“Ask Muhammad All why he fights one more fight. Go ask Marlon Brando why he makes one more movie. Ask Mick Jagger why he goes on the road. See what kind of answers you come up with. Is it so surprising I’m on the road? What else would I be doing in this life — meditating on the mountain? Whatever someone finds fulfilling, whatever his or her purpose is — that’s all it is.” As a companion to Douglas Brinkley’s recent cover story on “Bob Dylan’s America”, Rolling Stone publishes excerpts from their various interviews with Dylan over the years. (I haven’t read the Brinkley article — it’s not online — but that “United States of Bob” conceit is one Greil Marcus already pretty thoroughly explored in The Old, Weird America (nee Invisible Republic) — listen to “Bob Dylan’s 115th Dream” for a good intro on the subject, or consider how much antebellum history Dylan was able to squeeze into three verses in “As I Went Out One Morning.”)
In other Bob news, and in keeping with the trickster on the borderlands” persona Dylan adopts for much of the zydeco-flavored Together Through Life, there’s a thin line between love and hate in the surprisingly violent new video for “Beyond Here Lies Nothin’,” exclusively over on IFC. “Subterranean Homesick Blues,” it isn’t. At best, you can consider it in keeping with a traditional murder-ballad-type ditty like “Delia’s Gone,” I guess. But those who believe Dylan has serious problems with women are going to find plenty of ammunition here. (And that’s before they even get to “My Wife’s Home Town.”)