before finally deciding on Wall St. lawyer John W. Davis, who in turn lost to Republican Calvin Coolidge and — in twelve states — Progressive Robert La Follette. (For the longer version, see Robert Murray’s The 103rd Ballot. Which reminds me, having spent the day myself in 1924, it seemed a strange confluence to find this staring back at me upon my return to 2008.)

A disaster for the Democrats that year, the “unconventional convention” did at least provide choice grist for political wags then, and has ever since. “This thing has got to come to an end,” Will Rogers pleaded well into the nine-day stretch. “New York invited you people here as guests, not to live.” (Rogers also noted on the day of the infamous KKK resolution that it “will always remain burned in my memory as long as I live as being the day when I heard the most religion preached, and the least practiced, of any day in the world’s history.“) When William Jennings Bryan, after days of thundering himself hoarse, wheeled around to support the final Davis ticket (which included as a sop to the Bryanites his younger brother in the veep slot), one reporter quipped: “If monkeys had votes, Mr. Bryan would be a champion of evolution.”

And then there were the snafus. The Carlson piece talks about the Democratic decision to broadcast the convention on the newfangled radio, which turned out be a public relations catastrophe for the party. And there was worse. The Texas delegation — aghast that they shared a block with St. Patrick’s Cathedral and a city with Wall Street and the House of Morgan — had to be talked out of burning a cross. And when the convention band tried to appease their southern guests at one point by striking up a “Dixie” song, they obliviously settled in on “Marching Through Georgia.” Speaking of the Civil War, progressive Republican Hiram Johnson quipped once the Democratic ordeal was over, “How true was Grant’s exclamation that the Democratic Party could be relied upon to do the wrong thing at the right time.” (Let’s try not to live down to that assessment this year, please.)

Citizen Plain.

In the opening sequence of Paul Thomas Anderson’s passionate but flawed There Will Be Blood, it is 1898, and a man named Daniel Plainview (Daniel Day-Lewis), alone and driven, casts himself into a dark, dusty hole and hews mineral wealth from the surrounding rock. After suffering a nasty leg injury therein, Plainview hauls himself out of the deep recess through sheer grinding will and, in an act of Herculean exertion rivaling the endgame of Touching the Void, crawls across the sun-baked earth on his back, precious nuggets of silver in hand. This sweating, teeth-gnashing endeavor is an apt metaphor for Anderson’s film. There Will Be Blood looks beautiful, and it has moments of poetry in it. But, like Plainview (and The Assassination of Jesse James, another transplanted 70’s western out this year), it also wears its ambition on its sleeve, and it strains so hard to seem an instant movie classic that it eventually loses its way. (The mostly atonal and distracting Jonny Greenwood score, reminiscent of The Shining, unfortunately doesn’t help.)

Now, in the interest of full disclosure, Paul Thomas Anderson is a director I’ve never warmed to. I thought Boogie Nights was decent but overlong and I had a visceral dislike for both Magnolia and Punch-Drunk Love. (I haven’t seen Hard Eight.) Still, while I think this is Anderson’s best and most accomplished film, and it’s probably worth sitting through for the first third regardless, There Will Be Blood eventually bogs down in some of the usual PTA indulgences. In addition, Daniel Day-Lewis never gives a bad performance and is typically magnetic here, but he also gets more actorly and mannered as the film progresses, and is loonily over-the-top in Blood‘s disastrously misconceived closing moments. (That being said, I wouldn’t be surprised if “I drink YOUR milkshake!” gets some run in the cultural lexicon of useful and memorable movie quotes.) In short, There Will Be Blood is a good film, in some ways even a very good one. But it’s not the landmark masterpiece many reviewers are making it out to be, and it slips into murk well before the end.

Straying rather far from the Upton Sinclair tome that inspired it, Blood is, in effect, a character study about the dehumanizing consequences of naked ambition. (If that sounds like Citizen Kane, you’re on the right track. PTA is borrowing from Welles, Malick, and Kubrick rather than Altman or Scorsese this time ’round.) After the 1898 prologue, we pick up Daniel Plainview’s story a few years later: He’s moved from silver to oil and has been successful enough to hire on a few workers, one of whom has brought his infant child with him on the dig. Alas, tragedy — a pretty common occurrence in the turn-of-the-century oil business, it seems — strikes at the workplace, and the child becomes Plainview’s. By 1911, this now ten-year-old boy (Dillon Freaser) has become a valuable part of the family business — He’s the silent partner Plainview uses to soften his pitch when dealing with locals or landowners. In any event, the oilman (as he prefers to be known) one day gets a tip from a traveler (Paul Dano) about a town where the black gold literally seeps from the ground. Soon, the Plainviews set up shop in this California hamlet, named Little Boston, and start buying up the place. But standing in his way is another ambitious soul, the evangelical preacher Eli Sunday (also Paul Dano), and he doesn’t want a rival for the town’s admiration. There’s only room for one Great Man in Little Boston…but will his symbol be the Derrick or the Cross?

