“As a rule, film score classical music is used as a shorthand: Handel indicates that the snobs have arrived, Mahler that someone is about to die, but not before pouting about it, and Wagner is a sure sign that big trouble’s a-brewing.” By way of Girlhacker, The Guardian‘s Joe Queenan dissects the most overused classical music tropes in film. “Vivaldi’s ludicrously overplayed Four Seasons invariably indicates that the stuffed shirts are having brunch; Beethoven’s Ode to Joy announces that Armageddon may be just around the corner; and anytime an aria by Verdi, Bellini or Puccini is heard, you can bet your bottom dollar that someone is going to get raped, stabbed, blinded, buried alive or impaled.”