“Could I offer one piece of serious advice?…Start thinking now about you want your legacy to be.” Having made peace with The Queen, Tony Blair (Michael Sheen once more) now contends with President Bill and First Lady Hillary Clinton (Dennis Quaid and Hope Davis respectively) in this brief teaser for Richard Loncraine’s The Special Relationship, written by Peter Morgan. (This is the fifth Morgan/Sheen collaboration after The Deal, The Queen, Frost/Nixon, and The Damned United.) With this, Treme, The Pacific, Song of Ice and Fire, and Boardwalk Empire, the reasons for re-subscribing to HBO seem to be mounting.
Tag: HBO
An Encore (Already) for Simon’s Nola.
“I can’t think of another show that is more emblematic of what we aspire to be as a network than TREME…We are thrilled that the press has recognized the profound artistry and intelligence of this show and are eager to see where David and Eric take us in a second season.” Looka! I haven’t yet boarded the Treme train which left the station this past Sunday — no Home Box Office ’round these parts just yet. Nonetheless, HBO has already ordered up a second season, and I can’t wait to catch up.
The Sultan Plays Creole. | Time to Cook.
David Simon’s Treme, his long-awaited follow-up to The Wire about musicians in post-Katrina New Orleans (and starring Wendell “Bunk” Pierce, Clarke “Freamon” Peters, Steve Zahn, Khandi Alexander of The Corner, Kim Dickens of Deadwood, and Melissa Leo of Homicide), gets a Home Box Office teaser and a start date: Sunday, April 11. Sounds like it’s almost time for the (HBO) re-up.
Update: Speaking of which, it’s almost time to cook: Also coming up on the television schedule this spring, Season 3 of Breaking Bad begins March 21 on AMC. Until then, stay out of Walt’s territory.
They Shoot Horses, Don’t They?
“The pilot is about a bunch of intersecting lives in the world of horse racing,” Milch told Daily Variety. “It’s a subject which has engaged and some might say has compelled me for 50 years. I’ve joked that if I just can make $25 million on this show, I’ll be even on research expenses.” This might be interesting — Deadwood‘s David Milch and Michael Mann are coming together for Luck, a new 1-hour pilot for HBO.
Sure, Milch’s John from Cincinnati basically went off the rails and was close to unwatchable. Still, with this, Tom McCarthy’s A Game of Thrones, and David Simon’s Treme on the docket, I might actually re-up for HBO one of these days.
Like a Cake Shop without any Cakes.
“We’ve noticed the less we say about the future of the show, the more people want to talk about it, so in an effort to reverse this trend we are today announcing that we won’t be returning for a 3rd season. We’re very proud of the two seasons we made and we like the way the show ended.” Bret? Jemaine? Murray? Alas, nobody’s present: The Kiwi powers-that-be have pulled the plug on a Flight of the Conchords Season 3 (although they will remain, in real, non-HBO life, the bane of the novelty music paparazzi.) Ah well, it was a good run.
The Game is the Game, Always.
“For some cold-ass crook gangstaz, y’all carried it like Republicans and s**t.” Haven’t watched this yet, as volume is a consideration at work (and sad to read in the comments that the Slim Charles classic, “If it’s a lie, then we fight on that lie,” didn’t make the cut.) Nonetheless, by way of a friend, 100 great quotes from The Wire, distilled into 10 minutes. All in the game, you know.
The Conchords Fly Again.
Bret? Present. Jemaine? Present. Murray and Mel? Present. Figwit? Present. Ziggy-era Bowie? Present. The novelty-music paparazzi? Present. All the ladies in the world? Present. It sounds like everyone who’s anyone is present and accounted for, so cue the second season premiere of Flight of the Conchords, now on FunnyorDie through the 21st (and appearing on HBO beginning January 18.) I haven’t watched it yet, but i believe I’ll do so directly.
Years of Hope, Days of Madness. | HBO 2.0.
“I can start the story fresh, and at the same time there will be all these events that happened in between that will provide additional storytelling energy.” Don Draper’s destination? 1969. Apparently, Matthew Weiner and Mad Men have a five-season, ten-year mission, and will jump a year or so ahead after every season. (As noted here, Season 2 picks up on Valentines Day, 1962.)
Also in TV news, HBO announces its upcoming slate, which includes Treme (“Trah-May“, a.k.a. David Simon in Nola), True Blood (Alan Ball does Southern Gothic), more Curb, a Scorsese project, and — alas — absolutely no Deadwood.