So, as you can see, what we have here is John D. Rockefeller versus Elmer Gantry, commerce versus religion, another virulent intersection of the black gold, texas tea and that old-time fundamentalist religion. But don’t go in expecting Syriana in Progressive Era California just yet. In fact, Blood turns out to be barely political at all. (Somewhere, Sinclair sighs.) Anderson puts several interesting ideas and characters in play, and the first third of the movie is absolutely gripping stuff. But, unfortunately, once all the derricks are in a row, Anderson doesn’t seem to know what to do with them. And so, right around the time Plainview’s first rig goes up in flames, There Will Be Blood begins to stall out. There are some clever reversals in the oilman-churchman balance of power thereafter (the baptism scene, for example), but the movie doesn’t really go anywhere. Instead, for most of the rest of the film, PTA goes back to his well and focuses once again on his pet issue, the meaning and importance of family. (See also Magnolia, Boogie Nights, and, from what I’ve heard, Hard Eight.) He brings a long-lost half-brother (Kevin O’Connor) into the story, has Plainview take extreme umbrage at any suggestion he’s a deadbeat dad, and starts dwelling on the brewing discord and enmity between father and son. (Also a major factor in Oil!, although it’s done rather differently.) Of course, Anderson can be forgiven for concentrating on what most interests him, and plenty of very good directors — maybe even all of ’em — have a tendency to keep ruminating on the same thematic content. Still, given how intriguing There Will Be Blood plays for its first hour, it’s a significant letdown to see PTA fall back into the same old, same old.

Unfortunately, once the spell of Blood is broken, other bad habits of Anderson’s start becoming harder to ignore. Clearly good about giving actors room to breathe (maybe too much room, given DDL’s going off the rails in the final reel here), Anderson can also be distractingly showy (the Scorsese steadicam business in Boogie Nights, for example.) He has a tendency to beat quirky ideas into the ground (Exodus 8:2, the harmonium in Punch-Drunk Love), can hinge a sequence on some really lousy dialogue (“I’m silently judging you“), and often lets scenes meander for several beats too long (anything involving the quiz show in Magnolia.) These tics are more subdued in There Will Be Blood than in any of Anderson’s previous movies, but they become manifest as the film loses focus, and well up with explosive force in the last act. Set in 1927, with Plainview now a wealthy but dissolute drunk in his own Xanadu and Sunday an Aimee Semple McPherson of sorts, the final showdown between our two antagonists is a misfire on multiple levels. Not to give the story away, but the scene relies on far too many suspensions of disbelief. (Why would Sunday come to Plainview, of all people? Would Sunday really not get it beforehand? And, how the heck did he lose money in the stock market in 1927? Note this site: “From 1926 to 1929, the market indices moved up nearly 400%.“) Worse, both Day-Lewis and Dano start blatantly overacting. (Somebody please take that plate of chicken away.) And, what with the bowling alley and milkshakes and whatnot, the last act of There Will Be Blood even comes across as downright silly. It’s an ignominious end for a film that, for its first hour or so, had all the makings of a masterpiece. But, sadly, the gears end up grinding too loudly on this rig, and, just as pride goeth before a fall, it all eventually comes to a crash. Oil is a tricky business.

Legend of the Fall.


In Francis Lawrence’s I am Legend, Will Smith wanders the streets of New York City, his only companion his trusty, loyal, and free-spirited canine sidekick. To stave off the despair and dementia that lurks behind interminable loneliness, he dotes on his dog and immerses himself in routine: He watches as many movies as possible, indulges in his music collection, broadcasts his continued existence into the ether, and throws himself into his work, a solitary investigation marked by repetition and feelings of futility, one whose fruits he knows will more than likely go unused and unread. To all of this, I say: Who the hell wants to sit through a movie about the last year and change of grad school? And couldn’t they find a sheltie to play l’il Berk? (As for yours truly, I’d have gone Philip Seymour Hoffman or Paul Bettany — maybe Michael Cera for the flashbacks — but, hey, Will Smith works too.)

