Them?

“Season four’s masterstroke – the element that welds the show’s extreme self-consciousness and (yes!) cornball sincerity — is its decision to build our fears and anxieties about a resurrected Arrested Development right into the master narrative…It’s all about elapsed time and lost opportunities, and how families grow apart geographically and emotionally, and make peace with their personal limitations (and their families’), or continue to live in denial, or force some kind of confrontation, or stumble into one, and end up taking baby-duckling steps toward enlightenment. That’s why so many people have described it as sad, or dark, or depressing: It has a heart, but you can see how bruised it is.”

At Vulture, Matt Zoller Seitz sings the praises of Netflix’s Arrested Development revival. “Like The Godfather, Part II…season four of AD manages to be true to the spirit of the original while tinkering with its structure, rhythm, and themes. It’s very different from yet artistically equal to the show’s first three seasons.”

Having watched Season 3 (again) and Season 4 this past week, I’m much closer to Seitz’s awed appreciation of the Bluths’ return than, say Alan Sepinwall’s more disgruntled view. Although admittedly it takes an episode or three to vibe into what Hurwitz et al are doing, take away the rosy retrospection and Season 4 seems very much on a par with the first few seasons. I for one was increasingly impressed, and amused, by the recursive, Mobius strip intricacy of the whole proceedings, and, as you might expect, there are a lot of very funny lines throughout. (“Handcuff the King of the Jews!”) Also, since it’s already supercutted, the Sound of Silence bit made me laugh every time.

Now about those cliffhangers…don’t leave us with a Black Lodge situation, Netflix — do the right thing. You know there’s more money in the banana stand.

Update: “We couldn’t get Franklin. He was touring. He’s very big in Japan. He has a vodka ad that put him over the top.” Vulture post-mortems Season 4 with Mitch Hurwitz.

A Double-Cross Summer.

In the wake of this weekend’s Clash of the Titans reboot (which, btw, is not doing so hot, review-wise), several new summer trailers with a common theme: In probably the most promising of the lot, CIA badass Angelina Jolie has to go rogue for God and Country in the second trailer for Phillip Noyce’s Salt, also with Chiwetel Ejiofor, Liev Schreiber, and Andre Braugher. (I was sorta expecting a No Way Out ending at first, but after this, ten bucks says Schreiber’s the mole.)

Elsewhere, Liam Neeson et al love it when a TV reboot comes together in trailer #2 for Joe Carnahan’s The A-Team, also with Jessica Biel, Patrick Wilson, Bradley Cooper, Sharlto Copley, Quinton “Rampage” Jackson, and Gerald McRaney. Eh, still on the fence about this one — I’ll probably end up seeing it despite myself.

And not to be confused with this squad or the equally double-crossed Losers, Sylvester Stallone leads a team of action stars and 80’s has-beens in search of an easy paycheck in the new trailer for The Expendables, with Jason Statham, Jet Li, Mickey Rourke, Steve Austin, Dolph Lundgren, Randy Couture, Terry Crews, and, briefly, Bruce Willis and Governor Schwarzenegger. Lordy, that looks all kinds of terrible.

Update: Speaking of looking terrible, a restricted trailer for Jorma Taccone’s MacGruber, i.e. Will Forte’s SNL take on MacGyver, is also making the rounds. Along for the ride are Val Kilmer, Ryan Phillippe, Powers Boothe, Maya Rudolph, and the venerable Kristen Wiig, who hopefully gets funnier material elsewhere in the film than she does here.

Trailer Park Xmas.

Hello all…I finished up the end-of-term grading yesterday evening, at which point Berkeley and I started settling in to the christmas spirit down here at Murphy Home Base in Norfolk. Here’s hoping everyone out there is having a safe and merry holiday season, and that you get something better from Santa than Dubya’s warmed-over right-wing judges.

Also, if you’re looking for some trailers to tide you over, here’s Leggy & Liam battling freedom-hating infidels in Ridley Scott’s crusader pic Kingdom of Heaven, Russell Crowe trying to out-Seabiscuit Seabiscuit in Ron Howard’s Cinderella Man, a slew of A-listers vamping and vicing in the Robert Rodriguez version of Frank Miller’s Sin City, MTV Films butchering another needless remake in The Longest Yard, and creepy undead kids claiming yet another victim in Boogeyman. Enjoy, and happy holidays, y’all.(Aragorn pic via Fark.)