Tag: Memoriam

The Clown and the Siren.

“‘The first season of Mork & Mindy I knew immediately that a three-camera format would not be enough to capture Robin and his genius talent,’ said Marshall. ‘So I hired a fourth camera operator and he just followed Robin. Only Robin. Looking back, four cameras weren’t enough. I should have hired a fifth camera to follow him too.'”

Robin Williams, 1951-2014. See also: David Simon’s remembrance: “I encountered him only once, twenty years ago, but the memory is distinct. I found Mr. Williams good-hearted, hilarious, talented, and remarkably, indescribably sad.”

Must-see Williams: The World According to Garp, Moscow on the Hudson, The Fisher King, Good Morning Vietnam, Dead Poets Society, Aladdin.

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“‘You just learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you’re a New Yorker? The world doesn’t owe you a damn thing.'”

Lauren Bacall, 1924-2014. More from RogerEbert.com’s Balder and Dash: “The most touching thing about Bacall’s autobiography is her bewilderment about having been given so much at such a young age and then having it all taken away from her…But she did keep going, and going, for more than half a century…Her interviews were always salty, brassy, forbidding. She claimed often that she was more vulnerable than she appeared, and maybe that was true.”

Must-See Bacall: To Have and Have Not, The Big Sleep.

The Maverick.

“I’m from the Spencer Tracy school: Be on time, know your words, hit your marks, and tell the truth. I don’t have any theories about acting, and I don’t think about how to do it, except that an actor shouldn’t take himself too seriously, and shouldn’t try to make acting something it isn’t. Acting is just common sense. It isn’t hard if you put yourself aside and just do what the writer wrote.”

R.I.P. James Garner, 1928-2014. “Mr. Garner, a lifelong Democrat who was active in behalf of civil rights and environmental causes, always said he met his wife, the former Lois Clarke, in 1956 at a presidential campaign rally for Adlai Stevenson.”

Conjurer of Nightmares.

“A thread running through Mr. Giger’s work was the uneasy meshing of machines and biology, in a highly idiosyncratic blend of science fiction and surrealism…He kept a notepad next to his bed so he could sketch the terrors that rocked his uneasy sleep — nightmarish forms that could as easily have lumbered from prehistory as arrived from Mars.”

R.I.P. Swiss surrealist H.R. Giger, best known as the creator of the Lovecraftian Xenomorph from Alien (which, along with The Shining twins, Freddy Krueger, and the final shot from Carrie, is responsible for a goodly percentage of my nightmares over the years), 1940-2014. “My paintings seem to make the strongest impression on people who are, well, who are crazy. A good many people think as I do. If they like my work they are creative…or they are crazy.”

Maximum Bob.

“You don’t end up with a face like this if you’re hard, do ya? This comes from having too much mouth and nothing to back it up with. The nose has been broken so many times.” R.I.P. Bob Hoskins, the tough guy with a heart of gold, 1942–2014.

Best known for Who Framed Roger Rabbit?, The Long Good Friday, and Mona Lisa (also featuring a young Clarke Peters) stateside, Hoskins had a number of memorable supporting turns over the years — Pink’s manager in The Wall, J. Edgar Hoover in Nixon; Jet Li’s handler in Unleashed, and one of the two Central Services guys in Brazil — and was always a touch of class in a production, even in drek like Super Mario and Snow White and the Huntsman. He will be missed.

A-Hole With a Heart of Gold.

“Jim was fortunate enough to earn his living doing what he loved. He was a professional actor. His unions were always there for him, and he will remain forever grateful for the benefits he gained as a result of the union struggle…He was a lucky man in every way.”

Character actor James Rebhorn, well-known for playing doctors, lawyers, and other sinister/officious/aggravated bureaucratic types, 1948–2014.

Berkday 14.

Today would have been Berk’s fourteenth birthday. I don’t believe in an afterlife — the end is The End, so enjoy it while it lasts — and if there is some sort of Rainbow Bridge out there, I expect Berk would probably be trying to base-jump off it regardless. So, when it comes to life after death, my memories and this here Interweb will have to do.

With that in mind, happy b-day, old man. The apartment’s too quiet without you.

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The House that Egon Built.

“‘He’s the least changed by success of anyone I know in terms of sense of humor, of humility, sense of self,'[said] the late Second City founder Bernie Sahlins…’He’s the same Harold he was 30 years ago. He’s had enormous success relatively, but none of it has gone to his head in any way.'”

Actor, writer, and director Harold Ramis, 1944–2014. Whether it’s Groundhog Day Ghostbusters, Stripes, Animal House, Caddyshack or some other film in his roster, at some point he probably made you laugh.

“These comedies have several things in common. They attack the smugness of institutional life, trashing the fraternity system, country clubs, the Army — even local weathermen — with an impish good will that is unmistakably American. Will Rogers would have made films like these, if Will Rogers had lived through Vietnam and Watergate and decided that the only logical course of action was getting wasted or getting laid or — better — both.”

Related from The New Yorker, 2004: Why Ramis’s comedies are still funny today. “The voice that Ramis originated — a defanged sixties rebelliousness that doesn’t so much seek to oust the powerful as to embolden the powerless — remains the dominant mode in comedy today.”

Update: “The ones who cultivate an inner calm while others are dropping around them might well have the tougher job. He was a straight man on and off the screen. But oh, what timing.” David Edelstein on Ramis.