Seriously, though, when I first heard word they were doing another take on Richard Matheson’s eerie 1954 novella, and that word was penned by hackmeister Akiva Goldsman and read “We’re blowing up the Brooklyn Bridge!“, I figured this would be a big budget stinker, along the lines of Alex Proyas’ version of I, Robot. And yet, while a action blockbuster has been grafted onto the basic story (and it’s moved from suburban California to the heart of Metropolis), Francis Lawrence’s I am Legend is surprisingly true to the grim feel of the novella. In short, Legend is a much quieter and more melancholy film than I ever expected. And, while it definitely has some problems, it’s probably my favorite big budget blockbuster of the year, with the possible exception of The Bourne Ultimatum. True, Lawrence’s take on Constantine in 2005 turned out better than I figured as well. Still, I’m actually quite surprised by how moody and haunting this film turned out to be. (And, give credit where it’s due. Like Paul Haggis and In the Valley of Elah, I’m forced to concede that Goldsman might not always be the kiss of death.)

I am Legend begins innocuously enough with a sports report — It looks like the Yankees and Cubs in the World Series, although LA has an outside shot at a pennant too. But, in the near future, it ain’t just the ball players injecting experimental serums anymore. As a doctor (Emma Thompson) on the news informs us, scientists have altered the measles to work as the ultimate body-cleansing virus, in effect working as a cure for cancer. (A Cure for Cancer! This follows the baseball scores?) Cut to New York City, three years later. Round the decay of that colossal wreck, nothing beside remains…except one man (Will Smith) and his dog (Abbey), chasing down a herd of deer through the empty steel corridors of a desiccated Manhattan. (Sorta like Llewellyn Moss in No Country for Old Men, except now that country is everywhere, and the deermeat is worth more than the bag of money.) Clearly, something has gone Horribly Wrong. As we come to discover, that heralded cure backfired in dismal fashion, killing 90% of the Earth’s population immediately and turning the rest, a la the rage virus in 28 Days and 28 Weeks Later, into violent, depraved monsters with a taste for blood and a susceptibility to sunlight. This Last Man on Earth is one Robert Neville, an army scientist (blessedly immune to the disease) who spends his days in a Jamesian manse on Washington Square, working on a cure to beat back the infection, and his nights just trying to stay alive. (Put simply, “scientific atrocity, he’s the survivor.”) But, even with Samantha, his German shepherd, by his side, the loneliness and omnipresent danger are taking their toll. And as he succumbs deeper into hopelessness — and the creatures show signs of learning — his coping strategies begin to shift. Forget the cure…Maybe it’s time just to chase these Crazy Baldheads out of town

Now, as I said, I am Legend does have it share of problems. The movie becomes more of a conventional actioner as it moves along, and the last act in particular feels weaker than the rest of the film. Looking exactly like the cave-dwellers in Neil Marshall’s The Descent, the CGI creatures have an ill-favored and badly-rendered look, and the more you see of them the less scary they become. Also, in complete counterpoint to what Dr. Neville tells us about the infecteds’ “social deevolution,” they eventually seem to get behind a Lurtz/Solomon Grundy of sorts. But his presence or authority is never really explained — he’s just a tacked-on Big Bad. I had trouble believing that somebody could’ve heard of Damien Marley but not his father Bob. (And, since you’re seemingly geared to the teeth, Dr. Neville, may I make some suggestions? 1) Infrared scope. 2) Night-Vision goggles.)

All that being said, for most of I am Legend‘s run it’s a surprisingly rich and nuanced film. Will Smith is invariably an appealing presence, but he doesn’t rely on his easy charisma or “Aw, hell no!” bluster much here. His performance is tinged with melancholy, and he does some great work in some really awful moments. Also, I feared going in that the canine companion bit would come across as a gimmick, just a cute creature for Smith to bounce off expository monologues. But Sam isn’t just Wilson the Volleyball — she’s a living, breathing character of her own. (Nor is she Lassie — she doesn’t seem preternaturally smart, and occasionally does dumb dog things, which seemed all too realistic.) And then there’s New York after the Fall, which in itself is a sort of character in the film. In shot after shot (somewhat akin to, but less showy than, the opening Times Square sequence of Vanilla Sky), Lawrence captures the eeriness of this great city laid low. Other than the aforementioned Brooklyn Bridge, “Ground Zero,” as Neville now calls it, hasn’t been destroyed or ravaged. It’s just empty, an overgrown, city-sized echo chamber for his pangs of isolation. (And as the Marley song goes, “It hurts to be alone.”) But, hey, even in a desolate New York City, with vampires lurking in the dark places, there are still plenty of fun ways to pass the time, and particularly if you have a good dog by your side.