The Age of Federalism.
To give credit where it’s due, tonight’s installment of John Adams went in exactly the direction I’d hoped, spending much more time on the political and less on the personal than previous episodes. We had Hamilton and Jefferson fighting over Federalist fiscal policy, Jefferson and the Adamses debating revolution and the health of France, Citizen Genêt, the Jay treaty, the consternation of Washington over the Republican-Federalist divide, and the first transfer of presidential authority, all of which I greatly enjoyed.
I have only two minor quibbles: Some mention of the Whiskey Rebellion would’ve been grand (and could’ve been used to further dramatize Adams’ fear of the Mob, as soon to be represented in the Alien and Sedition Acts.) And, more importantly, the forgotten Founder in the series thus far has been James Madison, who — unless he’s been one of the backgrounders — has yet to appear. Even the good Doctor, Benjamin Rush, has had more screen time (although that’s probably due to his reconciliatory role in Episode 7.) Madison was in the House while Adams presided over the Senate, so shoehorning him in might’ve been unwieldy. Still, I’d have been content to have seen even a tiny nod to the writer of the Constitution — Instead of screen time, they could’ve just “cast big” a la Rufus Sewell for Hamilton, signalling Madison’s importance with a decent-sized cameo. (Now that I think about it, they should’ve done the same with Tom Paine earlier on.)
But, like I said (and my fondness for Franklin’s Parisian shenanigans notwithstanding), this was probably my favorite episode since part 2, on the Continental Congress. Heck, I even made my peace with Morse’s putty nose tonight. “I am fairly out and you are fairly in! See which of us will be the happiest!””
Birth of a Nation.
“‘He United the States of America’ is the miniseries’ motto, giving credit to Adams for everything. Franklin (Tom Wilkinson) is a rascal; Washington (David Morse) is a sapskull. Jefferson (Stephen Dillane) is distracted and, finally, deluded. And poor Thomas Paine seems never to have been born…“John Adams” is animated as much by Adams’s many private resentments as by the birth of the United States. It is history, with a grudge.” Speaking of Jill Lepore, her review of HBO’s John Adams appeared in The New Yorker a month or so ago. Now that we’re four weeks in, I’ll say that John Adams has worked as a decently acceptable Sunday night methadone for early Wire withdrawal. I particularly enjoy Stephen Dillane’s Jefferson, and (like many Americans of the early national period, I’d presume) would rather spend more time with him than with Giamatti’s Adams. Tom Wilkinson’s Ben Franklin is also worth relishing, but he’s somewhat hamstrung by the fact that virtually every other line he gets is one of Franklin’s famous epigrams. (The jury’s still out on David Morse and his putty nose — I’ll reserve judgment until after Washington’s presidency next week.)
My biggest problem with the show thus far, and this reflects my own historical biases more than anything else, is the sheer amount of time spent on John and Abigail’s relationship and family trials. This is not to say I’m totally averse to the social history: The smallpox inoculation, for example, was a intriguing addition to Episode 2. But, more often than not, I’d rather see much more birthing of the United States and much less of the domestic drama. Tonight’s episode, for example, spent more time on the respective travails of the Adams children than it did on the writing of the Constitution. Now, granted, this is partly because John Adams had very little to do with said writing (although you’d get no sense here that he was nevertheless defending it from afar.) Still, Adams and Jefferson discussed our founding charter for only one brief scene, thus shoehorning Jefferson’s thoughts on generational revolution, Franklin’s “republic, if you can keep it” riposte, Jefferson as “the American Sphinx,” the brewing of the Adams-Jefferson conflict, and the venerable undergraduate essay question, “Was the Constitution a continuation or repudiation of the American Revolution?,” all into five or so minutes. As a political history aficionado, I eat this stuff up like catnip. But then there’s at least 30-40 minutes devoted to John and Abigail doing variations on their Saltpeter-Pins schtick, and/or Sarah Polley and the rest of the Adams kids all grown up, courting and drinking. (Gasp!)
Now I understand McCullough’s book is above all else a biography, and some of this is par for the course. But — call me old-school, top-down, whatever — I’m really hoping the final three episodes, and particularly the next two on the “Age of Federalism,” spend significantly more time concentrating on the affairs of the early republic, and both John and Abigail’s important role in them, than on the domestic bliss and family squabbles of the Adamses themselves.