A Costume, A Kent, and a Carrie?

Another update for DC’s Big Three: Adrianne Palicki is now filming in the full Wonder Woman garb for David E. Kelly’s new TV reboot. (The costume looks better than their first attempt.) Kevin Costner now appears to be officially in Zack Snyder’s Superman as Pa Kent. (One presumes he didn’t see Sucker Punch before closing the deal.) And, while confirming Joseph Gordon-Levitt as Alberto Falcone, Variety says Christopher Nolan’s The Dark Knight Rises is looking to cast Juno Temple as “a street-smart Gotham girl.” Is that code for Robin?

A Doctor in the (White) House.

“Young lady, there are no monsters in the Oval Office.” Via AICN, Stephen Moffatt and Matt Smith’s incarnation of Doctor Who gets ready for its second season, i.e. the sixth since the Russell Davies reboot and 32nd since the very beginning. (See also Moffatt’s adaptation of the missing 18-minutes of the Nixon era.) The show premieres April 23rd stateside, and between this, HBO’s Game of Thrones (April 17), and AMC’s The Killing (this Sunday), I suddenly have a lot more TV to watch.

A Last Round for the Brigadier.

“[M]y first Doctor was Jon Pertwee and with him came a supporting cast that remains one of the best ever…[A]t the very heart of that grouping was Brigadier Alistair Gordon Lethbridge-Stewart. A man to whom no alien incursion was a problem – he was a calm, pragmatic, military man…in many ways he was the perfect foil to the Doctor. Watson to his Holmes, Jim Gordon to his Batman.“

Nicholas Courtney, a.k.a. Brigadier Alistair Gordon Lethbridge-Stewart of Pertwee and Baker era Doctor Who, 1929-2011.

Funke Town | Coenology 101.

Mrs. Peacock with the Cornballer in Wee Britain…By way of Web Goddess, Pleated Jeans has assembled the Arrested Development version of Clue, “complete with box art, game board, suspect cards and weapon cards.” And, once that fails to entertain, Muller has fashioned a handy and informative Coenfographic to trace exactly who’s shown up where in the Coenverse over the years. Even more illuminating than the Goy’s Teeth!

Respect the Stripes? Not Hardly.

“But publicly, let me state that The Wire owes no apologies — at least not for its depiction of those portions of Baltimore where we set our story, for its address of economic and political priorities and urban poverty, for its discussion of the drug war and the damage done from that misguided prohibition, or for its attention to the cover-your-ass institutional dynamic that leads, say, big-city police commissioners to perceive a fictional narrative, rather than actual, complex urban problems as a cause for righteous concern.“

I’ve been meaning to blog this for a few days, via Genehack: After the show is harangued by Baltimore’s current police commissioner, the consistently take-no-guff David Simon sticks up for his creation, The Wire. “As citizens using a fictional narrative as a means of arguing different priorities or policies, those who created and worked on The Wire have dissented.“

Story Matters on A(TV)C.

“All in all, these AMC series remind me of American movies made in the early-to-mid-’60s, when Puritanical content restrictions were starting to break down and commercial films were embracing a new frankness, but filmmakers hadn’t yet gone into the ‘anything goes’ mode that dominated the final quarter of the 20th century…[A]s mid-’60s American film demonstrated, there’s more than one way to be ‘adult.’ AMC seems to have realized this and embraced it, and it’s one of the reasons the channel is flourishing.”

Salon‘s Matt Zoller Seitz (formerly of The House Next Door), sings the praises of AMC, home to Mad Men, Breaking Bad, The Walking Dead and Rubicon. I watch all of those except Rubicon, which is still languishing on the DVR for the time being. (Now that it’s canceled, unfortunately, I may never get around to uncorking it. This was also the fate of Carnivale.) As for The Walking Dead, it’s seriously overwritten at times — the sisterly pow-wow about fishing at the top of Episode 4 was just embarrassing — but I’ll stick around through the first season at least.

Ya happy now, b**ch?

“‘I confess to a feeling that I can only describe as a vague sense of shame,’ says Simon…’It was exacerbated when I went online and looked at the people who’d gotten fellowships in the past…I definitely felt a little sheepish after looking at the list.‘”

Take that, Pulitzer people. Wire mastermind David Simon, among others, receives a MacArthur Genius Fellowship. “His first reaction was to deflect the money (paid quarterly for five years) to charity, but the foundation urged him to take time to absorb the news.” Hey, money ain’t go no owners…only spenders. [Full list of winners.]

Thrones, Pierces.

On the eve of Martin Scorsese’s Boardwalk Empire — premiering this Sunday — HBO shows off some of the goods in its 2011 hopper: Tom McCarthy’s adaptation of George R.R. Martin’s Game of Thrones, with Sean Bean, Peter Dinklage, Charles Dance, and Lena Headey, and Todd Haynes’ five-part take on James Cain’s Mildred Pearce, with Kate Winslet, Guy Pearce, and Evan Rachel Wood. I already did the re-up a month ago — looking forward to catching up with Treme — but I’m glad to see HBO plans to keep ’em coming.

Letters from a Birmingham Trek Convention.

“[W]hen I told Dr. King I was leaving the show, I never got to tell him why, because he said, ‘You can’t.’ He explained to me just what I’ve just said. ‘Here you are on the command crew in the 23rd century, fourth in command, while we’re marching in the streets for equality.’” Nichelle Nichols, a.k.a. Lt. Uhura, relates the story of Dr. Martin Luther King, Trekkie.

The Sweet Hereafter.

“‘I have never worked for Harvey Weinstein,’ Chaykin told the Toronto Star in 2007. ‘And now I think maybe I never will.‘” A Wolfe rests: Veteran Canadian character actor Maury Chaykin, 1949-2010. “‘He was one of our greatest actors,’ [Mark] McKinney said. ‘Maury’s an actor of unparalleled gifts. You cannot learn what he had in spades.’“