Progressivism, Continued.

So, sorry to regale y’all with another long-winded, bloviating political post only two entries after the last one. But Ted of The Late Adopter asked an important follow-up to my comments on David Greenberg’s Obama piece and public-interest progressivism, namely: “If FDR, Stevenson, the Kennedys all spoke with the rhetoric of citizenship, when did the Democrats stop? With Johnson? Carter? During the 80s while trying to oppose Reagan?” And, while trying to respond in the comment section, I apparently blathered on so long that I broke the site. (“Access Denied with Code 406….severity [EMERGENCY]“) So, I’m posting my response as an entry instead (and there’s precedent for this anyway, as when Scully and I discussed the space program a few years ago.) So, if you find this all ponderous and insufferable, feel free to skip down to the previous entry, where I raved on at equal length about Todd Haynes’ I’m Not There (10/10!) And I promise to get back to more concise entries again soon…

“Hmm, good question, Ted. Let me take a crack at it in the long-winded, digression-filled, multiple-answer manner we’ve been trained into. 🙂

First, while I don’t think he’s entirely comfortable with the Sandelian argument I’m making here, our mutual advisor posits one answer to this question in The End of Reform: This all began in earnest during WWII, when two things occurred. [1] The financial and productive power of Big Business became absolutely integral to the success of the war effort (thus there was less of a rationale for opposing corporate power in political life), and [2] Politicians and economists discovered in boom times and Keynesianiam that they could “grow the pie,” economically speaking, rather than be forced to choose a best way to carve it up. So, the civic-minded questions of political economy that dominated the early New Deal fell by the wayside.

Obviously, Adlai and the brothers Kennedy come after WWII, so that in itself is not a complete answer. So I’d add the following trends:

* 1968. Like 1919-1920, when the strike wave, the race riots, the Red Scare, the failure at Versailles, and various other traumatic events — the tail-end of the influenza wave, the death of TR, the Black Sox scandal, the widespread exposure to Freudianism, Einstein’s theory of relativity, and literary/artistic modernism, the recent Bolshevik revolution, and the Great War itself — all conspired to create great anxiety and help overturn the existing order, I would argue that the events of 1968 irrevocably rent the social fabric of the nation.

It became especially hard for anyone after ’68 to talk about a civic project or a common public interest when America was divided so badly between left and right, black and white — rifts that Republicans like Nixon and Reagan would exploit to their advantage with the Southern strategy and veiled rhetoric about “law and order” — particularly when those leaders who did it best were gunned down in their prime. (This “culture war” is one of the same obstacles the progressives face in the ’20s, with the Red Scare, Scopes, Prohibition, the KKK, etc.) It also became problematic to speak in the language of citizenship when it was now well beyond clear that [a] women, African-Americans, and other minorities had been and were being treated in the civic culture as second-class citizens, and [b] the main civic project which the government was then asking its citizens to become engaged in was the war in Vietnam, which didn’t make a whole lot of sense.

* GENERATIONS. While both the early New Left (see the Port Huron Statement) and the early civil rights movement (see King, in the original entry) have strong civic, and even Emersonian, components, both Sixties protest groups and the general mood of politics eventually swung over into the rhetoric of individualistic, rights-based liberalism. Meanwhile, the New Right, in its opposition to the New Deal and Great Society, also abandoned to a large extent the language of citizenship and virtue and made an appeal based on individual freedom as opposed to a corrupt, socialistic central government. (For an excellent civic-conservative reaction to this shift, see George Will’s 1983 book Statecraft as Soulcraft, the best thing he’s ever written.)

