Don Headroom.


“People want a dance that makes them feel safe. They’ll do anything for it, even leave their friends behind.” Also by way of The Late Adopter, Buzzfeed collects some of the best hits of 80’s Don Draper. “Imagine this: not just one Corey, but two.” For more fun, read the very funny Twitter feed. “Simon isn’t about remembering a bunch of colors and sounds. It’s about remembering who we are.”

Speaking of Mad Men, I liked Forrest Wickman’s Chevy-is-Vietnam reading of last week’s strange, Dr. Feelgood-enhanced episode. That being said, the agency is starting to lose me — Don’s been spinning his wheels all season, and while it may be true-to-life, it’s not all that compelling to watch the main character become ever more repugnant and self-pitying while making the same mistakes, over and over and over again. (With that in mind, it’s become especially clear this season that Matt Weiner cut his teeth on The Sopranos.)

Also, nothing on the show is dumber or more show-stopping than 30’s whorehouse Dick Whitman. Every time we flash back to that ridiculous thicket of hyper-Freudian backstory, I’m reminded of nothing so much as Cletus the Slack-Jawed Yokel.

Fat Cats.

“‘We’ve come up against an unforeseen circumstance…’ said majority leader and Budget Committee chaircat Sen. Creamsicle (D-ND), stretching out to his entire length and repeatedly kneading the chamber carpet. ‘I think I speak for most of my colleagues when I say that, while it is extremely important we continue the legislative work at hand, we must first give this warm and bright beam of light the due consideration it deserves.'”

Well, now nothing’s getting done. From a few years ago, Cat Congress Mired in Sunbeam. “Our lawmakers were elected to serve the common cat, not their own self-interests,” Big Stripey said. “With over 6 percent of the population stray, millions more going hungry or only getting dry food, and the dogs next door developing a very real litter of puppies, we need action now for the sake of our kittens and our kittens’ kittens.”

The Literal (and Semiotic) Seuss.

The original Buzzfeed post from whence these came seems to have been airlocked, but the images have survived at LinkMachineGo and elsewhere: What Dr. Seuss Books Are Really About.

Or for a longer but equally goofy answer, see Louis Menand in The New Yorker, circa 2002: “The Cat in the Hat was a Cold War invention. His value as an analyst of the psychology of his time…is readily appreciated: transgression and hypocrisy are the principal themes of his little story. But he also stands in an intimate and paradoxical relation to national-security policy. He was both its creature and its nemesis — the unraveller of the very culture that produced him and that made him a star.”

There’s No I in Teamocil…

“I’m a HUGE fan of Arrested Development. Once I heard that each episode in the new season was going to focus on a different character, I thought it would be fun to create a series of art doing the same.” In anticipation of Season 4, artist Josh Cox creates a series of Arrested Development throwback album covers. I probably would’ve more explicitly riffed off this for the above one.