Heroes to Zeroes.

I thought this was interesting. Long-time readers may remember that back in the day, I wrote a few posts about the TV show Heroes pretty blatantly ripping off Watchmen and the X-Men “Days of Future Past” storylines, which was all the more annoying because showrunner Tim Kring claimed to never read comics. So, anyway, a representative from Carnival Comics found those old posts and sent along this info about the lawsuit they’ve recently filed against NBC and Heroes for plagiarism (from Season 4, which begs the question: If you pretty clearly plagiarize from someone, and yet nobody in America actually watches your final product, does it still count as plagiarism?) I must say, particularly in light of the earlier grifts, the PDF in question is rather damning.

From Who to Haddock | The Doctor is In | Creel to Reel | Heroes Fall.

Steven Spielberg and Peter Jackson’s previously-announced Tintin trilogy finds a writer in Doctor Who scribe Steven Moffat, of the Season 3 episode “Blink.” Speaking of which, I’ve run hot and cold on BBC’s Doctor Who update thus far, and have found showrunner Russell Davies’ campy contributions to be mixed at best. But the second half of Season 3 has been exceptionally good Who. From “Blink” to the “Doctor goes Human” two-parter in pre-WWI England (“Human Nature/”The Family of Blood“) to Derek Jacobi’s turn as a lonely, befuddled scientist at the end of time in “Utopia” to the Master taking Tony Blair’s job in “The Sound of Drums,” I’d say this most-recent run can hold its own with the best of the Pertwee-Baker years. (I haven’t seen “Last of the Time Lords,” the Season 3 finale, yet, but I dig John Simm as the Master, and his evil companion is a real kick.)

Off-topic, but also on the television front, I’ve recently boarded the 5:23 Mad Men commuter train. It’s a show I’ve been shying away from despite the good reviews, mainly because I feared it’d be 85% Rat Pack kitsch, i.e. its raison d’etre would be primarily to wallow in the unregenerate un-PCness of the early Sixties. But, while I’m still living a few episodes behind present-time, Mad Men makes for pretty solid television, even if, as with Miller’s Crossing, it can be hard to watch without a glass of Jamesons and clinking ice in hand. Jon Hamm’s Don Draper and John Slattery’s Roger Sterling are particularly good, and, as someone noted on The House Next Door, Michael Gladis’ Paul Kinsey is an eerie facsimile of the young Orson Welles. Plus, with all due respect to Officers Bunk and McNulty, it’s a nice change of pace to watch smart, well-written characters in a TV drama that aren’t cops, doctors, or mobsters.

Finally, I never much cottoned to it anyway, but after the Season 2 premiere, NBC’s Heroes is getting kicked off the DVR. As I said last Spring, the blatant, unattributed ripping off of Watchmen and the X-Men’s “Days of Future Past” in Season 1 was already hard to swallow. And, judging from the first week’s installment, Kring & co. have decided to go back to the well, and have stolen the Comedian storyline straight out of Watchmen too. Given that their poorly-written, overstuffed show is usually as artless as their theft here, count me out.

Twenty-Five for Fanboys.

EW lists the top 25 sci-fi offerings (in tv and film) of the past twenty-five years. Pretty arbitrary, really, but it includes Brazil (at #6), BSG (at #2 — these two should have switched places), Children of Men (#14), Eternal Sunshine (#17 — same problem), Aliens (#9), The Thing (#10), The X-Files (#4), Galaxy Quest (#24), and Blade Runner (#3), so it’s by no means a bad list. (Both Lost and Heroes should be replaced, however.) Just from what’s missing above, you can probably guess #1…can’t you, Mr. Anderson?

Who Watches the Watchmen? Tim Kring, apparently.

As I noted a few weeks ago, NBC’s Heroes has been a guilty pleasure of mine this past season: It serves up poorly-scripted, wafer-thin, and yet undeniably scrumptious slices of z-grade fanboy cheese every week, and it’s close to the only network show I watch these days. (And the “Company Man” episode of a few weeks ago was good television by any reckoning.) That being said, the show’s outright plagiarism is getting more and more marked, to the point where I’m fast losing interest. Series creator Tim Kring says he doesn’t read any comics, which I find somewhat hard to believe. And there’s always going to be some overlap in the superhero genre, just because there’s only so many ways you can tell the same sort of story. But Monday’s episode not only showed the writers continuing to lift liberally from the famous “Days of Future Past” arc from the Claremont-Byrne years of X-Men, but brazenly ripping off one of the key plot points of the mother of all contemporary graphic novels, Alan Moore’s Watchmen. And I don’t mean homage or tip-of-the-hat — I mean straight-up, unabashed, actionable stealing, right down to Linderman’s Ozymandian monologue. For shame. Do Kring & co. really think their fanboy/fangirl viewership isn’t going to notice?

Save the Spider, Save the World.

As you may have seen during last night’s Heroes (a show which has certainly hit a stride of some kind in the past few episodes — it’s gone from low-grade cheesy fun to being genuinely surprising at times, and it — and Sundance‘s Slings and Arrows — are now don’t-erase Tivo staples), NBC.com is previewing seven minutes of Spiderman 3 until 9pm PST this evening, including Aunt May on memory lane, a knock-down, drag-out between Spidey and the Green Goblin II (Harry Osborne/James Franco), and our first official look at Venom.