Stevenson and the Kennedys were of the WWII generation, and — while I loathe the term “greatest generation,” unless you find something inherently great about training fire hoses on small children — they were more comfortable with the civic, “we’re all in it together” appeal of an earlier time. The appeal held less water with the much more skeptical Boomer generation, and, as the political culture embraced the individualistic liberalism/liberation of the late sixties and early seventies, with the nation at large. (You could argue Carter tried to make a civic argument on the energy question, and he was basically laughed out of the room.) Boomer politicians of either party — the Clintons, the Bushes — just aren’t as comfortable making civic-minded, public-interest arguments as their forbears. It’s not how they see the game is played. This is also due to:

* WATERGATE, GATEGATE. From Vietnam to (particularly) Watergate to bureaucratic bloat to Iran-Contra to the fiascos of today, Americans have experienced a severe diminuition in what we believe government is and should be capable of. This open-eyed skepticism about centralized power should be a good thing, but not if we throw out the baby with the bathwater. You know how Richard saida withdrawal in disgust is not the same as apathy?” Irony isn’t only the shackles of youth, it’s the shackles of our politics as well.

There’s other things going on too. Not to get all Caro up in here, but LBJ, I think, was inherently uncomfortable making civic arguments as well (unless he was appropriating them, a la “We shall overcome.”) His view, shaped as it was by the exigencies of local Texas politics and his days running the Senate, was that everything ultimately boiled down to self-interest. (This partly explains how he could screw up Vietnam so badly. Eventually he thinks about buying off Ho Chi Minh with a TVA-style system of dams for the Mekong Delta, not realizing that Ho — and North Vietnam — are persevering in part because they’ve committed to an ideal more important to them then self-interest: national independence, a cause they felt they’d been fighting for for thousands of years.)

But, perhaps most important to note, I think it’s fair to say that one reason the rhetoric of citizenship went out of style was because:

* THE PATTERN WAS FLAWED, for all the reasons I said above. If I was a guy growing up in Chicago, Mississippi, or anywhere else, and I was being treated as a second-class citizen by the white power structure, either by being denied the right to vote or being snubbed out of quality jobs or housing, and then I was told my civic duty was to go die in Southeast Asia for lousy reasons (while the Dick Cheneys of the world piled up deferments), I might turn against the civic project too. If I was a woman who was told my civic duty basically amounted to finding a good man, keeping his stomach full and his house clean, and punching out healthy, patriotic American children, I’d rebel against this flawed social order as well.

In short, the post-WWII, Cold War-obsessed civic culture of the 1950s and early 1960s was stifling and half-baked. It basically told citizens that their civic obligation was to buy as much as possible, to not consort with Reds, and, most importantly, to not cause any trouble. It needed to be broken up and reconfigured.

(The progressives of the 1920s come to this conclusion as well, when they see how easily Wilsonian public-interest rhetoric enables the Red Scare (thus letting people on the Right brand every possible progressive program as “Bolshevik.”) This is why some of the most civic-minded Progressives — Jane Addams, for example — play a major part in the creation of the ACLU.)

Here we get to the inherent problems with arguments that rely on civic-mindedness and appeals to citizenship. For one, a public interest that treats certain citizens as second-class is inherently and fatally flawed. Look at the early New Left — for all its progressive inclinations and civic-mindedness on paper and even in practice, it still basically treated women like the help. (See SNCC and Stokely Carmichael: “The only position for women in SNCC is prone.“)

Plus, as a general rule of human nature, groups of people working together tend to desire conformity and despise independence, no matter what their political inclinations. This is as much a failing of the Left as it is the Right. (See Animal Farm, Dylan plugging in at Newport, etc.)

Also, here the coercion problem in civic strands of political thought rears its head — Rousseau’s social compact forcing people to be free, and all that. An argument made on the basis of citizenship presumes coercion — citizens are expected to do this (vote, serve in the military, be informed about public matters) and not do that (drink, hang with Communists, etc.) Coercion isn’t necessarily a problem in and of itself — I think everyone agrees citizens should not kill, own slaves, etc. — but [1] telling people they have to do anything goes against the view of absolute individual freedom enthroned today, and [2] coercion invariably leads to conformity. which is ultimately the avowed enemy of republican government, which both relies on and should promote individual excellence.

How do we get around this Gordian knot? My answer (which, not surprisingly, was also the answer of many of the Progressives) rests with Emerson. As I just said, an argument based on citizenship presupposes inculcating a certain virtue into citizens. But what if that virtue was individuality (not the same as individualism) and independence? The ability to think for oneself, the freedom to grow and innovate, and then the inclination to come back to the circle of citizens, share what you’ve learned, and deliberate about the public good? Emerson argues that we express our consent to government by expressing our dissent with government. If republican government is going to reach its full potential, it needs a community of independent-minded nonconformists. This is the type of citizenship a progressive candidate could and should get behind.

