Tag: Ray Winstone

Narnia in Nine.

Warning: Here there be spoilers. From the Battle of Britain to the Battle for Narnia, this new nine minute supertrailer for The Lion, The Witch, & The Wardrobe pretty much walks you through the entire movie. That being said, it does look right nice, and I’m looking forward to more of Tilda Swinton. (Liam Neeson, on the other hand, has done one too many mentor roles by this point.)

(Ice) Maidens & Minotaurs.

Coming Soon acquires a slew of new images from The Lion, the Witch, and the Wardrobe. The White Witch seems fearsome enough (although I can’t say much for her battle dress.) And it looks like WETA has turned in more stunning work (although I’m a mite concerned about CGI Aslan.) Update: The full trailer is now online, and an impressive one it is.

Blood, sweat, and dust.

In the trailer bin, Philip Seymour Hoffman channels In Cold Blood-era Truman Capote — I presume that’s how he actually sounded — in the preview for Capote, also with Catherine Keener and Chris Cooper. Elsewhere, 1880s Aussie Guy Pearce gets an offer he probably should refuse in The Proposition, written by Nick Cave and also starring Ray Winstone, John Hurt, Danny Houston, David Wenham, and Emily Watson. Finally, I should’ve posted this before, but only now found it: the trailer for Martin Scorsese’s Dylan-doc No Direction Home, appearing on PBS Sept. 26th and 27th.

Mirror, Mirror, on the wall.

Worlds of wonder abound in the trailer bin today, including our first real look at Terry Gilliam’s The Brothers Grimm (looks a bit Munchausen-y…and I hope I can get used to Matt Damon’s accent) and this trippy voyage into Neil Gaiman’s Mirrormask. And, speaking of Gaiman, his and Robert Zemeckis’ forthcoming version of Beowulf has a cast: Ray Winstone, Anthony Hopkins, Brendan Gleeson, and Robin Wright Penn.

Your Lion Heart.

The AICN gang get their hands on (and quickly disavow) a Kramervision look at the first Chronicles of Narnia: The Lion, the Witch, & the Wardrobe trailer. It’s a bit Lemony Snicket-meets-LotR, and unless you’re a fan of the books I’d skip this Shakicam boot and wait until an official version leaks…but, otherwise, this is looking pretty solid, particularly Tilda Swinton.

Siege Perilous.

Well, in some other movie Clive Owen would’ve made a really great King Arthur. And he’s definitely very watchable here as the lead in the Jerry Bruckheimer-produced King Arthur. But this project basically feels like a Gladiator meets Tears of the Sun retread, and, aside from the characters’ names, it has very little to do with the Arthurian legend. I’d say the film’s probably better than you’ve heard, but still somewhat disappointing. Workmanlike, but ultimately rather drab.

I must say, I really can’t get my mind around the current trend in epic movie-making. After the wild success of PJ’s LotR, it should be a no-brainer: You can’t tell The Iliad without the gods, and you can’t do justice to the story of King Arthur without sorcerers, enchantments, love triangles or the Holy Grail. Demystify the legend and you end up with…well, I guess you end up with what you have here, which is a lot of grunting and flying arrows and bad hair days along Hadrian’s Wall. Admittedly, I liked the realistic take of a film like The Alamo, but it just seems unnecessary here (particularly when the “realism” portrayed involves 5th century Abu Ghreibs and an Arthur who’s a good 1000 years ahead of the times on the political philosophy front.)

As I said, Clive Owen is pretty solid, though, and he helps his case here as the next James Bond. Keira Knightley is passable given the material, although every time I see her now I can’t help but think of Winona Ryder and a quote by Bilbo Baggins (“I feel thin — sort of stretched, like butter scraped over too much bread.”) Ioan Gruffudd’s performance as Lancelot was also derailed by my terminal fanboyisms, as I spent most of his screentime trying — and failing — to remove his facial hair and picture him as Reed Richards/Mr. Fantastic. And the rest of the knights? Well, they’re a dirty, ragged bunch, but Ray Winstone (of Sexy Beast) and Ray Stevenson stand out as Sir Bors and Sir Deadduck respectively. Mention must also be made of a Tom Waits-voiced Stellan Skarsgard as the Saxon Big Bad, who gets off a quality zinger about Anglo-Saxon interbreeding, and who is the only person who seems to be having any fun in this project.

All in all, I suppose this movie is solid enough if you’re looking for a decently well-done entry in the long line of period war movies we’ve had of late. But, if your thoughts on King Arthur run towards Camelot, the Lady in the Lake, Morgan le Fey, or even the Holy Hand Grenade of Antioch, you might want to wait for the next iteration of the story (or just go rent Excalibur.)