High Wire Act.

“The Wire, which has just begun its fourth season on HBO, is surely the best TV show ever broadcast in America…no other program has ever done anything remotely like what this one does, namely to portray the social, political, and economic life of an American city with the scope, observational precision, and moral vision of great literature.” Slate‘s Jacob Weisberg joins the swelling ranks of Wire aficionados. (Season 4 is currently pulling a lowly 98 over at Metafilter.) “This year, The Wire‘s political science is as brilliant as its sociology. It leaves The West Wing, and everything else television has tried to do on this subject, in the dust.” And, in very happy news that partially atones for Deadwood‘s early demise (although that [expletive deleted] still rankles), HBO re-ups for The Wire Season 5, which will focus on the mass media. I’ll drink a spot of Jamesons to that.

Sold under Sin.

“The closing shot of last night’s ‘Deadwood’ episode was never meant as a series-ender. But that’s what it was, and for a number of reasons, it was both appropriate and troubling: Ian McShane’s Al Swearengen kneeling on the floor of his office, cleaning up a bloodstain.” Notwithstanding two stopgap two-hour movies (bleah), Deadwood rides off into the sunset, joining Arrested Development, Twin Peaks, Freaks & Geeks, Farscape, and countless others in that graveyard on the hill for shows done in before their time. (I actually haven’t caught the last episode yet, being here in Hawaii, but chose not to avoid the spoilers nonetheless.) “From the odd quirks of its language to the vivid scrappiness of its setting to the undeniable soul at its core, there will never be another place quite like Deadwood.” Happy trails, [expletive deleted].

Way Down in the Hole.

“What The Wire says, repeatedly, is that The System — government, business, law enforcement, everything that runs this country — is broken and that the guardians of The System are too committed to defending the status quo to even try fixing it. It’s not a case of corrupt or evil people choosing to ruin things for the rest of us; it’s people of all moral calibers making decisions within the established context of their own institutions (the police force, City Hall, drug corners) without regard to how they affect the world at large.” The Newark Star-Ledger‘s Alan Sepinwall previews Season 4 of The Wire. (Via The House Next Door.)

Citizen Hearst | Re-Up.


Grim [expletive deleted] tidings…With last night’s episode (and this season’s marvelously malevolent Big Bad, George Hearst [Gerald McRaney], on the verge of running riot), we’re already halfway through our last full helping of Deadwood. (You can keep up on its historicity here.) The silver lining? That puts us ever closer to Season 4 of The Wire (this year’s target: the school system), which HBO has only just begun to tease.

Yankton’s [expletive deleted] Revenge.

Will Deadwood be dead wood after three seasons? The [expletive deleted] [expletive deleted] at HBO have decided to [expletive deleted] us all by allowing the options on the cast to lapse after this [expletive deleted] season. Still, David Milch — who’s working on a “surf [expletive deleted] noir” for the network at the moment, says he’s good for a season 4, and HBO says they’re still considering it. What is there to [expletive deleted] consider, [expletives deleted]? The Wire notwithstanding, Deadwood is the best [expletive deleted] show on television. (By the way, if you think this is [expletive deleted] hard to read, you’re more than [expletive deleted] welcome to try it the other way around.)