And the Progressives did promote it — People always read Herbert Croly as an apologist for strong, centralized government, but this isn’t quite right. Decades before he got into poltics, Croly was an architecture critic — he was deeply concerned about art and aesthetics, and was trying to fashion a political architecture that would help individuals to thrive. At the end of The Promise of American Life (p. 414), Croly talks about what’s he’s been aspiring to create: “A national structure which encourages individuality as opposed to mere particularity is one which creates innumerable special niches, adapted to all degrees and kinds of individual development.” For him the “Jeffersonian ends” of individuality and improvement were as important as the “Hamiltonian means” of a strong central government.

Ok, to step away from Planet Theory and get back to our real world: How would progressive-minded candidates of today work towards this new civic fabric? Well, first and most importantly, they would have to reconceive today’s liberal arguments in civic, progressive terms, to stop using the language of consumer choice and individual freedom — which plays so easily into the hands of corporate power and the small-government Right — like a crutch and bring back the language of citizenship and a shared narrative/vision/history that brings people together. The civic idea is so desiccated at the moment, for all the reasons mentioned in the original post, that just hearkening to its continued existence would be an immense step in the right direction (as well as a huge political boon for the Left regardless.)

From there, progressives, like their counterparts a century ago, would have to work to fix a broken system. This means campaign finance and lobbying reform, doing what we can to ensure that unwashed money doesn’t corrupt the system as horribly as it does now, and that dollars don’t speak louder than people.

As important here is voting reform. The voting system in our nation is absolutely abysmal. I refuse to believe that a country that can give almost every supermarket or store an ATM and almost every person a cellphone and iPod must be reduced to semi-functioning punchcard booths or electronic voting that can’t create a paper trail. And the long lines we see on every election day are patently shameful. Election Day should be a holiday (why not?), we should move to weekend voting, we should establish a Marshall plan to get every county in America an operating voting system, or something. Also, I doubt mandatory voting would ever work in this country, but what about tax incentives, or more likely public-private partnerships to encourage turnout? (Thanks for voting — here’s your free sundae at McDonalds and 20% off your next purchase at Borders.) The people who say this would be tantamount to bribing folks to vote are usually the people who don’t want voters showing up at the polls.

Today’s progressives should also look to education. The (Bill) Clinton model of adult, lifelong education is a step in the right direction, but what’s missing is the civic component. Civics is deader than dead in our high schools and colleges, so on the most basic level that needs to be emphasized. But, equally importantly, we need to reemphasize the skills key to republican government: critical thinking, deliberation, etc. (Dare I say it, reading.) From an early age we all need to learn how to sift through information to reach a critically informed opinion, to ask the right questions about the information being presented to us, and — perhaps most importantly — to learn how to engage with people who disagree with us in a constructive fashion.

And, a civic-minded progressive would continually look to our shared past and our shared future to bring Americans together. This would mean not only basking in but owning up to our collective past — say, adding a National Museum of Slavery to the Mall. It would also mean engaging in great civic projects which would bind the nation in common purpose (one of the many reasons I believe in the necessity of the space program.)

Some might argue that I’m on crack for thinking that campaign finance reform, civics classes, a slavery museum, and/or a trillion-dollar space program is going to change what’s wrong with America. And, no, these aren’t sufficient. But, as I said in the original post, the story is everything. If our leaders help us reconceive our view of the government — to remind us that the government is an expression of our shared values and ambitions as citizens — then we can begin to look at other problems differently. If we’re all in it together, the continued existence of child poverty, or the woeful lack of health insurance for many, here in the richest nation on Earth becomes that much more unacceptable.

I’m not naive enough to believe that embracing civic progressivism or adopting the rhetoric of citizenship is going to change the country immediately, that money is suddenly going to disappear from our political process thanks to one new law, or that the next iteration of American’s civic fabric will be bereft of the types of discrimination in evidence in the 1860s, 1920s, 1960s and beyond. But, to borrow from Cornel West, “To understand your country, you must love it. To love it, you must, in a sense, accept it. To accept it as how it is, however is to betray it. To accept your country without betraying it, you must love it for that in it which shows what it might become. America – this monument to the genius of ordinary men and women, this place where hope becomes capacity, this long, halting turn of the no into the yes, needs citizens who love it enough to reimagine and remake it.

