The Road to Hell.

The redemptive power of suffering is, in my experience at least, vastly overrated.” Over this past weekend, I finally got the chance to read Mary Doria Russell’s The Sparrow, and, while it becomes a dark journey indeed for Emilio Sandoz, our Jesuit protagonist, over the course of the novel, I heartily recommend it. In fact, it’s probably the best science-fiction book I’ve read since Perdido Street Station (although Russell’s book is much less phantasmagoric than Mieville’s more fantasy-tinged stuff.)

A former paleo-anthropologist and academic jack-of-all-trades, Russell has retold the standard First Contact type of story here with a blend of straight-up hard sci-fi, Columbian commentary, and devastating ruminations on the price of faith and the laws of unintended consequences. While the story here seemed self-contained, I’m now rather looking forward to picking up her sequel, Children of God (although the reading queue is pretty backed up right now.) At any rate, if you like your sci-fi literate, intelligent, and ultimately somewhat nightmarish, think about checking out The Sparrow. Update: You can read the first chapter here. Also, if you haven’t read The Sparrow, stay out of the comments, where the end of the book is being discussed.

Filming the Fantasy Shelf.

Much recent news on fantasy-fiction-to-film projects has materialized of late: Christopher Nolan preps for The Prestige post-Batman, WETA readies Prince Caspian as the second film in the Narnia series (after The Lion, The Witch, and the Wardrobe), and director Chris Weitz discusses his adaptation of His Dark Materials.

Tom vs. the Martians.

With Indy IV in turnaround, Steven Spielberg now plans to team up with Tom Cruise for War of the Worlds. (And, what with Robert Rodriguez’s John Carter movie, 2005 is looking to be the year of literary Martian invasion adaptations.) Anyway, hopefully Spielberg and screenwriter David Koepp will stick closer to the source material than did that godawful-looking version of I, Robot.

Wonder Daemons.

Pullman has looked around at this broken universe of ours, in its naturalistic tatters, and has indicated, like Satan pointing to the place on which Pandemonium will rise, the site of our truest contemporary narratives of the Fall: in the lives, in the bodies and souls, of our children.” Michael Chabon belatedly reviews the His Dark Materials trilogy for the NY Review of Books.