The Ballad of Hollis Mason.

In the fourth installment of their making-of video series, original Watchmen artist Dave Gibbons sings the praises of Zack Snyder’s art direction, and shows brief glimpses of Hollis Mason‘s apartment and Rorschach on patrol. All well and good, but as I said before, obsessive art direction will be the easy part.

Clowns love Dominos.

“Does it depress you…how alone you really are? You had plans…look where that got ya!” Yes, even more news on the Dark Knight front: Domino’s has a fun site up with an exclusive variant trailer…and be sure to play 3-Card Monte with the Joker before you go. (If that site’s bogged down, low-quality versions have popped up on Youtube here and here.)

Update: Another exemplary new poster, and — just in case the deal isn’t closed yet — it looks like the teaser for Zack Snyder’s Watchmen will open the show. It’s safe to say I’m reaching LotR-levels of anticipation at this point.

Update 2: Gotham Tonight Episode 3 (crime in the city) and Episode 4 (Jim Gordon profile) are now up. Looks like Bal’more’s New Day Co-Op and MCU have both made it to Batman’s town.

V, meet Mr. J.

“Introduce a little anarchy, upset the established order, and eVEryoNe lOseS thEir mIndS!” If, like me, you’re devouring all things Dark Knight-related between now and July 18, three more TV spots hit the tubes, and Gotham Tonight is on its second episode. (Careful out there, tho’. The film seems to have now screened, and spoilers are flyin’.) Says Peter Travers: “The haunting and visionary Dark Knight soars on the wings of untamed imagination. It’s full of surprises you don’t see coming. And just try to get it out of your dreams.

Update: “It’s not about money…it’s about sending a message.” Ugh, temptation everywhere…12 brief clips from the film pop up on the grid. And, don’t forget, tix for those 7/17 midnight shows are now on sale.

Phi Slamma Gamma.

Of course, the Celts weren’t the only Big Green Guys going on a rampage this past week. Like much of America, I dutifully caught Louis Leterrier’s The Incredible Hulk last Saturday, partly to fill the cinematic void until the more-anticipated summer movies return (Next stop, June 27: Wall-E and Wanted.) And, well, if you haven’t seen it yet, this iteration of Hulk is about what you’d expect after Ang Lee’s notable misfire: Namely, it’s two hours of mostly mindless, Gamma and CGI-enhanced action sequences, strung together by generous heapings of Marvel continuity pr0n and a few bare threads of story, ripped mostly from the old TV show. Now, ever since Marvel hired the director of The Transporter to take another crack at Banner, this is exactly what the Hulk relaunch was billed to be. And since I too desired to see more “Hulk Smash!” from the Ang Lee version, I find it hard to be too down on these proceedings, and I’d say I enjoyed myself most of the time. Still, there’s not much here here. If you’re not a “Marvel guy” and just feel like taking in a super hero movie to whet the appetite for Hellboy 2 and The Dark Knight, I’d spend your money on Iron Man.

After a spiffy quick-edit reintroduction to the Hulk’s origin (albeit without Rick Jones or a gamma-nuke), Leterrier’s Incredible Hulk begins its first hour with a man on the run. It’s been 157 days since Bruce Banner (Edward Norton) last went all Tyler Durden on us, and he’s now hiding out in the sprawling slums of Rio de Janeiro, trying to stay off the grid, and otherwise working to keep a lockdown on his anger issues. But the US military — represented by one take-no-guff, mustachioed general, Thunderbolt Ross (William Hurt) and his deadly, if aging, new Special Ops assassin, Emil Blonsky (Tim Roth) — wants its potential Gamma-weapon back, and they will follow Banner to all ends of the earth to reacquire it, including the City of God. The first attempt at capture results in an “incident,” prompting Banner to head back to the States to look for a cure (with the help of his old flame, Betty Ross (Liv Tyler)) and the government to consider growing its own enhanced supersoldier (with the aid of the WWII-era superserum that helped bring forth Captain America.) Alas, Specialist Blonsky just can’t get enough, and before long he’s toyed with the forces of nature enough to make of himself an Abomination. This is what the military experts refer to as “blowback”…

