A Long-Expected Party.

Have you ever been called home by the clear ringing of silver trumpets?” Alas, for the first time in three years, we don’t have a new extended LotR DVD in the works this Christmas. But to ease the pain of its passing, the full, three-disc, 180-minute Fellowship of the Ring score will be released November 22, which will include a DVD-version in 5.1 surround sound. Presumably, the other two films will follow in due course. In the meantime, this site has assembled mp3s of some of the missing musical moments from the trilogy. (Unfortunately, they haven’t yet included the culmination of the Rohan theme, as heard during the Ride of the Rohirrim.) I will go there, I will go there…and back again.

Ever Watchful.

“Concealed within his fortress, the Lord of Mordor sees all. His gaze pierces cloud, shadow, earth and flesh. You know of what I speak, Gandalf — a Great Eye, lidless, wreathed in flame.”. (Via Supercres.)

(And, while I’m quoting our fallen friend, Saruman of Many Colors: “The hour is later than you think. Sauron’s forces are already moving. The Nine have left Minas Morgul…they crossed the river Potomac on Midsummer’s Eve, disguised as judges in black.“)

circumlocutory pleonastic flibbertigibbet!

Having already exposed Chuck Palahniuk as a (gasp!) hack, Laura Miller, Salon‘s guardian of the literary citadel, now aims to dethrone H.P. Lovecraft (and neither Cthulhu nor a number of readers are pleased). C’mon now…is that really necessary? It’s not as if Lovecraft is some endlessly promoted sacred cow of the literati — he’s just an early 20th-century spinner of pulp yarns with some cachet among the fanboy nation, one with some very Cronenberg-like hang-ups and a better flair than most at evoking unfathomable dread. What with all the goofy adjectives and leaps of hyperbole, Lovecraft is obviously an easy caricature — so why bother? Miller seems to be something of a Tolkienite and generally sympathetic to fantasy writing, so her hit here is all the more surprising. Frankly, I’d find her criticism more scintillating if she didn’t resort to shooting fish in a barrel.

Delusions of Grandeur.

As if all the talk of Scalia being our next Chief Justice wasn’t bad enough, it seems the power has really gone to his head of late. “Lamenting his inability to stop the Supreme Court’s slide away from the principles of judicial restraint he espouses, Scalia said he felt like ‘Frodo in “The Lord of the Rings,” soldiering on.’” Excuse me? You, Sir, resemble in no way the Shire-folk, and you’re definitely no Frodo. Perhaps one of the Nine, garbed in black?

A Little More.

In no surprise to anyone after the seemingly somewhat abbreviated RotK:EE, PJ announces a probable “Ultimate Edition” of LotR, to be released in a few years. The UEs would include more deleted scenes (not re-integrated into the films), more documentaries, and the blooper reels. (I wouldn’t expect to see any of this until well after both Kong and the pending format wars.)

Silicon Council.

Seen and taken from Cliopatria, Crooked Timber holds an online symposium on China Mieville and Iron Council, which includes informed essays by John Holbo, Belle Waring, Henry Farrell, Miriam Elizabeth Burstein, John Quiggen, and most notably, Mieville himself. I haven’t gotten through all of these yet, but there’s some really good stuff here, including Mieville’s nuanced analysis of the great Tolkien-Moorcock divide in fantasy writing. (I for one think that, when it comes J.R.R.T., Moorcock is full of it, as is Phillip Pullman.) Of Mieville’s books, I most enjoyed Perdido Street Station and most admired The Scar. Iron Council was a good read in fine phantasmagoric Mieville form, but I ultimately thought it was too self-conscious in its historical agenda — At times I felt I was reading J. Anthony Lukas’s Big Trouble by way of Mervyn Peake. I appreciate what Mieville was trying to do…I just don’t think he quite pulled it off.

Trailer Park Xmas.

Hello all…I finished up the end-of-term grading yesterday evening, at which point Berkeley and I started settling in to the christmas spirit down here at Murphy Home Base in Norfolk. Here’s hoping everyone out there is having a safe and merry holiday season, and that you get something better from Santa than Dubya’s warmed-over right-wing judges.

Also, if you’re looking for some trailers to tide you over, here’s Leggy & Liam battling freedom-hating infidels in Ridley Scott’s crusader pic Kingdom of Heaven, Russell Crowe trying to out-Seabiscuit Seabiscuit in Ron Howard’s Cinderella Man, a slew of A-listers vamping and vicing in the Robert Rodriguez version of Frank Miller’s Sin City, MTV Films butchering another needless remake in The Longest Yard, and creepy undead kids claiming yet another victim in Boogeyman. Enjoy, and happy holidays, y’all.(Aragorn pic via Fark.)

The End of All Things.

(But, wait, there’s room for a little more.) I could say that I haven’t posted here in two days because of the increased end-of-year work burden or the recent cable Internet outage at home base, and yes, those both played their part. But, to be honest, I’ve been spending most of my hours since Wednesday afternoon perusing the long-awaited Return of the King: Extended Edition. (Thank you, NYC fanboy underground…strangely enough, I ended up being one of the first to procure the precious, and have thus been answering spoiler-filled queries over at Tolkien Online the past two days.)

So, how is it? As with the FotR:EE and the TTT:EE, the Extended Edition is clearly a better film than the theatrical cut, with richer, denser characterizations, more Tolkien lore, and an improved sense of flow. Whatsmore, to my mind the two biggest problems with the RotK:TE have been rectified: 1) Denethor’s screen time has been doubled, and — while he still doesn’t get his palantir — the Steward is now much more multifaceted and grief-stricken than before. 2) Both Frodo & Sam’s journey through Mordor and the time between Pelennor Fields and the Black Gates have been extended, giving the Land of Shadow much more heft and menace. As you’d expect, there’s lots of great stuff here for fans of the book…Voice of Saruman stands out in particular as a scene laden to the brim with Tolkien’s prose, and such iconic moments as the Crossroads and Sam seeing the star in Mordor now get their rightful due.

That being said, some fans are going to be disappointed by the short shrift given to certain chapters (and by King Elessar’s blatant disregard for the rules of parley.) The Houses of Healing and the Eowyn-Faramir romance are touched on very lightly, and there is NO new footage included after the Crack of Doom. (I’d guess this is probably PJ’s payback to all the “multiple ending” critics, but still, I was very much looking forward to more Grey Havens…particularly more of Frodo’s final words. (“It must often be so, Sam, when things are in danger: someone has to give them up, lose them, so that others may keep them.”)

In fact, the extended RotK is the first time I’ve felt that PJ & New Line may be deliberately holding back on some of the choice footage. On the writer-director commentary, PJ admits to not including certain very memorable scenes (the Watchers of Cirith Ungol, the various weddings and epilogues) in this cut for “pacing reasons” (?), and that perhaps they’ll show up on the “25th anniversary” version. I don’t want to ascribe nefarious motives to the guy after all he’s done to create these amazing films, but this sounds to me suspiciously like a ploy to sell some HD-DVD box sets in a few years.

But, still, that’s the ring talking. All in all, RotK:EE, like its predecessors, is a wonderful gift to the fans of Tolkien and Middle Earth. And, although we have come now to the end, these three DVD sets (which look great on the shelf together) will now live on forever as a beacon of hope to fandom.