Tag: Hal Holbrook

A Stillness at Appomattox.


“This settles the fate of all coming time, not only of the millions now in bondage, but of unborn millions to come. Shall we stop this bleeding?” The trailer for Steven Spielberg’s Lincoln is now online, apparently covering roughly the last month of the president’s life. It definitely looks more than a little Spielberg-y around the edges, but I can’t wait to see Daniel Day-Lewis — love the accurate high-pitched Kentucky voice — and Mr. Lincoln’s army of sterling character actors in this. (Showing Hal Holbrook early on was a touch of class.)

Mr. Lincoln’s Army.

Finally setting off on his long-rumored Lincoln biopic — with Daniel Day-Lewis and Sally Field as Abe and Mary Todd respectively — Steven Spielberg fleshes out his cast in impressive fashion. Joining Mr. Lincoln, among others, are Tommy Lee Jones (Thaddeus Stevens), Joseph Gordon-Levitt (Robert Todd Lincoln), James Spader, John Hawkes, Bruce McGill, Joseph Cross, Hal Holbrook, and Tim Blake Nelson. A team of rivals, and no mistake.

Oscar loves Michael (and Juno).

Writers’ strike or no, the 2008 Oscar contenders were announced this morning. And the nominees are:

Best Picture: Atonement, Juno, Michael Clayton, No Country for Old Men, There Will Be Blood. Juno? Michael Clayton? Man, these are some weird choices (and I’m Not There and The Diving Bell and the Butterfly are notably missing.) Of these, I personally would pick No Country, but I could see Atonement garnering the staid English Patient/Beautiful Mind vote.

Best Actor: George Clooney, Michael Clayton; Daniel Day-Lewis, There Will Be Blood, Johnny Depp, Sweeney Todd, Tommy Lee Jones, In the Valley of Elah, Viggo Mortensen, Eastern Promises. Nice of ’em to give Viggo a nod. I’d give this to Tommy Lee Jones for Elah, but I suspect DDL’s scenery-chewing Daniel Plainview will be hard to beat. He drinks Oscar’s milkshake.

Best Actress: Cate Blanchett, Elizabeth II: The Golden Age, Julie Christie, Away from Her; Marion Cotillard, La Vie En Rose; Laura Linney, The Savages; Ellen Page, Juno. Glad to see The Savages get some run, even if Linney makes more sense in the Supporting Actress category. Still, I haven’t seen Away, but I expect Julie Christie will run away with it.

Best Supporting Actor: Casey Affleck, The Assassination of Jesse James by the Coward Robert Ford, Javier Bardem, No Country for Old Men; Hal Holbrook, Into the Wild, Philip Seymour Hoffman, Charlie Wilson’s War, Tom Wilkinson, Michael Clayton. Ok, while Hoffman was Best Supporting Actor of the year (this, Savages, Before the Devil), Tom Wilkinson is still owed for In the Bedroom, and Hal Holbrook is basically this year’s Peter O’Toole, I’m guessing Javier Bardem is a lockity-lock. And why is Casey Affleck here? He’s the main character in that three-hour film.

Best Supporting Actress: Cate Blanchett, I’m Not There; Ruby Dee, American Gangster, Saiorse Ronan, Atonement, Amy Ryan, Gone Baby Gone, Tilda Swinton, Michael Clayton. Again, some strange choices here: Ruby Dee is one of the best things about Gangster, but she’s barely in it. Tilda Swinton is a good actress who I thought was a net negative in Clayton. And Ronan was fine in Atonement, but why not Romola Garai? At any rate, this is a two-woman race between Ryan and Blanchett, and it’s looking like Blanchett is pretty much a lock. (I thought Ryan was superb in Gone, but if more people see I’m Not There because of this win, I’m all for it.)

Best Director: Paul Thomas Anderson, There Will Be Blood, Joel and Ethan Coen, No Country for Old Men; Tony Gilroy, Michael Clayton; Jason Reitman, Juno, Julian Schabel, The Diving Bell and the Butterfly. This is tricky. I’d guess whichever of No Country and TWBB doesn’t win best picture will win here. But, since Schabel’s Diving Bell got locked out of most categories, it could win here too. For now, I’ll say Coens.

Best Cinematography: Roger Deakins, The Assassination of Jesse James By the Coward Robert Ford; Roger Deakins, No Country for Old Men; Robert Elswit, There Will Be Blood; Janusz Kaminski, The Diving Bell and the Butterfly; Seamus McGarvey, Atonement. Hmm. Normally, I’d say Deakins, but given that he’s nominated twice, his vote will split. So, it’s Elswit for TWBB, I guess.

Best Adapted Screenplay: Atonement, Away from Her, The Diving Bell and the Butterfly, No Country for Old Men, There Will Be Blood. Again, a tough one, I’ll go the Coens for No Country.

Best Original Screenplay: Juno, Lars and the Real Girl, Michael Clayton, Ratatouille, The Savages. This is often the “clever” award, given to movies the Academy otherwise didn’t much vibe to. My guess is this year it’s Diablo Cody’s for Juno.