To put the same argument another way, there’s a scene in The Princess Bride where our hero Westley (Cary Elwes) and the princess Buttercup (Robin Wright Penn) are on the run and looking for safety in the dastardly and invariably fatal Fire Swamp. “We’ll never survive,” bemoans Buttercup, to which Westley responds: “You’re only saying that because no one ever has.” That pretty much sums up how I feel about a lot of things, including progressivism in politics. Does true love exist? I dunno. Lord knows it hasn’t seemed like it, and I’ve been kicked in the teeth often enough at this point to think not. But that doesn’t mean I shouldn’t live my life as if it could happen. Same with this view of civic progressivism. David Greenberg may be right that civic-minded candidates have done pretty poorly in recent history, but that doesn’t mean the principle is flawed, or that we should stop trying.

And, besides, to jump over to another fantasy classic, you don’t wear the ring — you destroy the ring. So I’d rather stake my claim with the public interest progressives, even if that doesn’t play as well as all the blatant appeals to self-interest, than get all Boromir up in here and start acting like Republican-lite, which all too many of our party frontrunners have been doing these past few years.

The Loneliness of the Long-Distance Runner.

“For those who attempt it, the doctoral dissertation can loom on the horizon like Everest, gleaming invitingly as a challenge but often turning into a masochistic exercise once the ascent is begun. The average student takes 8.2 years to get a Ph.D.; in education, that figure surpasses 13 years. Fifty percent of students drop out along the way, with dissertations the major stumbling block. At commencement, the typical doctoral holder is 33, an age when peers are well along in their professions, and 12 percent of graduates are saddled with more than $50,000 in debt.”

By way of Little Bit Left, a new site by a Columbia colleague that’s well worth adding to the blogroll, the NYT surveys the sad plight of the modern ABD. (I’ll be 33 at my current expected finish date, seven years after starting, and my cohort’s attrition rate has been significant, so it seems the stats bear out in my case.) “Those who insist on dissertations are aware that they must reduce the loneliness that defeats so many scholars…’It’s easy, especially in our field, to feel isolated, and that tends to slow people down…There’s no sense of belonging to an academic community.‘” Oh, I dunno…Berk and I often have very scintillating conversations…progressive citizenship, New Era consumerism, socks, squirrels, you name it.

Events and Anniversaries.

A hearty congrats and best wishes to grad school friends Ben and Vivian (he of The Oak) on their nuptials this past Saturday at the scenic Brazilian Room in Tilden Park, high above Berkeley, California. (I was in attendance, but otherwise didn’t have much of a chance to take in the Bay Area this trip. I’ll be back soon, tho’, as Hiram Johnson and I still have some unfinished business.) Also, a very happy birthday to my mother, who turned 60 on Saturday. (And, really, what says “I love you, Mom” more than an alarm clock that speaks in the dulcet tones of Stephen Fry?) Finally — not that it’s anyone’s business, but it’s important to me — today marks the one-year anniversary of a crushingly bad break-up, after which it’s safe to say life took on a decidedly negative turn. But, hey, the earth has gone around the sun once more, I’m still standing, with my health and lil’ Berk in tow, and GitM lingers on. So, onward and upward…Now back to your regular fanboy musings and progressive diatribes.

A Real “Modern Progressive.”

The issue: Feingold’s recently signed campaign finance reform bill. Clinton, whose husband’s leasing of the Lincoln Bedroom had helped inspire the new law, was accompanied by an attorney. The attorney’s job: Look for loopholes, loopholes that would allow the Democrats to keep raking in soft money — unregulated, unlimited contributions to the party coffers. When Feingold objected, Clinton scolded him like Empress Livia dressing down a courtier. ‘You’re not living in the real world,’ she shouted. ‘Senator,’ Feingold responded coolly, ‘I do live in the real world, and I’m doing just fine in it.’” Hey, Hillary…want to see what a real “modern progressive” looks like? Writer Edward McClellan reviews Sanford Horwitt’s Feingold, a new biography of the Senator, for Salon, placing him in a long tradition of Wisconsin mavericks dating back to the inimitable Robert La Follette. “As Horwitt puts it, Feingold’s campaign was in the tradition of La Follette’s ‘progressives, who “mostly thought of themselves as perpetual underdogs against the big-money interests.‘”

Coming Up for Air.

Also not noted here this past week, another school year ended here at Columbia. Since I’ve been on a research fellowship the past few seasons, I haven’t been teaching, and I rarely have reason these days to leave my home and/or the campus libraries, other than the occasional trip to the movies, the pub, or the dog park, I’ve pretty much fallen out of the usual academic rhythms of campus…but, nonetheless, another year has passed, so it seems like a good time for an update.