And commence the smashing. But fear not, faithful readers! From the aforementioned super-serum to the Tony Stark sighting (now featured in the commercials), we have enough nods to the expanded Marvel universe amidst the carnage to make even Comic-Book-Guy blush. We’ve got S.H.I.E.L.D., we’ve got Doc Samson, we’ve got The Leader. (Fans of the TV show, take note also of the Bill Bixby and Lou Ferrigno sightings.) On one hand, for a old-school comic reader like me (albeit not a huge fan of The Hulk), the fact that Marvel was taking their properties to the next level and introducing interfilm continuity was the most exciting thing about this project. On the other, all the fanboy nods throughout made this film feel somewhat inchoate and unformed on its own. (What’s more, making it seem like the entire Marvel universe is in play carries its own pitfalls. When Banner is first seen discussing a cure online with a mysterious “Mr. Blue” out of New York City, I couldn’t believe they’d managed to shoehorn Reed Richards into the film. When it turned out to be someone else, I found myself let down.)

Finally, I know that I was among those asking for more mayhem and destruction from Ang Lee’s film, and that, as a character, the Hulk doesn’t really have any other setting other than “destroy things.” Still, by the time the Hulk and the Abomination engage in a climactic CGI-slugfest in my old ‘hood, I was well on the way to checking out. Part of the problem, I think, is that the fight here plays almost exactly like the final Iron Monger sequence of Iron Man. Our hero must face a bigger, more powerful eeeevil version of himself, and occasionally ensure that his significant other isn’t in the line of fire. If we’re running that show again, to be honest, I’d rather watch it with Downey and the Dude than with these two pixellated monstrosities. All that being said, Leterrier, Norton & co. have done a passable job with this Hulk do-over, and — as with Iron Man — if they’re getting the gang back together for another run, you could probably count me in for a matinee. Just maybe bulk the story up a little more next go, fellas. Too much smashing make Hulk brain tired.

The Man Behind the Curtain.

“‘He ran at full throttle, in both work and play, and was a man of kindness, wisdom and great humor,’ Cameron said in an e-mail to The Associated Press. ‘He was a kid that never grew up, whose dreams were writ large on the screens of the world. I am proud to have been his friend, and I will miss him very deeply.‘” Stan Winston, 1946-2008.

Indiana Jones and the Abandoned City.

Here’s an interesting read, particularly for those similarly underwhelmed by Kingdom of the Crystal Skull: The famed Darabont draft, Indiana Jones and the City of the Gods, leaks (If that link’s dead, G4 has a review, and Google should also be able to help.) For those who didn’t follow all of Indy 4‘s development woes, this is the draft that, apparently, Spielberg and Ford loved and Lucas singlehandedly vetoed.

To be honest, I’m not much of a Darabont fan: Yes, The Shawshank Redemption is a true TNT New Classic, but The Green Mile was inert throughout, and I thought his take on The Mist was ham-handed and shoddy. Still, City of the Gods is worth a look-thru, if nothing else than to see how a project like Indy IV evolved over time. There’s no Mutt, Mac, or Agent Spalko here, and both Marion and Indy are more dynamic and well-rounded characters in this version. But there’s also a lot of fan service (in its broader sense) here, and most of the really egregious moments from Crystal Skull are in this draft too. Oxley does the Tarzan instead of Mutt, and the rubberband tree, atomic fridge, and waterfalls are all still present. Plus, Indy gets eaten by a giant snake. No, really. So…this would’ve probably made a better film than the one we saw, but this script needed some work too.

Don’t blame me, I voted for Two-Face.

“When the chips are down, these civilized people will eat each other. You’ll see…I’ll show you.” So, did you vote? Gotham City elections closed yesterday, and the winner will soon be announced on Gotham Tonight with Mike Engel, a.k.a. Anthony Michael Hall, his identity now disclosed. (I voted Harvey Dent, natch.) Of course, it’s Friday the 13th, and the Joker has threatened another round of viral shenanigans as well…which I suspect will lead to this new alternate Dark Knight trailer. Enjoy it before WB takes it down.

Update: Dent wins! But he he doesn’t seem too happy about it

McAvoy of Bag End.

Will James McAvoy play Bilbo Baggins? That’s the current rumor. “[D]irector del Toro adds, ‘I can tell you it’s down to a few names that we all agree upon. For our first choice, completely magically we all have the same name.’