Not to put too fine a point on it, I did less well than hoped — as in multiple rejections, some expected, some quite surprising — in the grant-and-fellowship-securing department for the coming year. But, those disappointments notwithstanding, I have secured enough funding to offset my usual freelance writing projects, and I expect to spend at least one more academic year here at my current New York City apartment, during which quite a bit more dissertation-writing will (and, indeed, will have to) happen. From there, with dissertation presumably in hand, it’s either moving on in academia, at some university or another (one likely not of my choosing) or moving back into the political-speechwriting world…these days, well, it’s still a toss-up, but I feel it’s becoming less so. My future will depend a lot on the well-documented vagaries of the job market, of course, and if, miracle upon miracles, an academic job is available at a university that feels like a good fit, and they actually offer it to me out of the hundreds of qualified candidates, of course I may very well take it. But I’ve found myself increasingly thinking that I’d probably be happier back in Washington regardless, either in speechwriting or at a progressive foundation/think-tank type place, where there’s some sense of being involved in both the unfolding of current events and the daily struggle to make this world a happier, more progressive-minded place.

This is not to say I’m closing any doors. I do enjoy working on my dissertation, and can still lose myself for extended periods of time delving into the past. But, for varied reasons, be they the usual late-term graduate student blues, the often maddeningly parochial nature of many academic conversations, the sheer social isolation of dissertation-writing, or something else (and I can’t discount last fall’s awful romantic implosion, which cast a pall over the whole year and — still, beyond any recourse — wearies and depresses me pretty much daily), I’ve spent most of the past year feeling profoundly dissatisfied with my current circumstances, so much so that I find it increasingly hard to imagine a life along these lines.

But, we’ll see — as I said, there’s still one more year to go. I only mention it here as [a] between the graduates in baby-blue robes everywhere and my impending ten-year college reunion, it’s felt like nigh time for a state-of-life update and [b] the disconnect between my everyday state of mind and my GitM-blog voice has been feeling increasingly untenable. I really have no desire to see this site degenerate into weekly whimpering and moaning about woe-is-me grad student angst. (There’s enough of that online already and, besides, think grad school is tough? Try Iraq, buddy. Or, for that matter, working minimum wage.) So, I’m getting it out of the way now, in the hopes that voicing my existential discontent once and for all will free me to go back to blogging as normal.

Still, I don’t yet know what it is, or what form it will take, but, doggone it, something has to change in my life. Several great trips and the always pleasant company of l’il Berk notwithstanding, another year unfolding like the last one did is really just too depressing to contemplate.

The Bent-Talk Express Leaves the Station.

“Americans are acutely aware of our problems, and their patience is at an end for politicians who value incumbency over principle, and for partisanship that is less a contest of ideas than an uncivil brawl over the spoils of power. I want my presidency to be an opportunity — an opportunity to fix what we all know needs to be fixed. I’m running for president of the United States; not yesterday’s country; not a defeated country; not a bankrupt country; not a timid and frightened country. I’m running for president of the United States, a blessed country, a proud country, a hopeful country, the most powerful and prosperous country and the greatest force for good on earth. And when I’m president, I intend to keep it so.”

With an eye on Giuliani and a nod to Reagan’s “Morning in America,” John McCain officially announces his candidacy for president. Well, McCain is — usually — good on the question of getting money out of politics, which I still consider to be arguably the most important domestic issue in America, and the one that prevents real, pragmatic solutions from occurring on dozens of other issues, from health care to economic policy to alleviating child poverty. But, let’s face it: McCain has proven time and time again by this point that his vaunted reputation for independence is a press-driven ruse, and that he’ll fall behind the Dubya line when even slightly leaned upon. The line that keeps coming back to mind when I think of the Senator from Arizona, and I’ve used it before here, is Senator George Norris’ description of the equally reputed maverick William Borah: He only “shoots until he sees the whites of their eyes.” That seems to be John McCain in a nutshell, and it’s been a long time since he’s done anything to prove that sentiment wrong.

Harding Coolidge Hoover et al.

Sorry it’s been quiet so far this week. Not only have I spent most of the past few days preparing a guest lecture for a friend’s class (delivered this morning, on “The Political World of the 1920’s,” went fine), but the Internet connection at the home office has been acting ornery of late. Seems to be up now, though, so I had best link away.